Film review for a winner of four Academy Awards, ‘Platoon’

Director Oliver Stone and Producer Arnold Kopelson first released Platoon on a limited basis in movie theater’s in December 1986. The movie was nominated for eight Academy Awards, winning for Best Picture, Film Editing, Sound, and Direction. To underscore that this movie was well received by the academy would be a disservice to the film.

Platoon 8(Oliver Stone in cameo in Platoon)

While arguably first a movie with an ensemble cast set in the Vietnam War circa 1967, the story of the movie is a tale of idealism and innocence lost in the jungle of Vietnam as seen through the eyes of Chris Taylor (as played by Charlie Sheen) and others. The character of Chris Taylor volunteers for service after dropping out from college with little worldly experience, which in my opinion serves as a metaphor for much of how the United States viewed itself at the time.

Platoon 3(Charlie Sheen)

While the enemy that the United States was fighting in Vietnam was the communist ideal and the Democratic Republic of Vietnam, the argument offered in the movie was that there was an internal struggle within America for the fight. The movie wasn’t aiming to argue those politics, though the internal American struggle was viewed through the lens of youthful innocence and some degree of rich versus poor.

Platoon 2(Willem Dafoe, left, and Tom Berenger, right)

Sargent Barnes as played by Tom Berenger serves as the jaded by war experience and morally corrupted platoon leader. Barnes has a quite unsympathetic and unfeeling attitude toward the Vietnam natives in country, and takes ruthless and criminal actions against the people of a farming village that the platoon in the movie comes upon. Sheen’s Taylor finds sympathy with the platoon faction lining up behind the more sympathetic Sargent Elias, who is played by Willem Dafoe.

The characters of Elias and Taylor take illicit drugs during the course of the movie. Barnes does not take that step, receives praise for his toughness within members of the platoon, and is shown for moments of leadership fallibility and moral turpitude, especially amongst the Vietnamese farming villagers as well as in the fate of Sargent Elias.

Platoon 5(Forest Whitaker)

In underscoring some of the military policy of integrating the military that was part of the legacy of the Vietnam War, the notion of the larger ensemble cast also sharing in the taking of sides between Sargent’s Barnes and Elias was clear. Big Harold, as played by Forest Whitaker, gave voice to the same inner turmoil that Chris Taylor (Sheen) was experiencing. This was communicated most strongly, perhaps, after the Vietnamese village was raised and farmers were killed.

Platoon 4(Keith David)

In the role as King, Keith David was a voice of moralizing that helped the character of Chris Taylor come to his own sense of moral clarity within the film. David’s initial role was in taking stock of the character that Taylor was as well as helping guide the change that Taylor would experience by the end of the movie. The character of Rhah, as played by Francesco Quinn, was another strong voice for the audience and Taylor in speaking for the directorial messages of immediacy and vision that I heard in the film.

Platoon 6(Francesco Quinn)

There is no question that Platoon lands firmly in the camp of war movie. The scenes of war action were real and intense for their day, though later surpassed by some of the film quality of a picture like Saving Private Ryan. Similar in ensemble quality to Saving Private Ryan, I would be remiss if I were to not point out that Johnny Depp also served as Private Gator Lerner in Platoon.

Platoon 7(Johnny Depp)

Part of the larger power of the movie that worked so well as a war movie is that the experience offered was that of the platoon level combatant. The notion of Taylor losing the ability to write home, and his platoon mates asking him about it were quite real. The notion of staying morally forthright while facing many opportunities to lose innocence and idealism were also fair, gritty, and in ways unpleasantly real. The depictions of combat, of corrupted leadership and the counterpoint rectitude, and the coping with having thoughts on each while feeling powerless to affect the course were strong and cogent messages.

With all these things said, the reason that I watched Platoon without Lynn reflect the same reason that I watched Dunkirk, reviewed here, without Lynn. The violence and sensibility of war that were parts of Platoon and Dunkirk were not things that Lynn would enjoy. Quite easily put, there was nothing to be gained by subjecting her to an experience that she would not enjoy.

Platoon, still, was worthy of Academy Award attention.

Matt – Sunday, March 18, 2018

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Christopher Nolan’s ‘Dunkirk’ succeeds, for men

Christopher Nolan makes quality films. Three-time Academy Award winner Dunkirk (2017) is the most recent example that I had the opportunity to screen with both pleasure and appreciation. With five other Oscar nominations to its credit, take this as evidence that the world is standing up and taking notice.

The Dunkirk Evacuation as a historic event reflects the evacuation of primarily the British Expeditionary Force, along with some intermingling of the other Allied troops, from the French seaport of Dunkirk (spelled Dunkerque in France) to England in May and June of 1940. At this point in the war, the United States was not supplying troops, sailors, airmen or other combat support. (The USA would become involved after the Japanese invasion of Pearl Harbor in December 1941).

Using his characteristically complex movie-telling style, Nolan tells three main stories intermingled with one another. Those three events included events the beaches of Dunkirk, the civilian fishing ships and ferries crossing the channel, and the Royal Air Force pilots of the United Kingdom battling the German Luftwaffe in the skies above and surrounding the seaport town of Dunkirk.

Dunkirk 2(Kenneth Branagh)

Largely using age appropriate actors to fill the ranks of the military branches represented in the film, the film is largely inhabited by actors that are lesser known. The most well-known actor in the lot is likely Kenneth Branagh, who besides playing Commander Bolton in Dunkirk has acted in Harry Potter and the Chamber of Secrets (2002) and multiple productions based on the writings of William Shakepaere. Mark Rylance as Mr. Dawson, one of the small boat captains at the heart of Operation Dynamo,

Dunkirk 4(Mark Rylance)

The film Dunkirk itself depicts a handful of personal stories in near real time. The directorial aim for the aim certainly seemed to be showing the reality of being in this place at this time in history. At the real history as well as in the film, the German army had surrounded the Allied forces to the point of potential surrender. Large naval ships could not pull into the harbor for being drafting too deeply. Had the forces been unable to vacate the seaport, the tide of the war could have swung to an irrevocable Axis advantage.

The experience of the movie Dunkirk is much less about war than Saving Private Ryan (1998), Apoczlypse Now (1979), or Platoon (1986). Dunkirk is the ensemble experience of surviving a military disaster to fight another day. That so much of the force survives is part of what makes the story remarkable. That the movie is told with a largely male audience in mind is also, perhaps, what made the movie one without sufficient crossover appeal to be the Academy Award winner for Best Picture.

Dunkirk 3(Christopher Nolan)

As the reviewer of the movie Dunkirk, it is confession worthy for myself that I originally saw this in a movie theater shortly after its release with a group of male friends. While we watched, the wives of the married folks in the group went shopping at the mall while waiting to join us for dinner. I had come from training earlier in the day. In another confession, I fell asleep in the theater. In watching the movie on Blu-Ray for this review, that disclosure probably isn’t fair to my level of enjoying the film.

My overall feeling is that the historical story of the Dunkirk Evacuation is worthy storytelling. My further belief is that the portrayal of said story in Dunkirk also passes muster if you are interested in larger projections of how history occurred. To me, that there wasn’t a love story attached to the telling is not fatal. If you would prefer that, then I might suggest seeing Pearl Harbor (2001) instead. My preference, given these two, is Dunkirk.

Matt – Saturday, March 10, 2018