Al Pacino, Robert De Niro and Robert Duvall in the Francis Ford Coppola movie ‘The Godfather Part II’

Matt Lynn Digital reviewed the Francis Ford Coppola movie The Godfather (1972) in January 2023. Today, we look to Ford Coppola‘s sequel as released in December 1974, namely The Godfather Part II (1974). Both claim the Mario Puzo book The Godfather as source material, with screenwriting credit for Puzo and Ford Coppola.

(From left, Robert Duvall as Tom Hagen and Al Pacino as Michael Corleone in the Francis Ford Coppola movie The Godfather Part II).

The original movie told the story of a clandestine organized crime dynasty’s transfer from an aging patriarch to a reluctant son of the original; the second movie tells of the early life and career of that patriarch from SicilyItaly to New York City, New York as prequel while showing the son expand and control the dynasty as sequel. This storytelling decision to expand upon the original while speaking to the fate of the Don Vito Corleone’s family broke cinematic ground with meaning while offering satisfaction.

(From left, Robert De Niro as Vito Corleone and Leopoldo Trieste as Signor Roberto in the Francis Ford Coppola movie The Godfather Part II).

The story of Don Michael Corleone within The Godfather Part II opens in 1958 in Lake Tahoe on the California and Nevada border, accepting meetings in that role on the day of his son’s First Communion. Capo Frankie Pentangeli raises dismay about extracurricular behavior in the Bronx by Jewish mobster Hyman Roth’s organization. Meanwhile, Senator Pat Geary insults the Corleones specifically and Italians generally, demanding a bribe for casino operations that Michael aims not to pay. A failed assassination attempt on Michael Corleone leads him, while departing, to confide in consiglieri Tom Hagan that he, Corleone, fears a traitor exists within the organization. Al Pacino, Michael V. Gazzo, Lee Strasberg, G.D. Spradlin and Robert Duvall portrayed Corleone, Pantengeli, Roth, Geary and Hagan, respectively.

(Giuseppe Sillato as Don Francesco in the Francis Ford Coppola movie The Godfather Part II).

The story of Don Vito Corleone starts within The Godfather Part II as nine-year-old Vito Andolini in the Corleone neighborhood of Sicily in 1901. An insult to Mafia chieftain Don Francesco by Vito’s father led to the murder of Vito’s family, with Vito fleeing to New York City with the name Vito Corleone. It was 1917 that Vito loses his job due to interference by Don Fanucci before Vito’s neighbor, Peter Clemenza, asks Vito to hold some guns to avoid criminal consequences. The pair later strike up the beginnings of the Corleone crime empire while we get to meet Vito’s wife, Carmela, and the couple’s four kids. Oreste Baldini, Giuseppe Sillato, Robert De Niro, Gastone Moschin, Bruno Kirby, Francesca De Sapio, Roman Coppola and Louis Marino portrayed Vito Andolini – as a Boy, Don Francesco, Vito Corleone, Don Fanucci, young Peter Clemenza, young Carmela Corleone, Sonny Corleone – as a Boy and young Michael Corleone.

(From left, Al Pacino as Michael Corleone and John Cazale as Fredo Corleone in the Francis Ford Coppola movie The Godfather Part II).

The stories escalate from there, with Michael moving against Geary for political support while aiming for business plans in Cuba. Intrigue with Pentangeli and Roth bring Johnny Ola and Fredo Corleone into clearer focus, while Geary goes to bat for Michael Corleone and the Corleone criminal enterprise against a Senate Committee in Washington DC. When Mama (Carmela) Corleone as portrayed by Morgana King, drama for Michael comes full force with revelations for Connie, Fredo, Kay and the ongoing legacy of the family. Meanwhile with the prequel, a partnership with Salvatore Tessio brings additional friction with Don Fanucci that leads to the initial expansion of the Corleone crime family that many years later becomes the storyline explored with Michael. Dominic Chianese, John Cazale, Talia Shire, Diane Keaton and John Aprea portrayed Johnny Ola, Fredo Corleone, Connie Corleone, Kay Adams Corleone, and Young (Salvatore) Tessio, respectively.

(Diane Keaton as Kay Adams Corleone in the Francis Ford Coppola movie The Godfather Part II).

The Godfather Part II movie raises so many questions and suspense that are resolved with clarity, directness and brutality. Loyalty and betrayal are strong themes running throughout; that the story of Vito Corleone and Michael Corleone have moved from an initial innocence to an assertive, yet seemingly principled criminal philosophy is remarkable and substantial when looked at in parallel. I grant The Godfather Part II as directed by Francis Ford Coppola 4.75-stars on a scale of 1-to-5.

Matt – Saturday, April 6, 2024

The Year 2023 in Movies

Continuing with the final part of our year in review, Matt Lynn Digital invites you to look back at the last year in reviews of books, movies, music and television. We look at these with individual categories, one per day through today. Today we share the forty-seven (47) movies from nine (9) decades reviewed by Matt Lynn Digital in 2023.

(The 1972 movie The Godfather).

The top rated movie we watched in 2023 was The Godfather (1972). Earning 4.75-stars on a scale of 1-to-5, the film presented solid exposition of the power dynamics and traditions for the family as established by the family patriarch Vito, along with the command-and-control structure of the working the business.

(The 2023 movie Oppenheimer).

Four movies earned 4.5-stars in 2023, including the movie Oppenheimer (2023). The movie detailed the role American scientist J. Robert Oppenheimer had in the development of the atomic bomb. The further movie Gone Girl (2014) was joined by There Will Be Blood (2007) and the movie Mystic River (2003).

(The 2023 movie Killers of the Flower Moon).

The movie Killers of the Flower Moon (2023) leads a dozen movies that earned 4.25-stars from Matt Lynn Digital. The ongoing murders of members of an affluent Native American tribe for profitable mineral rights, under the guise of marriage and love, made for a somber yet at times poignant movie. Other films to earn 4.25 stars included the movie The Banshees of Inisherin (2022), the biopic King Richard (2021), the biopic The Aviator (2004), the animated movie The Incredibles (2004), the pandemic-fueled horror movie 28 Days Later (2002), the alcoholism-fueled movie Leaving Las Vegas (1995), the coming-of-age movie The Breakfast Club (1985), the supernatural comedy Ghostbusters (1984), the political history movie Reds (1981), the independently released Friday the 13th (1980) and, finally, the movie Apocalypse Now (1979).

(The 2022 movie Death on the Nile).

The mastermind detective movie Death on the Nile (2022) leads a group of nine (9) movies to earn 4.0-stars from Matt Lynn Digital in 2023. Other quality movies in this group include the movie The Hateful Eight (2015), the biopic Walk the Line (2005), the historical drama Gladiator (2000), the movie The Big Lebowski (1998), the psychological horror movie The Silence of the Lambs (1991), the comedy Home Alone (1990), the science fiction movie Planet of the Apes (1968) and, finally, the film noir movie The Maltese Falcon (1941).

(The 2019 movie El Camino: A Breaking Bad Movie).

Eighteen (18) movies earned the 3.75-stars rating for 2023, led by El Camino: A Breaking Bad Movie (2019). That coda to the Breaking Bad (2008-2013) television series spells out what happened with character Jesse Pinkman. Other movies earning 3.75 stars include the science fiction movie Alien: Covenant (2017), the animated movie The Secret Life of Pets (2016), the animated movie Inside Out (2015), the live-action animated movie Paddington (2014), the movie Chef (2014), the supernatural horror movie Oculus (2013), the biopic The Express (2008), the comedic movie Clerks II (2006), the science fiction blockbuster War of the Worlds (2005), the comedy Freaky Friday (2003), the movie Frequency (2000), the science fiction movie The Fifth Element (1997), the crime drama Absolute Power (1997), the family movie Hocus Pocus (1993), the neo-noir movie Blow Out (1981), the dystopian crime movie A Clockwork Orange (1971) and, finally, the animated movie Cinderella (1950).

(The 2021 movie Cry Macho).

A pair of movies led by the western movie Cry Macho (2021) earned 3.5-stars from Matt Lynn Digital. The other is the fantasy comedy Jack Frost (1998).

(The 2023 movie Nefarious).

Alleged demonic possession was in play for the movie Nefarious (2023), which at 3.25-stars on a scale of 1-to-5 completes our reviewed movies for the year. Having felt manipulated by this film to make a political point, our feeling was that we could have enjoyed this movie more if the presentation had taken a different approach.

Matt Lynn Digital appreciates your continued interest in the content we offer. Should you have albums that you’d like us to review, or similar work to that mentioned above, please be sure to let us know.

Matt – Sunday, December 31, 2023

Marlon Brando, Al Pacino and James Caan in the Francis Ford Coppola movie ‘The Godfather’

I’ve known for a significant time that the Francis Ford Coppola movie The Godfather (1972) has been well regarded in many circles. The movie has been on friend Cobra‘s listing of best movies for far too long to not offer our thoughts for the crime drama set primarily in New York City, New York, United States, Sicily, Italy, and Las Vegas, Nevada.

(From left, Al Pacino as Michael Corleone and Marlon Brando as Vito Corleone in the Francis Ford Coppola movie The Godfather).

The Godfather movie, along with the two sequels that followed, are drawn from the Mario Puzo book named The Godfather. The story begins in 1945 in New York City with the receiving of requests by the father of Constanzia ‘Connie’ Corleone as she is due to marry Carlo Rizzi. Connie and Carlo were portrayed by Talia Shire and Gianni Russo, respectively. Mafia don Vito Corleone, as portrayed by Marlon Brando, is compelled by tradition to accept all requests in this setting. Former marine and squeaky-clean Michael Corleone introduces his girlfriend, Kay Adams, to the family at the wedding reception. Michael and Kay were portrayed by Al Pacino and Diane Keaton, respectively.

(From left, Robert Duvall as Tom Hagen and John Marley as Jack Woltz in the Francis Ford Coppola movie The Godfather).

The film offers really solid exposition of the power dynamics and traditions for the family as established by the family patriarch Vito, along with the command-and-control structure of the working the business. For example, a wedding day request from Vito’s godchild Johnny Fontane, a popular singer, was in gaining a feature role in a movie to be made by a studio run by Jack Woltz. Corleone sent his consigliere, or underboss, Robert Duvall to see Woltz about addressing the casting request. The exceptionally clear response to being rebuffed by Woltz quickly changed when a shocking crime was perpetrated upon Woltz and his prize horse, which quickly prompted Woltz to change the casting decision to Fontane’s benefit. Al Martino, John Marley and Robert Duvall portrayed Fontane, Woltz and Hagen, respectively.

(From left, Richard S. Castellano as Peter Clemenza and Lenny Montana as Luca Brasi in the Francis Ford Coppola movie The Godfather).

It was soon after these dynamic introductions that the Corleone family is approached drug baron Virgil Sollozzo to enter the drug trade. The friction that informs much of the movie begins with this meeting, wherein the decision to decline the offer to protect the Corleone political connections leads to an escalating series of back-and-forth intrigue. Don Vito Corleone suspicion escalates beyond Sollozzo to the man’s business connections, with the rejection of a business collaboration perceived as an insult. Luca Brasi suffers for this rather quickly, with Peter Clemenza continuing to serve the Corleone family with what follows. Al Lettieri, Lenny Montana and Richard S. Castellano portray Sollozzo, Brasi and Clemenza, respectively.

(From left, James Caan as Sonny Corleone and Talia Shire as Constanzia ‘Connie’ Corleone in the Francis Ford Coppola movie The Godfather).

The escalating feud among the leading mobster families provokes conflict that really disrupts the way the Corleone family is led. Circumstances call into question who should lead the family and how to address an attack on the family patriarch. Sonny Corleone, as portrayed by James Caan, Fredo Corleone as portrayed by John Cazale and Michael Corleone diverge in their support for the family with two of the three leaving for Las Vegas and Sicily, respectively. The family rallies around their father while pursuing different ends, while it is the situation precipitated by the offer of the drug business that sparked the conflict among the families.

(From left, Diane Keaton as Kay Adams-Corleone and Simonetta Stefanelli as Apollonia Vitelli-Corleone in the Francis Ford Coppola movie The Godfather).

The notion of loyalty underpins so much of the storytelling at this point in the larger story. Connie’s husband Carlo has become abusive while Carlo’s brothers-in-law are set about their business. One of the brothers gets married only to have his wife meet an exceedingly bad end. With Connie pregnant to Carlo and another brother getting killed with the animosity between the families, the core point of the film becomes almost inevitable; who leads the family when Vito Corleone ultimately dies? Will any within the family have the will and the capacity for the leadership? Will the family continue on for another generation?

(From left, Alex Rocco as Moe Greene and John Cazale as Fredo Corleone in the Francis Ford Coppola movie The Godfather).

The resolution to these artfully raised questions brings so many changes. One brother’s temper does him in. Another making questionable judgments while not sticking up for himself leads to separate problems. Vito Corleone’s grooming leads to an interesting outcome, along with a change in the disposition of the siblings, the family and the marriages for the two wedded siblings at the end of the movie. The trajectory of the family coupled with the emotional dynamics really worked will against a clearly difficult backdrop of criminal drama.

(From left, Richard Conte as Barzini, Victor Rendina as Philip Tattaglia and Al Lettieri as Virgil Sollozzo in the Francis Ford Coppola movie The Godfather).

The Godfather movie raises so many questions; the flick resolves so much with a directness, clarity and brutality that feels appropriate to the place this story lives. That the story doesn’t seem to meander despite coming in at a longer than typical length is a testament to the quality of the cinematic achievement; the settings and costumes feel remarkable in their own right. With so much that works, I grant The Godfather as directed by Francis Ford Coppola 4.75-stars on a scale of 1-to-5.

Matt – Saturday, January 7, 2023

The Year 2019 in Movies

Matt Lynn Digital maintained a strong focus on reviewing movies in 2019. In taking a cinematic look back at the films we reviewed this year, we’ll provide a look into 48 distinct movie. We’ll additionally look into the concept of remakes and sequels as a bonus look into the field of movie making.

YIM 2 - Vertigo(The best movie Matt Lynn Digital saw in 2019 was Vertigo as directed by Alfred Hitchcock. We reviewed this film in April).

Atop our list of movies is the one film that received a perfect rating, that of 5-stars on a scale of 1-to-5 stars on the movie rankings list. Alfred Hitchcock‘s Vertigo (1958) is a film that uses a narrative style mixing in mystery, thriller, romance, and psychological illness to suggest that a character isn’t guilty. Vertigo is the first of two Alfred Hitchcock movies reviewed this year.

YIM 3 - 2001 A Space Odyssey(Matt Lynn Digital reviewed 2001: A Space Odyssey as directed, produced and co-written by Stanley Kubrick. We reviewed this film in January).

Our second best film for the year introduced us to space tourism and a future of what traveling in space might look like in Stanley Kubrick‘s 2001: A Space Odyssey (1968). The rating of 4.75-stars reflects the quality in innovation, storytelling, science fiction and genre creation. This is also the first of six movies reviewed this year associated with space travel.

YIM 4 - Ordinary People, Glengarry Glenn Ross and Saving Private Ryan(Three films rated at 4.50-stars included 1980’s Ordinary People, 1992’s Glengarry Glenn Ross and 1998’s Saving Private Ryan. The films were reviewed in January, April and July, respectively).

Four Academy Awards awaited the film Ordinary People (1980), a sad, moving, and emotionally satisfying film. Glengarry Glen Ross (1992) offers the colorful language of full-throated criticism of the modern American business culture. The first of six films produced, directed or both for Steven Spielberg happens to be the first of three films starring Tom Hanks in our review this year. The film Saving Private Ryan (1998) shows a highly realistic depiction of the human cost of war, culminating in the central stories of a group of soldiers tasked with saving one soldier whose brothers died in that same war.

YIM 5 - Once Upon a Time...in Hollywood, The Matrix and Big(Three of six films rated at 4.25-stars by Matt Lynn Digital included 2019’s Once Upon a Time…in Hollywood, 1999’s The Matrix and 1988’s Big. The films were reviewed in August, May and November, respectively).

The film Once Upon a Time…in Hollywood (2019) provides a fictional retelling of the time, the place, and an fact-adjacent place of Hollywood in the 1950s and 1960s. A winner of four Academy Awards, the film The Matrix (1999) offered a groundbreaking dystopian movie-going experience. The film Big (1988) made a splash with the whimsy of a 13-year-old boy in a grown man’s body.

YIM 6 - Rain Man, Field of Dreams and How the Grinch Stole Christmas(The remaining six films rated at 4.25-stars by Matt Lynn Digital included 1988’s Rain Man, 1989’s Field of Dreams and 2000’s How the Grinch Stole Christmas. The films were reviewed in October, June and December, respectively).

Another winner of four Academy Awards in our reviews this year was the serious yet comedic film Rain Man (1988). The second film, Field of Dreams (1989), while being perhaps the best baseball film ever made is the first of three movies reviewed this year to star Kevin Costner. The film How the Grinch Stole Christmas (2000) offers an irrepressible portrayal of an aggrieved Grinch who does not care for the holiday of Christmas.

YIM 7 - Joker, A Raisin in the Sun, Hidden Figures and Apollo 13(Four of eight films rated at 4-stars by Matt Lynn Digital included 2019’s Joker, 1961’s A Raisin in the Sun, 2016’s Hidden Figures and 1995’s Apollo 13. The films were reviewed in October, June, November and July, respectively).

The film Joker (2019) tells a gritty, physically demanding, emotional gut punch of an origin story of a would-be foil of the comic book character Batman. A Raisin in the Sun (1961) is a film adaptation that reviews the value and purpose of dreams, the need to fight racial discrimination and the importance of family. The film Hidden Figures (2016) focuses on three African American women fighting society and culture placing the obstacles of indignity, prejudice, and institutional obstruction in their way in service of the space race. The blockbuster film Apollo 13 (1995) tells a triumphant story of human ingenuity and tragedy averted.

YIM 8 - A Few Good Men, Remains of the Day, The Fugitive and Who Framed Roger Rabbit(The remaining eight films rated at 4-stars by Matt Lynn Digital included 1992’s A Few Good Men, 1993’s The Remains of the Day, 1993’s The Fugitive and 1988’s Who Framed Roger Rabbit. The films were reviewed in July, February, March and September, respectively).

A Few Good Men (1992) is a film that tells the fictional tale of a Navy lawyer who has never seen the inside of the courtroom while defending two reticent Marines accused of murdering a colleague in Cuba. The film The Remains of the Day (1993) explored how to waste your life emotionally and politically. The preceding two films garnered a dozen Academy Award nominations between the two of them. In the film The Fugitive (1993) you see the story of a man unjustly accused of murdering his wife who gains his freedom through a train accident then sets to establish his innocence. In Who Framed Roger Rabbit (1988), a partially live action and animated film offers an adult sensibility filled with lurid details, gags of a lighter nature, and an all around good time.

YIM 9 - Motherless Brooklyn, Knives Out, The Darkest Hour and Looper(Four of fourteen films rated at 3.75-stars by Matt Lynn Digital included 2019’s Motherless Brooklyn, 2019’s Knives Out, 2017’s The Darkest Hour and 2012’s Looper. The films were reviewed in November, December, April and June, respectively).

The film  Motherless Brooklyn (2019) sets itself against the backdrop of 1950s New York City with a puzzle for lead character and private detective with Tourette’s Syndrome. Knives Out (2019) as a whodunnit works for not being based on anything. The film The Darkest Hour (2017) follows the trying days of the Dunkirk Evacuation with Operation Dynamo. Rian Johnson, with his second film in this paragraph in Looper (2012), gets creative with two characters battling each other through time in an interesting science fiction plot.

YIM 10 - October Sky, Ready Player One. Inception and Widows(Four of fourteen films rated at 3.75-stars by Matt Lynn Digital included 1999’s October Sky, 2018’s Ready Player One, 2010’s Inception and 2018’s Widows. The films were reviewed in May, February, January and September, respectively).

The film October Sky (1999) tells the tale of a difficult father son relationship and the formation of a career in the early days of the space race. The science fiction, fantasy, and action film Ready Player One (2018) offers clever mixes of graphic and reality set in the hypothetical year 2045. Winning four Academy Awards, the film Inception (2010) offers a decent science fiction story line with an entertaining if dreamy cinematic experience that works well in movie or home theaters alike. The film Widows (2018) offers political intrigue, a corrupt local crime boss, and a broken relationship between a husband and wife that gives this story some punch.

YIM 11 - Bull Durham, Ferris Bueller's Day Off, Terms of Endearment, Poltergeist, Close Encounters of the Third Kind and White Christmas(Six of fourteen films rated at 3.75-stars by Matt Lynn Digital included 1988’s Bull Durham, 1986’s Ferris Bueller’s Day Off, 1983’s Terms of Endearment, 1982’s Poltergeist, 1977’s Close Encounters of the Third Kind and 1954’s White Christmas. The films were reviewed in October, August, February, August, June and December, respectively).

The film Bull Durham (1988) is the film of a rookie, a veteran, an experienced fan seeking a love triangle and baseball.  Ferris Bueller’s Day Off (1986) tells a comedic high school version of the message stop and smell the flowers. Winning five Academy Awards, the film Terms of Endearment (1983) tells of the family problems of an independently spirited daughter and her hard to please mother. The original film Poltergeist (1982) gains momentum as random occurrences in the home begin to introduce themselves and grow into outright disturbances that scare the audience. An alien-themed film with a lyrical bent gives a glimpse into the wonder that is the move Close Encounters of the Third Kind (1977). White Christmas (1954) is the romantic movie for Christmas that quite honestly inspired the genre.

YIM 12 - Fargo, Fallen, The Color Purple and Dumbo(Four of ten films rated at 3.50-stars by Matt Lynn Digital included 1996’s Fargo, 1998’s Fallen, 1985’s The Color Purple and 1941’s Dumbo. The films were reviewed in February, March, March and March, respectively).

Fargo (1996) won an Academy Award for screenplay written for the screen while playing in the genres of crime, drama, and possibly thriller. Most correctly, the film should be characterized as a dark comedy in small town America. The film Fallen (1998) mixes the genres of supernatural with police thriller in tackling a clever telling of aiming to defeat the supernatural. The film adaptation of The Color Purple (1985) could have been harder hitting in getting into some of the upbringing and forcibly separate lives of sisters Celie Johnson and Nettie Harris. Brutal truths in the lives of the sisters are explored nonetheless with dignity. The fifth movie released by Disney was the animated film Dumbo (1941). The 64-minute feature gets into the story of a baby elephant forced to work in order to survive.

YIM 13 - The Birds, Arachnaphobia and Brian Banks(Three of ten films rated at 3.50-stars by Matt Lynn Digital included 1963’s The Birds, 1990’s Arachnophobia and 2018’s Brian Banks. The films were reviewed in May, June and August, respectively).

The sudden and unpredictable attacks of birds form the premise of the Alfred Hitchcock film The Birds (1963). Arachnophobia (1990) just might be the film for you have a fear originating in childhood that you’d like to have comically challenged for two hours. The film Brian Banks (2018) recounts much of the story of a man sent to jail unjustly in what appears to be a clear case of injustice.

YIM 14 - Pets 2, Gemini Man and The Town(Three of ten films rated at 3.50-stars by Matt Lynn Digital included 2019’s The Secret Life of Pets 2, 2019’s Gemini Man and 2010’s The Town. The films were reviewed in July, October and December, respectively).

The Secret Life of Pets 2 (2019) is an animated film that follows the lives of pets in an apartment in New York City as pet owners leave for the day with the added mixture of a circus, a farm, and an airplane flight. The film Gemini Man (2019) deserved better than the box office gate the film received in theaters.  The Town (2010) offered a film looking into the notion of burglary, armored trucks, banks, and Fenway Park serving as places just as distinctly as there were funny notions of love and loyalty.

Movies landing with a rating of 3.25-stars included The Jackal (1997) reviewed in MayThe Running Man (1987) reviewed in August, The Mule (2018) reviewed in August, Welcome to Marwen (2018) reviewed in September and Ad Astra (2019) reviewed in October.

Addressing the theory of remaking movies or offering sequels that keep a franchise going, we offered why this can work to assist storytelling and cinema in a look we made in March. We looked into A Star is Born (1937), A Star Is Born (1954), A Star Is Born (1976) and A Star is Born (2018). We looked into The Wizard of Oz (1939) and The Wiz (1978). Then there were Little Orphan Annie (1932), Annie (1982), Annie (1999) and Annie (2014). The films The Godfather (1972) led to sequels The Godfather: Part II (1974) and The Godfather: Part III (1990). Batman Begins (2005) led to The Dark Knight (2008), and The Dark Knight Rises (2012). The film Jaws (1975) led to three sequels, namely Jaws 2 (1978)Jaws 3-D (1983), and Jaws: The Revenge (1987).

We finally offered our Top 20 Movies in ranked order (with reviews) in April. I recommend taking a closer look, as there are movies that we didn’t specifically review in 2019 that are worth your time. 2019 was a good year for reviews with us. Invite your friends to follow us if you agree.

Matt – Tuesday, December 31, 2019

Remakes and Sequels in the Service of Story

Matt Lynn Digital recently reviewed the Disney animated movie Dumbo (1941). We did so anticipating the live action movie Dumbo (2019)‘s theatrical release in the United States on Friday, March 29th. Without making a fine distinction between remake and reboot, we at Matt Lynn Digital wanted to review why some remakes work well while also looking at why sequels, as a distinct thing from remakes, also are worth the time.

Remake - A Star is Born 1937,1954, 1976, & 2018(The movie A Star Is Born was first made in 1937 with remakes in 1954, 1976, and 2018).

Followers of the 2019 Academy Awards will recognize A Star is Born (2018) as a featured nominee for best movie. Bradley Cooper and Lady Gaga starred in the directorial debut for Cooper. Part of the success this movie enjoyed rested in starring a well-known musician and actor (Cooper and Gaga) in featured roles executing their craft using contemporary film and musical take on a movie that had been made three times before. A Star Is Born (1976) with Barbra Streisand and Kris Kristofferson, A Star Is Born (1954) with Judy Garland and James Mason, and A Star is Born (1937) with Janet Gaynor and Fredric March were others that succeeded with a similar compelling story.

Remake - The Wizard of Oz - The Wiz - 1937 & 1978(1939’s movie The Wizard of Oz was remade as The Wiz in 1978).

We at Matt Lynn Digital have ranked the movie The Wizard of Oz (1939) as the fourth best movie ever made. Starring Judy Garland and her friends the Scarecrow, the Tin Man, and the Cowardly Lion singing and dancing in the service of an adventure of rural versus city, labor versus management, poor versus rich, the music enhanced the telling of a story that has endured for many years. The same themes with a Motown soundtrack and an African American cast including Diana Ross, Michael Jackson, Nipsey Russell, Lena Horne, and Richard Pryor starred in The Wiz (1978). A powerful story serving powerful audiences are powerful reasons to remake a movie.

Remake - Annie - 1982, 1999, & 2014(1982’s musical movie Annie was remade in 1999 and 2014. All take inspiration from Little Orphan Annie of 1932).

The final look into remade movies includes the music filled song of looking towards tomorrow with family with Annie (1982). In reprising a heartwarming tale of the adventures of a young girl in finding her family, whereas The Wizard of Oz and The Wiz both reinforce getting back home, the original stars Albert Finney, Carol Burnett, Aileen Quinn and others. Annie (1999) rebooted the franchise for television with Kathy Bates as a notable star. Annie (2014) offered an entertaining review of the movie with a more robust and contemporary telling of the underlying story with stars Jamie Foxx, Quvenzhané Wallis, and Cameron Diaz. The 1982 and 2014 movies experienced commercial success. Each of these movies trace back to the comedy and drama Little Orphan Annie (1932).

The notion of making sequels to movies often is more creatively deliberate. Its goals are often are not to retell a story with a more modern take or for a more modern audience, as we explored with some examples above. Instead, sequels seek to extend a story or take themes explored within a story to something more robust or fanciful.

Sequel - The Godfather - 1972, 1974, & 1990(1972’s The Godfather experienced sequels in 1974 and 1990).

The Godfather (1972) joins with The Godfather: Part II (1974) and The Godfather: Part III (1990) to tell the trials and tribulations of an Italian American mafia family with the surname Corleone. The story tells of how Vito Corleone became a major American criminal, how he died, and then how his youngest son Michael Corleone succeeded him and then became corrupted. The first two movies often are considered superior to the third movie in the sequence. Marlon Brando, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Robert De Niro, and Talia Shire are notable stars in these movies.

Sequel - The Dark Knight - 2005, 2008, & 2012(2005’s Batman Begins was followed by The Dark Knight and The Dark Knight Rises in 2008 and 2012, respectively).

The Dark Knight Trilogy of movies collectively refers to Batman Begins (2005), The Dark Knight (2008), and The Dark Knight Rises (2012). Christian Bale, Michael Caine, Katie Holmes, Gary OldmanMorgan Freeman, and Heath Ledger are notable stars telling the background story of Bruce Wayne (aka Batman), his becoming a crime fighter, and some graphic crime and violence he fights while simultaneously fighting his own emotional baggage wrought by the death of his parents at the hand of violent crime. Christopher Nolan became a director of worldwide reputation thanks to these movies.

Sequel - Jaws - 1975, 1978, 1983, & 1987(The 1975 blockbuster movie Jaws was followed by sequels in 1978, 1983, and 1987).

The movie Jaws (1975) led to three sequels, namely Jaws 2 (1978), Jaws 3-D (1983), and Jaws: The Revenge (1987). The first movie launched the career of director Steven Spielberg, who directed only the first movie. Roy Scheider starred in the first two movies, as did Murray Hamilton, and Lorraine Gary. Other notable stars in the original were Robert Shaw and Richard Dreyfuss. The notion for all four movies was to extend the suspenseful interplay between unsuspecting folks on the beach, a hungry great white shark, and the engaging conflict the allows the audience to question who is the predator and who is the prey. Each movie in the series had a different director. Both the quality and originality of the series suffered from one movie to the next in this series, which is to say that this series demonstrates cases where sequels failed in the mission to extend the story into new and original places.

In walking through some notable remakes and movie sequels, my aim was to begin a dialogue for where one or the other is appropriate. Especially with some examples of sequels, we are aiming to stake more ground for where sequels are not appropriate. For example, two sequels for Batman Begins seem justified, and a second sequel for The Godfather seems unwarranted. Multiple follow-ups for Jaws seem clearly unnecessary. The remakes of films largely seem justifiable reaches into new territory. What do you think?

Matt – Wednesday, March 27, 2019

Completing Dennis Lehane’s loose trilogy of novels in ‘World Gone By’

The three books of Dennis Lehane‘s Coughlin trilogy follow an unexpected path in telling three distinct stories that are only loosely connected by a cast of common characters over many years. While ostensibly about one family, the narrative arc of the three books rather connects two brothers (a cop and a gangster) first through their father in The Given Day and then Live By Night. The larger story then pivots to the story of a gangster aiming to get out of the business while losing every semblance of family in Live By Night and World Gone By.

World Gone By 2 - Dennis Lehane(Dennis Lehane)

Joe Coughlin, the youngest son of Boston Police Department captain Thomas Coughlin, is the unmitigated star of the books Live By Night and World Gone By. Climbing the corporate ladder of  the Italian mob takes Joe from his Irish family in Boston, Massachusetts to Ybor City, Florida near Tampa to Havana, Cuba. The era of Prohibition and illegal booze are the racket. Joe is highly competent, highly profitable, and highly troubled as far as his love interests, loyalty to the family he cultivates in the mob, and functioning a mob syndicate amongst the intrigue of those gunning for him, regardless of his conscience.

World Gone By 3(World Gone By)

World Gone By is a clear sequel to Live By Night in tone, style, and subject matter. That The Given Day even existed adds nothing to this tale, as the story looks to tie up loose ends from the story of Live By Night. Joe works as the consigliere to the crime family headed by his former partner Dion Bartolo. Bartolo is the family Joe has, in addition to his son. Joe’s wife, Graciela, was killed at the end of Live By Night. To me, World Gone By is a book length examination of regret, recrimination, and the workings of an author (Lehane) and a mobster (Joe Coughlin) who wanted better for themselves but had to suffer through more story than they could execute. It is an irony that Joe loses his son in the way Thomas Coughlin emotionally loses both of his sons through the trilogy. Joe lost his son by killing Dion. Thomas lost Joe and his other son through different degrees of alienation in the three book trilogy.

World Gone By 4(The Given Day, Live By Night, and World Gone By)

Thomas Coughlin appears in Live By Night and the opening book of the series, The Given Day. The Given Day is a historical novel that looks into the stories of two main characters, namely Aiden “Danny” Coughlin of Boston and Luther Laurence, a talented black amateur baseball player from Columbus, Ohio. Their stories intersect in bringing out compelling narrative pitted against the 1919 Boston Police Strike for Danny, the  Tulsa Race Riot against Black Wall Street for Luther, the shame that former Red Sox and Yankee baseball player Babe Ruth about the prohibition against blacks in baseball and baseball’s unfair financial structure, and a few other story lines.

In getting into subjects of class tension, racial tension, poverty, economic instability, political corruption, and so much more, The Given Day was an outstanding book of its own accord. That the book incorporates historical events and people so well made for high expectation for the series for me. Live By Night and World Gone By, while not bad and decent reflections of tensions with the story of an upswing of 20th century mob activity in America and Cuba, quite simply places a blemish upon The Given Day by bringing in characters that only tangentially relate to what may be the best accomplishment of Lehane’s writing career. In comparison, these two suffer by bringing less history into their telling. These are statements more for the first book than against the second and third books.

World Gone By 5(Ben Affleck as Joe Coughlin in the movie Live By Night (2016))

Ben Affleck played Joe Coughlin in the 2016 movie adaptation of the book Live By Night, which of course introduced us to the central question of family and whether a gangster can remain moral. The clear answer is no, though the notion of ethics is strong in the second and third books. World Gone By continued with the fallout of family and the ethical lifestyle, and to a certain respect feels to me like The Godfather: Part III (1990) feels for many who like the Godfather movie franchise…that the first two movies are clearly better. My feel is that I am not clear what fans of Dennis Lehane‘s work received in the third installment of this trilogy of books. More clearly, Live By Night as a standalone book with no relation between Joe, Danny, and Thomas Coughlin would have been best. Having Live By Night exist without World Gone By also would have been good for the Joe Coughlin and Dion Bartolo story.

My personal rating of the book World Gone By is 3.25-stars out of five (5).

Matt – Tuesday, June 12, 2018

‘The Given Day’ by Dennis Lehane exceeds ‘Live By Night’

The sequel to The Given Day by Dennis Lehane, Live By Night is a prohibition era gangster novel aiming to establish an ethos for the gangster lifestyle first in Boston Massachusetts, second in Tampa Florida, and finally in Cuba and into the northern Gulf of Mexico cities Miami through New Orleans.

Live By Night 2 (Dennis Lehane)

A adequate job of tension was central to the story, and for that I was grateful. This quality of the book frankly saved the book for me, as the inner conflict . The characters lacked some depth, in my humble opinion, and the story almost felt like an attempt to offer us Joe Coughlin as modeled on the character Michael Corleone from Mario Puzo‘s The Godfather. Live By Night is no The Godfather, and Lehane does not compare well with Puzo in this effort.

It is not necessary to read The Given Day to read Live By Night, as the two books share at least three characters of significant import. The focus of the two books are greatly different; the protagonists for these two books are largely different. In fact, I would say that the idea of carrying characters over from one book to the other feels more an accommodation to a publisher than a deliberate desire from the author.

Live By Night 3(From the author of Shutter Island and The Given Day)

In comparing the two books, I liked the first more than I did the second. I felt more invested in the characters of The Given Day. The resolution to the characters that carried over between these two books was much better in the first book, too.

Overall about 3.25-stars, rounded to 3.00.

Matt – Sunday, July 23, 2017