Bobby Driscoll, Kathryn Beaumont and Hans Conried in the Clyde Geronimi, Wilfred Jackson, Hamilton Luske and Jack Kinney movie ‘Peter Pan’

Scottish dramatist and novelist J.M. Barrie wrote the 1904 play Peter Pan: The Boy Who Wouldn’t Grow Up. That play would be turned into the Walt Disney Productions movie Peter Pan (1953), a feature presented through animation with a girl and her two younger brothers experiencing an adventure with the hero of their stories. Peter Pan, distributed by RKO Radio Pictures, Inc., was the final Disney film distributed before Disney created its own distribution company, Buena Vista Pictures Distribution, Inc.; Buena Vista later was renamed following Disney’s 2007 acquisition by American Broadcasting Company (ABC).

(From left, Paul Collins as John Darling, Heather Angel as Mary Darling, Tommy Luske as Michael Darling and Kathryn Beaumont as Wendy Darling in the Clyde Geronimi, Wilfred Jackson, Hamilton Luske and Jack Kinney movie Peter Pan).

The movie opens in the first decade of the twentieth century to a home in London, England, with brothers John and Michael Darling acting out stories of adventure and daring conveyed to them by their older sister, Wendy. That this play interferes with the preparations for dinner underway by parents George and Mary Darling leads George to threaten Wendy with moving from the room with her brothers to a room of her own, thus ending the stories shared amongst siblings. Wendy, John, Michael, George and Mary were voiced by Kathryn Beaumont, Paul Collins, Tommy Luske, Hans Conried and Heather Angel, respectively. Conried also voiced the character Captain Hook.

(Tinker Bell in the Clyde Geronimi, Wilfred Jackson, Hamilton Luske and Jack Kinney movie Peter Pan).

Peter Pan the character arrives at the Darling home later that evening, with the character Tinker Bell after the parents have left for dinner. Peter, primarily by the negotiated persuasion with Wendy, convinces Wendy, John and Michael to join Peter and Tinker Bell for an evening of childhood adventure in Neverland. Neverland is a place where children aim to remain children, never growing up. The interplay between Peter and Wendy, and then Peter and Tinker Bell, provide interesting plot points in the notion of what remaining children and never entering into adulthood, means. Tinker Bell’s character, portrayed with a distinctive personality as a pixie, is not voiced in Peter Pan, whereas Peter is voiced by Bobby Driscoll.

(From left, Bill Thompson as Mr. Smee and Hans Conried as Captain Hook in the Clyde Geronimi, Wilfred Jackson, Hamilton Luske and Jack Kinney movie Peter Pan).

Once to Neverland, a series of adventures ensues in furtherance of the triangle between Peter, Wendy and Tinker Bell. The adventures begin with an introduction to the Lost Boys of Neverland, Captain Hook and his First Mate Mr. Smee, John and Michael are introduced to the island’s indigenous population when captured with others by the cleverness of the indigenous people. The chief of the group initially suspects John and Michael of having taken the chief’s daughter, Tiger Lily, captive. Peter and Wendy work to correct this misconception after encountering mermaids jealous of Peter’s suspected attention from Wendy. A celebration initiated by the indigenous people after Tiger Lily is returned to her home unharmed aligns to what some consider stereotypical. Mr. Smee, Captain Hook’s first was voiced by Bill Thompson. Candy Candido voiced the Indian Chief. The mermaids were voiced by June Foray, Connie Hilton, Karen Kester, Margaret Kerry and Lucille Bliss. Thompson also voiced several pirates aboard Captain Hook’s boat while Foray voiced the Squaw Woman during the Tiger Lily celebration. Tiger Lily did not speak during Peter Pan, save a voice request for help that was not credited to any specific actress.

(From left, Tiger Lily, Candy Candido as the Indian Chief and Bobby Driscoll as Peter Pan in the Clyde Geronimi, Wilfred Jackson, Hamilton Luske and Jack Kinney movie Peter Pan).

Additional characters without speaking parts in the movie included a dog named Nana, who nursed the Darling children when not in Neverland, and a crocodile central to the scene that eventually leads to the Darling children getting back home to their London home. The fate of the pirate ship, the larger adventures, and in some sense the Lost Boys of Neverland, are determined in these closing moments. The message that brings the movie to a close, regarding the freedom to maintain the innocence and imagination of childhood for as long as you can, lands particularly well with this reviewer.

(From left, Heather Angel as Mary Darling, Hans Conried as George Darling, Kathryn Beaumont as Wendy Darling and Nana in the Clyde Geronimi, Wilfred Jackson, Hamilton Luske and Jack Kinney movie Peter Pan).

Writing credit for the movie Peter Pan, beyond the inspiration of J.M. Barrie, rests with Ted Sears, Erdman Penner, Bill Peet, Winston Hibler, Joe Rinaldi, Milt Banta, Ralph Wright, William Cottrell and Don Christensen. I grant the movie Peter Pan as directed by Clyde Geronimi, Wilfred Jackson, Hamilton Luske and Jack Kinney 4-stars on a scale of one-to-five.

Matt – Saturday, May 18, 2024

Bette Midler, Sarah Jessica Parker and Kathy Najimy in the Kenny Ortega movie ‘Hocus Pocus’

Family friendly mixed with comedy and fantasy for the season brings us to the Disney Studios movie Hocus Pocus (1993), which turned 30-years old over the summer. The live action movie as directed by Kenny Ortega spans 300-years, dating back to October 31, 1693 to some the same day in 1993, bringing the Sanderson sisters across time in Salem, Massachusetts for a story written by David Kirschner, Mick Garris and Neil Cuthbert.

(From left, Kathy Najimy as Mary Sanderson, Bette Midler as Winifred ‘Winnie’ Sanderson and Sarah Jessica Parker as Sarah Sanderson in the Kenny Ortega movie Hocus Pocus).

A trio of witches named Winnie, Sarah and Mary Sanderson lived in Salem, aiming for restored youth one Halloween‘s day in the last 17th century. Portrayed by Bette Midler, Sarah Jessica Parker and Kathy Najimy, respectively, Winnie, Sarah and Mary brought Emily Binx to the woods to conjure a spell that restores their youth while taking the young girl’s life. Emily’s brother Thackery confronts the sisters, unsuccessfully, and is condemned by the sisters to live forever as a black cat, riddled with the guilt of not saving Emily.

(From left, Amanda Shepherd as Emily Binx and Sean Murray as Thackery Binx in the Kenny Ortega movie Hocus Pocus).

Sean Murray and Amanda Shepherd portrayed Thackery and Emily Binx, respectively. Jason Marsden would voice Thackery as a cat, which brings us into the future to gain its fullest expression within Hocus Pocus. The sisters, with their youth, would not survive Halloween night 1693 since Elijah, friend of Thackery, alerted the townspeople of Salem that the sisters were responsible for Emily’s death. Three hangings and the casting of a resurrection spell were set into motion that night. Steve Voboril portrayed Elijah.

(From left, Thora Birch as Danielle ‘Dani’ Dennison, Omri Katz as Maximilian ‘Max’ Dennison and Vinessa Shaw as Allison Watts in the Kenny Ortega movie Hocus Pocus).

As a black cat for 300-years, Thackery Binx aimed to keep the sisters from their resurrection by protecting the cottage where his sister died. New to Salem after having moving there from out-of-state with Jenny and Dave Dennison, their parents, Max Dennison agrees to take his younger sister Dani Dennison trick-or-treating. Having met-up with Max’s romantic love interest, Allison Watts, Max, Allison and Dani end up at the cottage of the Sanderson sisters on the full moon Halloween night of October 31, 1993. Thackery summons the sisters back to life by satisfying an obscure set of conditions that satisfy the spell from three centuries earlier. Stephanie Faracy, Charles Rocket, Omri Katz, Thora Birch and Vinessa Shaw portrayed Jenny, Dave, Max, Dani and Allison, respectively.

(From left, Stephanie Faracy as Jennifer ‘Jenny’ Dennison, Doug Jones as William ‘Billy’ Butcherson and Charles Rocket as David ‘Dave’ Dennison in the Kenny Ortega movie Hocus Pocus. Karyn Malchus portrayed the headless William ‘Billy’ Butcherson).

Realizing the stakes in play better than most, Thackery Binx convinces Max to take the Sanderson’s book of spells as he, Max, left the Sanderson cottage. The party heads to a cemetery for protection from the sisters, for hallowed grounds like those of a cemetery offer diminish the opportunity for present day mischief. The witches eventually come to the cemetery to provoke conflict, waking Winnie’s former love interest, Billy Butcherson as portrayed by Doug Jones, from the dead to pursue the kids. A charming and humorous remainder of the story follows from here, with cameo appearances from Garry Marshall and Penny Marshall to boot.

(From left, Penny Marshall as Medusa Lady and Garry Marshall as Master Devil in the Kenny Ortega movie Hocus Pocus).

Lynn of Matt Lynn Digital has found endless joy in watching Hocus Pocus on the cable reruns of the movie that partly account for the cult following acquired following the initial theatre run. My enjoyment of the film Hocus Pocus as directed and written by Kenny Ortega helps me rate the movie at 3.75-stars on a scale of 1-to-5.

Matt – Saturday, October 21, 2023

Ilene Woods, James MacDonald and Eleanor Audley in the animated Disney movie ‘Cinderella’

The feature length animated adaptation of the Walt Disney Studios movie Cinderella (1950) is based upon a 1697 fairy tale of the same name by French author Charles Perault. Directed by Clyde Geronimi, Wilfred Jackson and Hamilton Luske, the animated movie was written for the movies by Bill Peet and Erdman Penner. The Disney studios, which later would become Disney Pixar, had been on the brink of bankruptcy due to poor performing movies in part due to losing access to the European markets during World War Two. Cinderella became the studios biggest hit since the Snow White and the Seven Dwarfs (1937), reviewed here.

(From left, Verna Felton as the Fairy Godmother and Ilene Woods as Cinderella in the animated Disney movie Cinderella).

The story of Cinderella as offered by the movie begins with narration as performed by Betty Lou Gerson. We are provided context sufficient to learn that Cinderella’s father had remarried once widowed to widower and mother of two, Lady Tremaine. Lady Tremaine, as voiced by Eleanor Audley, would become widowed a second time herself. Looking to favor her daughters Drizella and Anastasia, as voiced by Rhoda Williams and Lucille Bliss, Lady Tremaine would make Cinderella a domestic servant in the family house following her final husband’s death. Ilene Woods would voice Cinderella; Helene Stanley served as a live model for Cinderella.

(From left, Rhoda Williams as Drizella Tremaine, Eleanor Audley as Lady Tremaine and Lucille Bliss as Anastasia Tremaine in the animated Disney movie Cinderella).

Drizella and Anastasia would take advantage of their stepsister’s position for their own advantage socially and through additional work. Additionally, we are introduced to the support Cinderella receives from her main source of friendship. Jaq and Gus, a pair of mice voiced by James MacDonald, are the most clearly defined friends that Cinderella earns through the course of the presented story. The natural enemy to Jaq and Gus is the cat Lucifer, the pet of Lady Tremaine. Lucifer retaliates against Cinderella for Cinderella’s protection of the mice, who the cat would like to catch and eat. June Foray voiced Lucifer.

(Clockwise from top left, James MacDonald as Jaq and Gus, Earl Keen as Bruno and June Foray as Lucifer in the animated Disney movie Cinderella).

The story we get to see in Cinderella appears to occur over a period of two days. The king of the land where the Tremaine family lives desperately wants to be a grandfather. This pronounced desire leads the King to create a ball for the kingdom with the intent of encouraging his son to find a single lady to marry her son and mother the son’s children. The King orders the Grand Duke, both characters as voiced by Luis van Rooten, to bring all the single ladies of the kingdom to the castle to meet the king.

(Luis van Rooten as, from left, the King and the Grand Duke in the animated Disney movie Cinderella).

Conniving to the advantage of the Tremaine daughters is put in motion by Lady Tremaine, who would prefer to see one of her two biological daughters become the enchanted one of the King’s son, Prince Charming. The stable of animals around the Tremaine home, save Lucifer, aim to assist Cinderella against this plot. The aid of a Fairy Godmother comes to assist Cinderella with her supportive animals. The transformations to the song Bibbidi-Bobbidi-Boo offers a charm eclipsed only by the love connection eventually made and requited thanks to a glass slipper fitting for Cinderella the next day. Al Hoffman, Mack David and Jerry Livingston wrote the transformation song. Prince Charming was voiced by William Phipps (talking) and Mike Douglas (singing) while Verna Felton voiced the Fairy Godmother; Claire Du Brey served as a live model for the Fairy Godmother.

(William Edward Phipps as Prince Charming (spoken) and Mike Douglas as Prince Charming (singing) in the animated Disney movie Cinderella).

Part of what drew me to review Cinderella now is that Daycare Friend will be performing in a local stage production of the story next week. The story itself offers endearing statements in support of friendship, love, believing in dreams and facing adversity even when confronted with cruelty. Your choice of response also comes through as a redeeming message of the film. I give the movie Cinderella as directed by Clyde Geronimi, Wilfred Jackson and Hamilton Luske 3.75-stars on a scale of one-to-five.

Matt – Saturday, September 30, 2023

Craig T. Nelson, Samuel L. Jackson and Holly Hunter in the Brad Bird movie ‘The Incredibles’

A computer animated super hero film as written and directed by Brad Bird was set in a futuristic set of the 1960s. Presented by Disney Pixar, The Incredibles (2004), the technical accomplishment for the film involved animating realistic impressions of people, skin, hair and clothing for the visual concept of the film. The story itself involves a family of undercover superheroes forced to save the world after having tried to lead a quiet suburban life.

(From left, Craig T. Nelson as Bob Parr / Mr. Incredible, Spencer Fox as Dashiell ‘Dash’ Parr, Sarah Vowell as Violet Parr, Eli Fucile and Maeve Andrews as Jack-Jack Parr and Holly Hunter as Helen Parr / Elastigirl in the Brad Bird movie The Incredibles).

The Incredibles began with an introduction to the Parr family, who we first meet years before the central storyline on the day that Bob Parr was set to marry Helen Parr (nee Truax). As the superheroes he was, Parr managed to prevent a suicide and thwart Bomb Voyage from a robbery in the process. The foil of that was the appearance of super fan Buddy Pine trying to help while causing more chaos than legitimate help. Craig T. Nelson, Holly Hunter, Dominique Louis, and Jason Lee portrayed the voices of Bob Parr, Helen Parr, Bomb Voyage, and Buddy Pine.

(Samuel L. Jackson as Lucius Best / Frozone in the Brad Bird movie The Incredibles).

An elaborate public change in the public perception of the helpfulness of superheroes followed that day, forcing the Parr family, good friend Lucius Best, and other super heroes into what passed for quiet suburban life. We meet Best and the Parrs, the Parrs now with kids named Sarah, Dashiell and Jack-Jack, all experiencing some degree of difficulty blending in with the world while holding the best parts of themselves back. The unfolding of this storyline proves immensely entertaining and funny. Samuel L. Jackson, Sarah Vowell, Spencer Fox and a combination of Eli Fucile and Maeve Andrews portrayed Lucius Best, Sarah Parr, Dashiell Parr and Jack-Jack Parr.

(Jason Lee as Buddy Pine / IncrediBoy / Syndrome and Elizabeth Peña as Mirage in the Brad Bird movie The Incredibles).

The restlessness felt by Lucius Best and Bob Parr eventually led to some modern day dabbling in the precise superhero behavior that they had agreed to give up. Bob faces personal requests of domestic tranquility over the dabbling, which is only made worse when a path to new familial costumes is broached with Edna ‘E’ Mode. Mode, portrayed in voice by director and screenwriter Brad Bird, leads to the legitimate escalation of best and the Parr family to a shared ability to face a grown up Buddy Pine with his right hand lady, Mirage. Jason Lee continues to voice Pine, with Elizabeth Peña voicing Mirage.

(Brad Bird as Edna ‘E’ Mode in the Brad Bird movie The Incredibles).

The Incredibles stands in nicely as an animated comedy and family drama, holding up to multiple viewings. The recommendation to watch The Incredibles as written and directed by Brad Bird leads to giving the movie 4.25-stars on a scale of one-to-five.

Matt – Saturday, June 10, 2023

Amy Poehler, Bill Hader and Lewis Black in the Pete Docter and Ronnie Del Carmen movie ‘Inside Out’

Imagine yourself as an 11-year-old girl from Minnesota asked to move to San Francisco, California as your belongings get misdirected to Texas. Imagine missing your friends, having your father disappear emotionally because the family moved to pursue his job, and learning that the pizza place down the street serves all pizza with broccoli, a vegetable you detest. The Pete Docter and Ronnie Del Carmen directed movie Inside Out (2015) begins in this fashion. Blog namesake Lynn enjoys this animated action and adventure movie.

(From left, Diane Lane as Mom (Jill Andersen), Kaitlyn Dias as Riley Andersen and Kyle MacLachlan as Dad (Bill Andersen) in the Pete Docter and Ronnie Del Carmen movie Inside Out).

The Andersen family reflect our family, with the internal life of 11-year-old Riley at the center of our tale. Kaitlyn Dias voiced Riley Andersen, with voice credits for mother Jill Andersen and father Bill Andersen going to Diane Lane and Kyle MacLachlan. The interaction amongst the three drives the internal lives for each, with the majority of the adventure resting with the life of the pre-teen Riley getting turned inside out.

(From left, Phyllis Smith as Sadness, Lewis Black as Anger, Bill Hader as Fear, Mindy Kaling as Disgust and Amy Poehler as Joy in the Pete Docter and Ronnie Del Carmen movie Inside Out).

Central to the internal life of Riley, especially in the face of the stress that has been introduced to an already trying age for many, is the transition among five central emotions. With the feelings embodied as characters named Joy, Sadness, Fear, Anger and Disgust, we are introduced to those characters as voice respectively by Amy Poehler, Phyllis Smith, Bill Hader, Lewis Black and Mindy Kaling. The move begins with Joy aiming to keep an upbeat perspective to the series of early setbacks experienced by Riley as the other feelings, quite naturally, present themselves.

(From left, Phyllis Smith as Sadness, Amy Poehler as Joy and Richard Kind as Bing Bong in the Pete Docter and Ronnie Del Carmen movie Inside Out).

When Sadness and Joy get separated from the rest of the group in the central nerve center of Riley’s experience, the true adventure of the story takes a fascinating turn that brings in long term memories for the girl. School proves difficult while the chance to play her beloved hockey begins calling into question other core memories. The meaning of beloved Bing Bong, as portrayed by Richard Kind, helps bring a tenderness to internal emotional extremes that lead to external actions that bring the larger story to actions that are both relatable for adults and pre-teens alike.

(From left, writer and director Ronnie Del Carmen, writer and director Pete Docter and writer Meg LaFauve in the Pete Docter and Ronnie Del Carmen movie Inside Out).

The female protagonist with male and female antagonists proves a nice touch for Inside Out, with writing credits resting with Meg LeFauve and the directors, Pete Docter and Ronnie Del Carmen. I grant the film definite props for entertainment value and a compelling jaunt back into the period before some of the more serious questions of senior high school really begin. I grant the Pete Docter and Ronnie Del Carmen movie Inside Out 3.75-stars on a scale of one-to-five stars.

Matt – Wednesday, April 12, 2023

John C. Reilly, Sarah Silverman, Jack McBrayer and Jane Lynch in the Rich Moore movie ‘Wreck-It Ralph’

Computer animation mixing video games, motorsports and strong familial messages around friendship, loyalty and figuring out your own feelings brings us to some of the better magic of the Walt Disney Company. We look today at the drama, adventure and beauty of friendship with the directorial debut of Rich Moore in the movie Wreck-It Ralph (2012).

(From left, Sarah Silverman as Vanellope von Schweetz and John C. Reilly as Wreck-It Ralph in the Rich Moore movie Wreck-It Ralph).

The movie itself is set in Litwak’s Family Fun Center & Arcade, owned by Mr. Stan Litwick as portrayed by Ed O’Neill. When the arcade closes for the night, the video game characters leave their individual game and socialize through a power strip called Game Central Station. The social life of the video game characters comes alive when we learn that the 30th anniversary of Fix-it Felix, Jr. specifically will exclude bad guy Wreck-It Ralph, portrayed by John C. Reilly.

(From left, Jack McBrayer as Fix-It Felix Jr. and Jane Lynch as Sergeant Tamora Jean Calhoun in the Rich Moore movie Wreck-It Ralph).

Given the interaction between characters from different arcade games in Game Central Station, garnering respect by getting a medal from the arcade game Hero’s Duty becomes a goal for Ralph. Ralph steals a medal from Hero’s Duty, mounting an escape into the kart racing game Sugar Rush, where he deposits a Cy-Bug from Hero’s Duty and, while stuck in Sugar Rush has made landed Fix-It Felix, Jr. temporarily out-of-order. With his game not functioning, Felix leaves his game and allies with Sergeant Tamora Jean Calhoun, whose goal is to track the Cy-Bug on track to become a virus. Jack McBrayer and Jane Lynch portray Felix and Calhoun, respectively.

(From left, Rich Moore as Sour Bill and Alan Tudyk as King Candy, aka Turbo in the Rich Moore movie Wreck-It Ralph).

Meanwhile, Vanellope von Schweetz steals the medal from Ralph to buy her entrance into the Sugar Rush qualification race that will, if she performs well enough, will let her race in daily games in Sugar Rush the next day. Since Venellope has a glitch that causes her to move and teleport erratically, King Candy rules that Venellope cannot race. While Ralph agrees to build Von Schweetz a new car and work with her to improve her racing skills, King Candy hacks the source code for Sugar Rush, gives Ralph the medal back, and does other deceitful things to turn Ralph against Venellope. With a storyline developing for Calhoun and Felix during this time, King Candy’s assistant, Sour Bill, imprisons Ralph. Venellope von Schweetz, King Candy and Sour Bill were portrayed by Sarah Silverman, Alan Tudyk and director Rich Moore, respectively.

(From left, Joe Lo Truglio as Markowski, Dennis Haysbert as General Hologram and Ed O’Neill as Mr. Stan Litwak in the Rich Moore movie Wreck-It Ralph).

There are further moments of discovery built into the storyline at that follows, granting a satisfying telling for kids and adults alike. We are introduced to the fictional game TurboTime a bit later into the story. We are offered references to legitimate games, including Altered Beast, Dig Dug, Frogger, Pac-Man, Paperboy, Pong, Q*bert, Sonic the Hedgehog, Street Fighter, and others. The onward and upward thrust of the storyline from this place in the story ties the multiple strings of storyline together in a cute, emotionally satisfying storyline that rewards kids and adults alike to a story that reinforces friendships while offering comeuppance in appropriate ways.

(From left, Katie Lowes as Candlehead, Mindy Kaling as Taffyta Muttonfudge and Jamie Elman as Rancis Fluggerbutter in the Rich Moore movie Wreck-It Ralph).

The movie concludes with characters having the best versions of themselves revealed. The animation was detailed, vivid and visually dynamic in drawing an imaginary world that felt legitimate. A subsequent movie followed the original, which tells you the audience was there with the first pass. Story credit for the movie goes to Rich Moore, Phil Johnston and Jim Reardon. The screenplay was written by Phil Johnston and Jennifer Lee. I grant Wreck-It Ralph as directed by Rich Moore 4.25-stars on a scale of 1-to-5.

Matt – Saturday, September 10, 2022

Rod Stewart and the album ‘Merry Christmas, Baby’

Music that supports the holidays has been a staple for as long as I can remember. New contributions that capture the popular imagination of those interested can be tricky. Today we aim to offer you stylings from this decade with the 2012 album Merry Christmas, Baby by Rod Stewart.

(The album cover for the 2012 album Merry Christmas, Baby by Rod Stewart).

Have Yourself a Merry Little Christmas opens the album with an intimate studio production with dignity. This is a nice song to listen to while snuggling with a loved one, a glass of cheer, and a loved one.

Santa Claus is Coming to Town offers a similar sweetness to the album opener with a nice mixture of supporting band underpinning the distinctive Rod Stewart voice. The big band sound with supporting vocals slightly past the song’s midpoint is a nice touch.

On Winter Wonderland, Michael Bublé and Rod Stewart take turns leading the singing for this song, keeping a distinctly soft jazz feeling flowing to the mood as the fondness for the season as expressed through a festive landscape is invoked.

(Rod Stewart performing the song Merry Christmas, Baby from the album with the same name).

White Christmas slows the tempo for the contemplative, drowsy feeling not unlike one might get while in the bustle of the season after a particularly energetic day.

CeeLo Green and Troy “Trombone Shorty” Andrews join Rod Stewart for the album’s namesake song, Merry Christmas, Baby. The curious and uplifting mix of this trio enjoys a classic if slightly understated treatment with the strongest sense of enthusiasm within the song not coming until roughly two-minutes into the song. Playing Auld Lang Syne from later in this album as a lead into the song Merry Christmas, Baby did my heart good in appreciating this tune.

Let It Snow! Let It Snow! Let It Snow! offers a stronger sense of the best experience I take from the album of an almost introspective feel. Dave Koz joins accompanies in the song with subtle hints to the song Baby It’s Cold Outside mixed in.

(A pressing of the compact disc of for the 2012 album Merry Christmas, Baby by Rod Stewart).

Ella Fitzgerald and Chris Botti accompany on What Are You Doing New Year’s Eve? in a surprising and wonderfully old-fashioned sounding take on the new year classic. I could listen to this song over and over again with my affection increasing.

Blue Christmas offers us the return of Rod Stewart performing in solo with a rendering of the song that hints to the gospel and bluegrass underpinnings present in the Elvis Presley sentiment if not the sound of that earlier take. I am quite fond and proud of the newer, fresher approach to the song by Stewart.

Red-Suited Super Man sees a return of Troy “Trombone Shorty” Andrews with a stronger sense of rhythm and blues felt more strongly here than perhaps anywhere else on the Merry Christmas, Baby album.

(A close-up of Rod Stewart from the album cover of Merry Christmas, Baby).

Rod Stewart takes a risk in approaching the Disney song When You Wish Upon a Star as orchestrated and sung originally here by the character Jiminy Cricket (voiced by Cliff Edwards). I appreciate Stewart‘s treating the production with reverence in offering a more contemporary sensibility. Have a listen.

In joining with Mary J. Blige on We Three Kings, Rod Stewart achieves something unique and unexpected. The vocal mix in coupling these two offers a beautiful, uplifting mixture of a song arguably as thematically spiritual as any I’ve heard Stewart due in his career. I appreciate this interpretation immensely.

Silent Night with the understated instrumentation works beautifully for the second spiritual of the Merry Christmas, Baby album. The singing of children through the second movement of the song works, yet this song works for me less than the collaboration with Mary J. Blige on We Three Kings.

Auld Lang Syne ends the Merry Christmas, Baby album with an affectionate musical toast both uplifting and sweet. The uplifting production with pretty instrumentation and chorus is a warm blanket of appreciation from Stewart that strikes me in a sweet spot of joy to bring about the end to an enjoyable album.

Matt – Saturday, December 5, 2020

Daniel H. Pink and the book ‘To Sell Is Human: The Surprising Truth About Moving Others’

The idea that we are constantly performing, or a short step from there selling, one of the truisms of life dating back to William Shakespeare‘s famous monologue as spoken by Jaques in the play As You Like It. In his book To Sell Is Human: The Surprising Truth About Moving OthersDaniel H. Pink takes a fresh look at traditional and non-traditional constructs of what constitutes sales, and how to sell (and be sold) is as human as storytelling or feeling.

To Sell Is Human 2 - Daniel H. Pink(Daniel H. Pink wrote To Sell Is Human: The Surprising Truth About Moving Others).

The notion that Daniel H. Pink aims to convey in To Sell Is Human is that regardless of not being the person aiming to sell an automobile in a lot or vacuum cleaners door-to-door, the majority of us spend a huge part of our day trying to get people to part with resources. There are plenty of contexts where this is true, as pointed out in this short video summarizing the vision of this book.

When The Scientific Secrets of Perfect Timing 3(Daniel H. Pink also wrote When: The Scientific Secrets of Perfect Timing, as reviewed by Matt Lynn Digital on September 21, 2019).

One of the larger points shared in To Sell Is Human is that information asymmetry has given way to greater transparency, as discussed in this Economist article. The notion of buyer beware has shifted to seller beware, Pink argues, which leads to what becomes what Pink says is a new way of selling ideas to people in a broader set of everyday circumstances. Three broad principles discussed in the book include attunement, buoyancy and clarity. Three key abilities this lends to are pitching, improvising, and serving.

To Sell Is Human 3.jpg(Daniel H. Pink wrote To Sell Is Human: The Surprising Truth About Moving Others).

Some of the larger points Pink made that captured my attention include the impact that explanatory style of self-talk made for outcomes, the successors to elevator pitch (one word, question, subject line, Twitter and Pixar), and some suggestions for further reading (includes Stephen R. Covey, Keith Johnstone, and others). I rate the book To Sell Is Human: The Surprising Truth About Moving Others by Daniel H. Pink at 3.75-stars on a scale of on a scale of one-to-five.

Matt – Wednesday, October 16, 2019

 

Bob Hoskins, Kathleen Turner and the Robert Zemeckis film ‘Who Framed Roger Rabbit’

It was the middle of a three-film collaboration between Robert Zemeckis and Christopher Lloyd that started with Back To The Future (1985) that a combination live-action and animated adventure comedy hit the movie theaters. That film, largely marrying cartoons from the Warner Brothers and Disney Company houses, asked one simple question that became the movie name. The question? Who Framed Roger Rabbit (1988)?

Who Framed Roger Rabbit 2 - Bob Hoskins as Eddie Valiant with the animated Roger Rabbit(Bob Hoskins as Eddie Valiant with the animated Roger Rabbit in the film Who Framed Roger Rabbit).

The leading man in the film Who Framed Roger Rabbit is Eddie Valiant, the alcoholic detective with a story as played by Bob Hoskins. The film itself is set in 1947 in an era before the advent of the Interstate Highway System, a fact that becomes central to the plot of the film. Before learning how, we come to learn that Eddie has an unfavorable attitude towards the cartoons who inhabit the world of this film. In Who Framed Roger Rabbit, the cartoons have lives outside their films, shows, or shorts.

Who Framed Roger Rabbit 3 - Joanna Cassidy as Dolores(Joanna Cassidy as Dolores in the film Who Framed Roger Rabbit).

We learn through Eddie’s love interest, Dolores, that Eddie’s brother died at the hands of a cartoon when a cartoon, acting of his own accord, killed Eddie’s brother by dropping a piano upon the two Valiant brothers. Eddie was fortunate in that he escaped the piano incident with a broken arm; conversely, he became the alcoholic who couldn’t keep his life together owing to the grief over losing his brother.

Who Framed Roger Rabbit 6 - Alan Tilvern as R.K. Maroon(Alan Tilvern as R.K. Maroon in the film Who Framed Roger Rabbit).

We learn some of an animosity that exists for Eddie and cartoons slightly after Eddie arranges with R.K. Maroon of the Maroon Cartoons to take compromising pictures of the wife of animated bunny Roger Rabbit, one wife of animated yet voluptuously drawn human Jessica Rabbit. To get things right monetarily with Dolores, Eddie has agreed to take compromising pictures of Jessica Rabbit. Eddie Valiant gets pictures of Jessica playing a literal game patty-cake with Marvin Acme of the Acme Corporation, Acme cartoons and Toontown.

Who Framed Roger Rabbit 5 - Stubby Kaye as Marvin Acme with the animated Jessica Rabbit(Stubby Kaye as Marvin Acme with the animated Jessica Rabbit in the film Who Framed Roger Rabbit).

A right complete adventure follows one day after Roger Rabbit learns of the patty-cake pictures and responds in a betrayed manner to the notion that Jessica possibly would have been unfaithful. A complication that ensues the pictures makes Roger look guilty, which brings about the question of Roger’s guilt and if he had been framed. Roger enlists Eddie Valiant’s support in exonerating him. In the process, Judge Doom becomes established as a counterpoint to Roger, Eddie, Dolores and those interested in Roger getting a fair chance to acquit himself of the charges in addition to reclaiming his love.

Who Framed Roger Rabbit 4 - Christopher Lloyd as Judge Doom(Christopher Lloyd as Judge Doom in the film Who Framed Roger Rabbit).

Judge Doom has introduced a brew of toxic chemicals capable of killing any cartoon. Doom’s “Dip” universally scares all cartoons, whereas mundane things like falling refrigerators simply bring about confusion, circling birds, circling bells or circling stars. Dip in action is shown to have a deadly outcome for cartoons. Eventually, Eddie Valiant braves Marvin Acme’s Toontown while taking a charming step that either saves or fails to save the day. Being the smart guy without spoilers that I am, how things work out is one thing I will leave for you as encouragement to watch the film.

Who Framed Roger Rabbit 7 - Film director Robert Zemeckis with the animated Roger Rabbit(Robert Zemeckis, pictured here with an animated version of Roger Rabbit, directed the film Who Framed Roger Rabbit).

I appreciated the combined efforts of director Robert Zemeckis and live action actor Christopher Lloyd in the film Who Framed Roger Rabbit. That the plot playfully offers an adult sensibility in a PG-13 makes this film not appropriate for all children, including those who might appreciate cartoons or films like Toy Story (1995), Frozen (2013), or cartoons from Hanna-Barbera. These three are partly examples of cartoons that came to exist after the film, or whom were not included in the cartoons represented in the film.

Overall, my grade for Who Framed Roger Rabbit belies the appreciation of a film well-crafted and a story well-executed. Kathleen Turner as the voice of Jessica Rabbit with Charles Fleischer as the voice of Roger Rabbit also worked for me. I rate Who Framed Roger Rabbit at 4.00-stars on a scale of one-to-five.

Matt – Wednesday, September 18, 2019

Remakes and Sequels in the Service of Story

Matt Lynn Digital recently reviewed the Disney animated movie Dumbo (1941). We did so anticipating the live action movie Dumbo (2019)‘s theatrical release in the United States on Friday, March 29th. Without making a fine distinction between remake and reboot, we at Matt Lynn Digital wanted to review why some remakes work well while also looking at why sequels, as a distinct thing from remakes, also are worth the time.

Remake - A Star is Born 1937,1954, 1976, & 2018(The movie A Star Is Born was first made in 1937 with remakes in 1954, 1976, and 2018).

Followers of the 2019 Academy Awards will recognize A Star is Born (2018) as a featured nominee for best movie. Bradley Cooper and Lady Gaga starred in the directorial debut for Cooper. Part of the success this movie enjoyed rested in starring a well-known musician and actor (Cooper and Gaga) in featured roles executing their craft using contemporary film and musical take on a movie that had been made three times before. A Star Is Born (1976) with Barbra Streisand and Kris Kristofferson, A Star Is Born (1954) with Judy Garland and James Mason, and A Star is Born (1937) with Janet Gaynor and Fredric March were others that succeeded with a similar compelling story.

Remake - The Wizard of Oz - The Wiz - 1937 & 1978(1939’s movie The Wizard of Oz was remade as The Wiz in 1978).

We at Matt Lynn Digital have ranked the movie The Wizard of Oz (1939) as the fourth best movie ever made. Starring Judy Garland and her friends the Scarecrow, the Tin Man, and the Cowardly Lion singing and dancing in the service of an adventure of rural versus city, labor versus management, poor versus rich, the music enhanced the telling of a story that has endured for many years. The same themes with a Motown soundtrack and an African American cast including Diana Ross, Michael Jackson, Nipsey Russell, Lena Horne, and Richard Pryor starred in The Wiz (1978). A powerful story serving powerful audiences are powerful reasons to remake a movie.

Remake - Annie - 1982, 1999, & 2014(1982’s musical movie Annie was remade in 1999 and 2014. All take inspiration from Little Orphan Annie of 1932).

The final look into remade movies includes the music filled song of looking towards tomorrow with family with Annie (1982). In reprising a heartwarming tale of the adventures of a young girl in finding her family, whereas The Wizard of Oz and The Wiz both reinforce getting back home, the original stars Albert Finney, Carol Burnett, Aileen Quinn and others. Annie (1999) rebooted the franchise for television with Kathy Bates as a notable star. Annie (2014) offered an entertaining review of the movie with a more robust and contemporary telling of the underlying story with stars Jamie Foxx, Quvenzhané Wallis, and Cameron Diaz. The 1982 and 2014 movies experienced commercial success. Each of these movies trace back to the comedy and drama Little Orphan Annie (1932).

The notion of making sequels to movies often is more creatively deliberate. Its goals are often are not to retell a story with a more modern take or for a more modern audience, as we explored with some examples above. Instead, sequels seek to extend a story or take themes explored within a story to something more robust or fanciful.

Sequel - The Godfather - 1972, 1974, & 1990(1972’s The Godfather experienced sequels in 1974 and 1990).

The Godfather (1972) joins with The Godfather: Part II (1974) and The Godfather: Part III (1990) to tell the trials and tribulations of an Italian American mafia family with the surname Corleone. The story tells of how Vito Corleone became a major American criminal, how he died, and then how his youngest son Michael Corleone succeeded him and then became corrupted. The first two movies often are considered superior to the third movie in the sequence. Marlon Brando, Al Pacino, James Caan, Robert Duvall, Diane Keaton, Robert De Niro, and Talia Shire are notable stars in these movies.

Sequel - The Dark Knight - 2005, 2008, & 2012(2005’s Batman Begins was followed by The Dark Knight and The Dark Knight Rises in 2008 and 2012, respectively).

The Dark Knight Trilogy of movies collectively refers to Batman Begins (2005), The Dark Knight (2008), and The Dark Knight Rises (2012). Christian Bale, Michael Caine, Katie Holmes, Gary OldmanMorgan Freeman, and Heath Ledger are notable stars telling the background story of Bruce Wayne (aka Batman), his becoming a crime fighter, and some graphic crime and violence he fights while simultaneously fighting his own emotional baggage wrought by the death of his parents at the hand of violent crime. Christopher Nolan became a director of worldwide reputation thanks to these movies.

Sequel - Jaws - 1975, 1978, 1983, & 1987(The 1975 blockbuster movie Jaws was followed by sequels in 1978, 1983, and 1987).

The movie Jaws (1975) led to three sequels, namely Jaws 2 (1978), Jaws 3-D (1983), and Jaws: The Revenge (1987). The first movie launched the career of director Steven Spielberg, who directed only the first movie. Roy Scheider starred in the first two movies, as did Murray Hamilton, and Lorraine Gary. Other notable stars in the original were Robert Shaw and Richard Dreyfuss. The notion for all four movies was to extend the suspenseful interplay between unsuspecting folks on the beach, a hungry great white shark, and the engaging conflict the allows the audience to question who is the predator and who is the prey. Each movie in the series had a different director. Both the quality and originality of the series suffered from one movie to the next in this series, which is to say that this series demonstrates cases where sequels failed in the mission to extend the story into new and original places.

In walking through some notable remakes and movie sequels, my aim was to begin a dialogue for where one or the other is appropriate. Especially with some examples of sequels, we are aiming to stake more ground for where sequels are not appropriate. For example, two sequels for Batman Begins seem justified, and a second sequel for The Godfather seems unwarranted. Multiple follow-ups for Jaws seem clearly unnecessary. The remakes of films largely seem justifiable reaches into new territory. What do you think?

Matt – Wednesday, March 27, 2019