The Year 2019 in Movies

Matt Lynn Digital maintained a strong focus on reviewing movies in 2019. In taking a cinematic look back at the films we reviewed this year, we’ll provide a look into 48 distinct movie. We’ll additionally look into the concept of remakes and sequels as a bonus look into the field of movie making.

YIM 2 - Vertigo(The best movie Matt Lynn Digital saw in 2019 was Vertigo as directed by Alfred Hitchcock. We reviewed this film in April).

Atop our list of movies is the one film that received a perfect rating, that of 5-stars on a scale of 1-to-5 stars on the movie rankings list. Alfred Hitchcock‘s Vertigo (1958) is a film that uses a narrative style mixing in mystery, thriller, romance, and psychological illness to suggest that a character isn’t guilty. Vertigo is the first of two Alfred Hitchcock movies reviewed this year.

YIM 3 - 2001 A Space Odyssey(Matt Lynn Digital reviewed 2001: A Space Odyssey as directed, produced and co-written by Stanley Kubrick. We reviewed this film in January).

Our second best film for the year introduced us to space tourism and a future of what traveling in space might look like in Stanley Kubrick‘s 2001: A Space Odyssey (1968). The rating of 4.75-stars reflects the quality in innovation, storytelling, science fiction and genre creation. This is also the first of six movies reviewed this year associated with space travel.

YIM 4 - Ordinary People, Glengarry Glenn Ross and Saving Private Ryan(Three films rated at 4.50-stars included 1980’s Ordinary People, 1992’s Glengarry Glenn Ross and 1998’s Saving Private Ryan. The films were reviewed in January, April and July, respectively).

Four Academy Awards awaited the film Ordinary People (1980), a sad, moving, and emotionally satisfying film. Glengarry Glen Ross (1992) offers the colorful language of full-throated criticism of the modern American business culture. The first of six films produced, directed or both for Steven Spielberg happens to be the first of three films starring Tom Hanks in our review this year. The film Saving Private Ryan (1998) shows a highly realistic depiction of the human cost of war, culminating in the central stories of a group of soldiers tasked with saving one soldier whose brothers died in that same war.

YIM 5 - Once Upon a Time...in Hollywood, The Matrix and Big(Three of six films rated at 4.25-stars by Matt Lynn Digital included 2019’s Once Upon a Time…in Hollywood, 1999’s The Matrix and 1988’s Big. The films were reviewed in August, May and November, respectively).

The film Once Upon a Time…in Hollywood (2019) provides a fictional retelling of the time, the place, and an fact-adjacent place of Hollywood in the 1950s and 1960s. A winner of four Academy Awards, the film The Matrix (1999) offered a groundbreaking dystopian movie-going experience. The film Big (1988) made a splash with the whimsy of a 13-year-old boy in a grown man’s body.

YIM 6 - Rain Man, Field of Dreams and How the Grinch Stole Christmas(The remaining six films rated at 4.25-stars by Matt Lynn Digital included 1988’s Rain Man, 1989’s Field of Dreams and 2000’s How the Grinch Stole Christmas. The films were reviewed in October, June and December, respectively).

Another winner of four Academy Awards in our reviews this year was the serious yet comedic film Rain Man (1988). The second film, Field of Dreams (1989), while being perhaps the best baseball film ever made is the first of three movies reviewed this year to star Kevin Costner. The film How the Grinch Stole Christmas (2000) offers an irrepressible portrayal of an aggrieved Grinch who does not care for the holiday of Christmas.

YIM 7 - Joker, A Raisin in the Sun, Hidden Figures and Apollo 13(Four of eight films rated at 4-stars by Matt Lynn Digital included 2019’s Joker, 1961’s A Raisin in the Sun, 2016’s Hidden Figures and 1995’s Apollo 13. The films were reviewed in October, June, November and July, respectively).

The film Joker (2019) tells a gritty, physically demanding, emotional gut punch of an origin story of a would-be foil of the comic book character Batman. A Raisin in the Sun (1961) is a film adaptation that reviews the value and purpose of dreams, the need to fight racial discrimination and the importance of family. The film Hidden Figures (2016) focuses on three African American women fighting society and culture placing the obstacles of indignity, prejudice, and institutional obstruction in their way in service of the space race. The blockbuster film Apollo 13 (1995) tells a triumphant story of human ingenuity and tragedy averted.

YIM 8 - A Few Good Men, Remains of the Day, The Fugitive and Who Framed Roger Rabbit(The remaining eight films rated at 4-stars by Matt Lynn Digital included 1992’s A Few Good Men, 1993’s The Remains of the Day, 1993’s The Fugitive and 1988’s Who Framed Roger Rabbit. The films were reviewed in July, February, March and September, respectively).

A Few Good Men (1992) is a film that tells the fictional tale of a Navy lawyer who has never seen the inside of the courtroom while defending two reticent Marines accused of murdering a colleague in Cuba. The film The Remains of the Day (1993) explored how to waste your life emotionally and politically. The preceding two films garnered a dozen Academy Award nominations between the two of them. In the film The Fugitive (1993) you see the story of a man unjustly accused of murdering his wife who gains his freedom through a train accident then sets to establish his innocence. In Who Framed Roger Rabbit (1988), a partially live action and animated film offers an adult sensibility filled with lurid details, gags of a lighter nature, and an all around good time.

YIM 9 - Motherless Brooklyn, Knives Out, The Darkest Hour and Looper(Four of fourteen films rated at 3.75-stars by Matt Lynn Digital included 2019’s Motherless Brooklyn, 2019’s Knives Out, 2017’s The Darkest Hour and 2012’s Looper. The films were reviewed in November, December, April and June, respectively).

The film  Motherless Brooklyn (2019) sets itself against the backdrop of 1950s New York City with a puzzle for lead character and private detective with Tourette’s Syndrome. Knives Out (2019) as a whodunnit works for not being based on anything. The film The Darkest Hour (2017) follows the trying days of the Dunkirk Evacuation with Operation Dynamo. Rian Johnson, with his second film in this paragraph in Looper (2012), gets creative with two characters battling each other through time in an interesting science fiction plot.

YIM 10 - October Sky, Ready Player One. Inception and Widows(Four of fourteen films rated at 3.75-stars by Matt Lynn Digital included 1999’s October Sky, 2018’s Ready Player One, 2010’s Inception and 2018’s Widows. The films were reviewed in May, February, January and September, respectively).

The film October Sky (1999) tells the tale of a difficult father son relationship and the formation of a career in the early days of the space race. The science fiction, fantasy, and action film Ready Player One (2018) offers clever mixes of graphic and reality set in the hypothetical year 2045. Winning four Academy Awards, the film Inception (2010) offers a decent science fiction story line with an entertaining if dreamy cinematic experience that works well in movie or home theaters alike. The film Widows (2018) offers political intrigue, a corrupt local crime boss, and a broken relationship between a husband and wife that gives this story some punch.

YIM 11 - Bull Durham, Ferris Bueller's Day Off, Terms of Endearment, Poltergeist, Close Encounters of the Third Kind and White Christmas(Six of fourteen films rated at 3.75-stars by Matt Lynn Digital included 1988’s Bull Durham, 1986’s Ferris Bueller’s Day Off, 1983’s Terms of Endearment, 1982’s Poltergeist, 1977’s Close Encounters of the Third Kind and 1954’s White Christmas. The films were reviewed in October, August, February, August, June and December, respectively).

The film Bull Durham (1988) is the film of a rookie, a veteran, an experienced fan seeking a love triangle and baseball.  Ferris Bueller’s Day Off (1986) tells a comedic high school version of the message stop and smell the flowers. Winning five Academy Awards, the film Terms of Endearment (1983) tells of the family problems of an independently spirited daughter and her hard to please mother. The original film Poltergeist (1982) gains momentum as random occurrences in the home begin to introduce themselves and grow into outright disturbances that scare the audience. An alien-themed film with a lyrical bent gives a glimpse into the wonder that is the move Close Encounters of the Third Kind (1977). White Christmas (1954) is the romantic movie for Christmas that quite honestly inspired the genre.

YIM 12 - Fargo, Fallen, The Color Purple and Dumbo(Four of ten films rated at 3.50-stars by Matt Lynn Digital included 1996’s Fargo, 1998’s Fallen, 1985’s The Color Purple and 1941’s Dumbo. The films were reviewed in February, March, March and March, respectively).

Fargo (1996) won an Academy Award for screenplay written for the screen while playing in the genres of crime, drama, and possibly thriller. Most correctly, the film should be characterized as a dark comedy in small town America. The film Fallen (1998) mixes the genres of supernatural with police thriller in tackling a clever telling of aiming to defeat the supernatural. The film adaptation of The Color Purple (1985) could have been harder hitting in getting into some of the upbringing and forcibly separate lives of sisters Celie Johnson and Nettie Harris. Brutal truths in the lives of the sisters are explored nonetheless with dignity. The fifth movie released by Disney was the animated film Dumbo (1941). The 64-minute feature gets into the story of a baby elephant forced to work in order to survive.

YIM 13 - The Birds, Arachnaphobia and Brian Banks(Three of ten films rated at 3.50-stars by Matt Lynn Digital included 1963’s The Birds, 1990’s Arachnophobia and 2018’s Brian Banks. The films were reviewed in May, June and August, respectively).

The sudden and unpredictable attacks of birds form the premise of the Alfred Hitchcock film The Birds (1963). Arachnophobia (1990) just might be the film for you have a fear originating in childhood that you’d like to have comically challenged for two hours. The film Brian Banks (2018) recounts much of the story of a man sent to jail unjustly in what appears to be a clear case of injustice.

YIM 14 - Pets 2, Gemini Man and The Town(Three of ten films rated at 3.50-stars by Matt Lynn Digital included 2019’s The Secret Life of Pets 2, 2019’s Gemini Man and 2010’s The Town. The films were reviewed in July, October and December, respectively).

The Secret Life of Pets 2 (2019) is an animated film that follows the lives of pets in an apartment in New York City as pet owners leave for the day with the added mixture of a circus, a farm, and an airplane flight. The film Gemini Man (2019) deserved better than the box office gate the film received in theaters.  The Town (2010) offered a film looking into the notion of burglary, armored trucks, banks, and Fenway Park serving as places just as distinctly as there were funny notions of love and loyalty.

Movies landing with a rating of 3.25-stars included The Jackal (1997) reviewed in MayThe Running Man (1987) reviewed in August, The Mule (2018) reviewed in August, Welcome to Marwen (2018) reviewed in September and Ad Astra (2019) reviewed in October.

Addressing the theory of remaking movies or offering sequels that keep a franchise going, we offered why this can work to assist storytelling and cinema in a look we made in March. We looked into A Star is Born (1937), A Star Is Born (1954), A Star Is Born (1976) and A Star is Born (2018). We looked into The Wizard of Oz (1939) and The Wiz (1978). Then there were Little Orphan Annie (1932), Annie (1982), Annie (1999) and Annie (2014). The films The Godfather (1972) led to sequels The Godfather: Part II (1974) and The Godfather: Part III (1990). Batman Begins (2005) led to The Dark Knight (2008), and The Dark Knight Rises (2012). The film Jaws (1975) led to three sequels, namely Jaws 2 (1978)Jaws 3-D (1983), and Jaws: The Revenge (1987).

We finally offered our Top 20 Movies in ranked order (with reviews) in April. I recommend taking a closer look, as there are movies that we didn’t specifically review in 2019 that are worth your time. 2019 was a good year for reviews with us. Invite your friends to follow us if you agree.

Matt – Tuesday, December 31, 2019

Top 20 Movies in ranked order (with reviews)

We at Matt Lynn Digital created our listing of the Top 20 Movies on December 18. 2016. Here are those movies with the reviews we’ve made. Warm regards!

Vertigo 1
2001 Movie 1
Cuckoo's Nest 1
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ET 1
Pulp Fiction 1
Do The Right Thing 1
The Princess Bride 1
Eternal Sunshine 1
Memento 1
In Bruges 1
Interstellar 1
Rocky 1
snow-white-and-the-seven-dwarfs-1
jaws-1
the-terminator
toy-story
the-shining
calvary
the-french-connection
Matt – Wednesday, April 24, 2019

Top 20 Movie “Pulp Fiction”

Top 20 Movie Pulp Fiction (1994) ranks 6th in Matt Lynn Digital’s Top 20 Movies in ranked order listing. The Quentin Tarantino directed and co-written film won the Academy Award for Best Original Screenplay for Tarantino and Roger Avary while garnering seven Oscar nominations in total. While Forrest Gump (1994) starring Tom Hanks was busy winning six of its thirteen Academy Award nominations, Pulp Fiction was the movie bringing true pulp fiction to the big screen with a Vintage Library definition for the genre that includes “[b]igger-than-life heroes, pretty girls, exotic places, strange and mysterious villains.” This sixth movie on our top movie listing brings four stories of stylized pulp violence intertwining with movie actor legend homages into tales of would-be redemption.

As has come to characterize many movies by Quentin Tarantino, Pulp Fiction provided a pulpy, nostalgic, retroactive sense for a filmmaking or popular culture past that Tarantino, in my opinion, looked to celebrate. The narrative lines starting with Vincent Vega as portrayed by John Travolta and Jules Winnfield as portrayed by Samuel L. Jackson are two examples, as they were working at the behest of Marsellus Wallace (played by Ving Rhames) when we first meet them.

Vincent and Jules were tasked with retrieving the briefcase and other property of Marsellus from an apartment while killing the occupants. The two banter about hamburgers and escorting Marsellus’ wife later in the movie when they eventually kill two apartment occupants while letting a man in the bathroom go unchallenged. That man comes out gun blazing at Vincent and Jules and, from the reckoning of Jules, miraculously misses the two of them while emptying the weapon of its magazine of bullets. Jules takes this as a sign that it is his time to leave the business.

Pulp Fiction 2(Jules, left, and Vincent)

These two eventually continue their back-and-forth dialogue in their vehicle when Vincent accidentally makes a mess of their car by accidentally shooting the man from the bathroom. The two head to Jules’ old pal Jimmie (as played by Tarantino). Jimmie uses his fleeting connection to Marsellus to call in a fixer to care for the situation, wherein Jules and Vincent acquire a ridiculous shorts and t-shirt outfit as a penance for the Wolf (played by Harvey Keitel) fixing the car and the deceased apartment occupant.

Pulp Fiction 3(Jimmie, left, and the Wolf)

Awash in the miracle miss from the apartment, Jules and Vincent stop for breakfast at a diner that leads to the second major story. Pumpkin (played by Tim Roth) and Honey Bunny (played by Amanda Plummer) stage a robbery with murder by gun threats and a collecting of patron wallets. Jules gets the wallets back with intimidation, though lets Pumpkin and Honey Bunny keep his money without revenge since Jules sees his life after the apartment as a sign to leave the lifestyle.

At Marsellus’ apartment, the third and fourth stories get more traction. We meet Butch Coolidge, a boxer played by Bruce Willis that Marsellus contracts to lose a fight. Bruce spars with Vincent here as Jules banters with the bartender on how Vincent must escort Mia Wallace (played by Uma Thurman) for the evening.

Pulp Fiction 4(Mia, left, and Vincent)

Dressed normally again, Vincent takes drugs (heroin) before picking up Mia for the night. Mia prepared for the evening by having taken cocaine. At a retro 1950s club, we see Steve Buscemi cameo as Buddy Holly as a lead in for Vincent and Mia stylize dancing. Mia finds and takes Vincent’s heroin, and overdoses right there in the club. Vincent gets adrenaline and revives Mia with a giant hypodermic of adrenaline. Both Mia and Vincent agree on parting company that Marsellus needs learn nothing of this.

In anticipation of his fight, we learn through flashback to an episode from Butch’s childhood that Christopher Walken as a prisoner of war had smuggled a watch back to Butch in the USA from the POW camp in Vietnam. In the present day, we see Butch knock out his opponent in the boxing ring before being comforted by his girlfriend in a prearranged motel where she waits. Marsellus, unhappy with the loss experienced at this turn, puts out a hit on Butch.

The next morning, Butch tempts fate by returning to his apartment to grab his watch. Mixed up in another apartment scene in a bathroom, Butch regains his watch and kills Vincent, who was there to kill Butch. Upon leaving, Butch literally runs into Marsellus in the street. The second chases the first into a sleazy gun shop. The two are set to be treated quite badly by the shop owner and his friend. Butch escapes, selects a samurai sword from the first floor, and comes back to rescue Marsellus by killing Zed the friend while leaving Maynard the gun ship owner for Marsellus.

Pulp Fiction 5(Marsellus, left, and Butch)

Thankful for being saved and being offered revenge for the gun shop attack, Marsellus agrees to let the boxing treachery slide if Butch leaves town. Retrieving his girlfriend on Zed’s chopper, Pulp Fiction ends with Butch as the big winner in a sea of misery as he rides off to Knoxville declaring to his girlfriend that “Zed is dead.”

Pulp Fiction 6(Butch’s girlfriend, left, and Butch)

Matt – Thursday, December 21, 2017

Blue Velvet is a shocking, shocking movie

Blue Velvet is a shocking, shocking movie. The desperation, exploitation, voyeurism, and flat out frightening sense of brokenness at times made this movie an uncomfortable one for me.

Matt Lynn Digital has a friend that lives near the airport, referenced once before in the Matt Lynn Digital blog about Mister Rogers’ Neighborhood. Our airport friend ranks Blue Velvet (1986) as his eighth ranked film out of ten.

Blue Velvet Director and screenwriter is talented and distinctive director David Lynch. Oscar Award nominated for best director with Blue Velvet, The Elephant Man (1980), and Mulholland Drive (2001), this movie delivers perhaps the most forthright example of a director quickly hitting you with different deeply felt reactions one upon another upon another still. The powerful scenes of great emotion and, in some cases, significant artistry are meritorious.

blue-velvet-2

Is Blue Velvet powerful? Sure. Redeeming in a way that resonated with me? I wish that I could say yes. That is to say that I am more of the Roger Ebert camp than of the Gene Siskel camp with regards to their At the Movies review of Blue Velvet (1986).

This siding with the feeling of Roger Ebert is to say that while I recognize the power of hurting the Isabella Rossellini character with full nudity on the sheriff’s front lawn, the pain I felt in her treatment there was intended to hurt and shame her as a character and actress more than it was to make a statement geared at redeeming some larger quality in Dorothy Vallens.

blue-velvet-3

The larger commentary that Lynch may have been after in stating that everyone has darkness was lost in some way with the campiness that works better for a movie like Pulp Fiction, for example. The scene where Dean Stockwell plays Ben using a prop to daydream into the singing of Roy Orbison‘s “In Dreams” seemed like a throw away scene for me. Even the ritualized rape of Vallens by Frank Booth (played by Dennis Hopper) seemed to lack a seriousness of treatment that such a thing deserves.

Alternatives to the attempted lighter fare that might have helped me could have included sticking more closely to the voyeurism storylines of Sandy Williams (played by Laura Dern) or Jeffrey Beaumont (played by Kyle MacLachlan). The pain that the treatment accorded to Dorothy Vallens and Sandy Williams in Blue Velvet seemed cruel in a way that lacked nuance of its own accord, or seriousness in tone considering the remainder of the storytelling. The constant assault of jokes around wood with regards to Lumberton did not help.

blue-velvet-4

I respect the opinion of my airport friend in appreciating the quality of this film. I tend to agree that David Lynch brought forth a thought provoking examination of light versus dark, hope versus those more cynical impulses that dwell under the surface. Offering contrasts of up and down, more comical versus more repugnant, of curiosity versus experience, are quality questions to have raised. Lynch did so in a style that was uniquely his own, and for this I find praise. The bottom line is that I may not be the ideal audience for Blue VelvetBlue Velvet is a shocking, shocking movie.

Matt – Tuesday, February 28, 2017