(From left, Frances McDormand as Mildred Hayes and Peter Dinklage as James in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).
Mildred Hayes, portrayed by Francis McDormand, draws attention to her daughter’s unsolved rape and murder by renting three roadside billboards. Hayes’ teenage daughter Angela, portrayed by Kathryn Newton, had been taken from her grieving and angry mother seven months before the beginning of the movie. Three disused billboards are rented by Hayes with a pointed message for the local chief of police: “Raped While Dying”, “And Still No Arrests?”, “How Come, Chief Willoughby?”
(From left, Lucas Hedges as Robbie Hayes and Kathryn Newton as Angela Hayes in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).
Portrayed by Woody Harrelson, pancreatic cancer-stricken Chief of Police Bill Willoughby fails to apprehend the guilty following another earnest to do so. Alcoholic police officer Jason Dixon, portrayed by Sam Rockwell, finds a similar lack of success when trying to intimidate billboard renter Red Welby, as portrayed by Caleb Landry Jones, into taking the billboards down. Geoffrey, the dentist sympathetic to Willoughby as portrayed by Jerry Winsett, finds out in a dramatic way that pressuring an angry and grieving mother bent on obtaining some measure of justice will end in a comedically dark way.
(From left, Abbie Cornish as Anne Willoughby and Woody Harrelson as Bill Willoughby in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).
Stressors and pressures of a personal and amplified within the community perspective follow from examples like the above. Mildred’s relationship with her son Robbie Hayes, as portrayed by Lucas Hedges, would become strained due to the billboards. Charlie Hayes, Mildred’s abusive ex-cop ex-husband portrayed by John Hawkes, reveals that he had turned down the couple’s now deceased daughter shortly before her death when she, Angela, had wanted to live with him once again.
(From left, Sam Rockwell as Jason Dixon and Sandy Martin as Jason Dixon’s mother in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).
Drama in unexpected measure follows Chief Bill Willoughby’s death at his own hand, with the partial hand of that justice being administered through subsequent police chief Abercrombie. Clarke Peters portrayed Abercrombie. A convoluted circumstance of the drama extends the hands of justice through Willoughby, Abercrombie, Mildred Hayes and James, with James portrayed by Peter Dinklage, into a hospital room reconciliation with Red Welby.
(Caleb Landry Jones as Red Welby in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).
Many senses of interpersonal debt, partial truth and emotional need that draws out depth for the multiple characters of this film preceded and follow the dynamics of the characters within Three Billboards Outside Ebbing, Missouri. It takes leaps of character, and an emotional journey within a number of them, to lead the landing point of the movie to a misguided journey seeking satisfaction through emotion destined, through a proxy for feeling, destined for the state of Idaho. That past decisions have been revealed as unsatisfying, misguided and, despite being made with the best of judgments given partial information, does not deter the path left for Mildred Hayes and Jason Dixon at film’s end.
I grant Three Billboards Outside Ebbing, Missouri as directed and written by Martin McDonagh 4.25-stars on a scale of 1-to-5.
(From left, Andrew Garfield as Eduardo Saverin and Jesse Eisenberg as Mark Zuckerberg in the David Fincher movie The Social Network).
The movie The Social Network begins in the fall of 2003 with the fictionalized Erica Albright, a student at Boston University as portrayed by Rooney Mara, dumping Mark Zuckerberg. Zuckerberg, portrayed by Jesse Eisenberg in the movie and feeling scorned, insults Albright on his LiveJournal blog. Fueled by that scorn and alcohol into doing something noteworthy, Zuckerberg creates a precursor to Facebook called Facemash wherein he hacks individual online databases at Harvard University for pictures of female students, later posting the photos online while asking fellow students to rate the girls on physical attractiveness.
(Armie Hammer and Josh Pence as Cameron Winklevoss and Tyler Winklevoss in the David Fincher movie The Social Network).
Many, many people took notice of the cynical tackiness of the approach in addition to the wild popularity of scheme led to a segment of Harvard‘s computer servers crashing not due to the initial breaches but due to the volume of people engaging in the ranking. Also taking notice were Cameron Winklevoss, Tyler Winklevoss and Divya Narendra, who had a vision for a social media network.
(From left, Max Minghella as Divya Narendra and Rooney Mara as Erica Albright in the David Fincher movie The Social Network).
The trio invited Zuckerberg to develop a social media network for them, with Zuckerberg seemingly agreeing to the proposition while immediately turning to his friend Eduardo Saverin for seed money to develop a social media platform that would grow into the modern day Facebook. Narendra was portrayed by Max Minghella. Saverin was portrayed by Andrew Garfield. A physical and digital combination of Armie Hammer and Josh Pence portrayed Cameron Winklevoss and Tyler Winklevoss.
(From left, Justin Timberlake as Sean Parker and Jesse Eisenberg as Mark Zuckerberg in the David Fincher movie The Social Network).
The introduction of Sean Parker as portrayed by Justin Timberlake was introduced to filmgoers through litigation brought in separate concurrent claims against Mark Zuckerberg and Facebook by Winklevoss, Winklevoss and Narendra on the one hand and Saverin on the other. Sy as portrayed by John Getz and Marilyn Delpy as portrayed by Rashida Jones were serving the Zuckerberg point of view. The drama for how the different interests of what became Facebook, in both scale and profitability, were at stake in the litigation. That very real human drama was dramatized in the movie was the cinematic point.
(From left, Jesse Eisenberg as Mark Zuckerberg, John Getz as Sy and Rashida Jones as Marilyn Delpy in the David Fincher movie The Social Network).
That the movie The Social Network did a solid job of communicating the drama of growth, ambition, substance use, sex and greed were all strongly in evidence in making a moving story for this movie. The acting met the task of conveying the story for me, with kudos from me on that level as well. I give the David Fincher movie The Social Network 4.25-stars on a scale of 1-to-5.
Just recently I watched the neo-Westerncrime drama television series Breaking Bad (2008-2013). The core story of the series is how underpaid and demoralized chemistry teacher Walter White, diagnosed with an advanced stage of cancer to begin the series, teams with former student Jesse Pinkman to sell crystal meth in Albuquerque, New Mexico. Vince Gilligan created and produced the series.
(From left, Bryan Cranston as Walter White, Anna Gunn as Skyler White and RJ Mitte as Walter White, Jr. in the Vince Gilligan television series Breaking Bad).
As the series begins, Walter White lives in the family’s one-story ranch house with Skyler White, his wife, and Walter White, Jr., his son. Bryan Cranston, Anna Gunn and RJ Mitte portrayed husband, wife and son, respectively, in the series. The initial impetus for entering the drug trade for Walter White was to financially provide for his family in the face of his cancer diagnosis. The process began as a small operation with small batches, made in combination and then distributed with the aid of former student Jesse Pinkman. Aaron Paul portrayed Jesse Pinkman.
(From left, Aaron Paul as Jesse Pinkman and Krysten Ritter as Jane Margolis in the Vince Gilligan television series Breaking Bad).
Comedic dysfunction ensued in the relationship for Pinkman and his former teacher in getting their business off the ground. Distribution is an initial consideration, with issues in manufacturing and distribution, with the engagement of Krazy-8, as portrayed by Max Arciniega, offering a dramatic sequence of events for the opening season. Jesse Pinkman’s strained relationship with his parents, as portrayed by Michael Bofshever and Tess Harper, added some depth to this storyline. Sharing Walt’s cancer diagnosis to Skyler’s sister Marie Schrader and DEA agent brother-in-law, Hank Schrader, introduced some of Walter’s extended family. Dean Norris and Betsy Brandt portrayed Hank and Marie, respectively.
(From left, Dean Norris as Hank Schrader and Betsy Brandt as Marie Schrader in the Vince Gilligan television series Breaking Bad).
The second season plants the fodder for the larger narrative for where the five seasons of Breaking Bad will go. Introducing Tuco Salamanca, as portrayed by Raymond Cruz, at first introduces an element of realism and risk for what the illegal meth business means. Keeping the notion separate from family, with the introductions of mortal risk alongside a love interest for Jesse with Jane Margolis, demonstrating complexity on the front that is only the tip of the iceberg. Krysten Ritter and John de Lancie portray Jane Margolis and her father, Donald Margolis, respectively. The recreational vehicle and meth lab for Walt and Jesse, in their own ways, bring problems between Jesse and his parents, Hank Schrader and the criminal enterprise, and familial ties that aren’t readily apparent at this of the story. The season really ends with a bang.
(From left, Matt Jones as Brandon ‘Badger’ Mayhew, Rodney Rush as Christian ‘Combo’ Ortega, Charles Baker as Skinny Pete and Bryan Cranston as Walter White in the Vince Gilligan television series Breaking Bad).
Season three introduces many elements of fallout from the second season, including introductions to relatives of Tuco Salamanca through Saul Goodman. Bob Odenkirk, Mark Margolis, Daniel Moncada and Luis Moncada portrayed Saul Goodman, Hector Salamanca, Marco Salamanca and Leonel Salamanca, respectively. Goodman also brings Mike Ehrmantraut into the relationship of Walter and Skyler White, with an aim to protect the criminal enterprise that Jesse and Walter. Walter White and Jesse Pinkman had brought Goodman into their enterprise in what was to become a growing crystal meth operation. It’s through Ehrmantraut, as portrayed by Jonathan Banks, that we are introduced to chicken manufacturer Gustavo ‘Gus’ Fring of Chile and his industrial strength crystal meth manufacturing plant. Giancarlo Esposito portrayed Fring.
(From left, Jonathan Banks as Mike Ehrmantraut and Bob Odenkirk as Saul Goodman in the Vince Gilligan television series Breaking Bad).
The backstory of the industrial plant takes the audience into the past crystal meth manufacturing ambitions of Gus Freng. This history shows a longstanding relationship between Fring and Hector Salamanca, culminating in the manufacturing storyline under the laundromat. Dynamic interpersonal dynamics become exceedingly more complex from this past, and with the cook who assembled the plant the parts for the plan in the first place, Gale Boetticher. David Costabile portrayed Boetticher, whose overall story leads to the fulfillment of many storylines for Breaking Bad.
(From left, Mark Margolis as Hector Salamanca and Giancarlo Esposito as Gustavo ‘Gus’ Fring in the Vince Gilligan television series Breaking Bad).
The Salamanca storyline around vengeance for Tuco runs contemporaneous to the laundromat, the introduction to Gus’ ambition, and explaining to outward appearances for the ability to afford Walter White’s cancer treatments. We meet the character Ted Beneke, a creep from Skyler’s past portrayed by Christopher Cousins. Meanwhile, we dynamics with Jesse’s distribution ring leads to troubles for Christian ‘Combo’ Ortega, as portrayed by Rodney Rush. The fallout of this leads to significant issues for Walter and Jesse with Mike Ehrmantraut and Gus Fring, with the relationship that Jesse has cultivated with Andrea Cantillo and her son, Brock Cantillo, on Jesse’s mind. Emily Rios and Ian Posada portrayed Andrea Cantillo and Brock Cantillo, respectively.
(From left, Christopher Cousins as Ted Beneke, David Costabile as Gale Boetticher and Emily Rios as Andrea Cantillo in the Vince Gilligan television series Breaking Bad).
The third and fourth seasons of Breaking Bad were among the best I’ve seen in a television series. The trajectory for so many relationships along with the development of the histories that informed so much of the motivation for characters were tremendous. That we truly began to see the true nature of who series long characters were during this timeframe. The stepping up of ways that DEA agent Hank Schrader continued not knowing that his brother-in-law was in drugs, as prolonged as could be possible with some ingenious interventions, were artfully done. This said, the sharing for how the stories of so many characters worked themselves out by the fourth season, and through some tying of loose ends with the fifth season, made the fifth season feel a bit anti-climactic at points for me. The introduction of Holly White was an interesting touch along the way, which served purposes for the relations between Walter and Skyler White, Hank and Marie Schrader, and between the Schraders and the Whites.
(From left, Jesse Plemons as Todd Alquist and Laura Fraser as Lydia Rodarte-Quayle in the Vince Gilligan television series Breaking Bad).
The storylines for the fifth and final season of Breaking Bad introduced needs to bring resolution to relationships with questions unresolved. Would members of the cast continue with the criminal enterprise? Would folks get caught? Would Hank catch the criminal that he’d been after since the beginning of the series. These questions are answered with clarity and depth, though the true emotional impact for some of these questions rested earlier in the series. The functions of Todd Alquist and Lydia Rodarte-Quayle became necessary, though these characters didn’t get the screen time to resonate as completely as others, including Brandon ‘Badger’ Mayhew and as Skinny Pete. The discrete closure for specific characters, and how things were left open for our imaginations for some characters, was an interesting choice. That this led the Better Call Saul (2015-2022) television series as well as the El Camino: A Breaking Bad Movie (2019) movie occurred, due to this, in my opinion. Matt Jones, Charles Baker, Jesse Plemons and Laura Fraser portrayed Mayhew, Skinny Pete, Alquist and Rodarte-Quayle, respectively.
(From left, director Vince Gilligan and actor Aaron Paul preparing for a scene for the Vince Gilligan television series Breaking Bad).
The overall experience of the Breaking Bad television series was entertaining. There are definitely parts of the movie that explored the motivations for who characters were, with the end result being a clear speaking to the full character that was Walter White. I give Breaking Bad as produced by Vince Gilligan 4.75-stars on a scale of 1-to-5.
Crime. Drama. Thrills. Intensely drawn characters. The movie No Country for Old Men (2007) as directed by Joel Coen and Ethan Coen is drawn from the 2005 Cormac McCarthy book No Country for Old Men. The dark violence and stylistic complexity from the book translated to the something equally dark and complex with the movie. Join us in learning a bit more.
(From left, Kelly Macdonald as Carla Jean Moss and Josh Brolin as Llewelyn Moss in the Ethan Coen and Joel Coen movie No Country for Old Men).
We come upon hunter Llewelyn Moss in the western fringes of Texas in the desert near El Paso when Moss discovers the aftermath of a drug deal gone horribly wrong. Moss, as portrayed by Josh Brolin, does nothing to render aid for the lone survivor of the carnage; he does decide to walk away with the large sum of money along the way. Moss offers few details to his wife Carl Jean, as portrayed by Kelly Macdonald, when getting home with the spoils. The pair are clear with one another that the heat of those looking to recover the money will be looking for them.
(From left, Tommy Lee Jones as Ed Tom Bell and Garret Dillahunt as Wendell in the Joel Coen and Ethan Coen movie No Country for Old Men).
The notion that someone who would know that their money was missing would come behind the desert carnage was of little mystery to sheriff Ed Tom Bell and deputy Wendell. Tommy Lee Jones and Garret Dillahunt portrayed the sheriff and deputy, respectively. Bell, who we learn had been sheriff from a young age, aims to help Llewelyn and Carla Jean Moss navigate this situation with their lives, if he could. We find that Bell is on a journey of his own through the course of this movie.
(From left, Gene Jones as Gas Station Proprietor and Javier Bardem as Anton Chigurh in the Ethan Coen and Joel Coen movie No Country for Old Men).
That the single-minded, psychopathic and eccentric Anton Chigurh is on a mission to recover the stolen money soon becomes clear. That Chigurh isn’t your typical man out for money is clear as Chigurh has an intense yet brief interaction with a Gas Station Proprietor as portrayed by Gene Jones. Javier Bardem portrayed Anton Chigurh. Besides having armed himself with a homemade sawed-off shotgun with a coffee-can silencer and a trademark compressed air-driven cattle gun, Chigurh carries with him an eccentric philosophical conviction that he is merely an agent of fate.
(Stephen Root as Man who hires Carson Wells in the Joel Coen and Ethan Coen movie No Country for Old Men).
Multiple men are pursuing the recovery of the money in the wind from the drug deal gone wrong. Carson Wells, as portrayed by Woody Harrelson, pursues Chigurh and the money after being hired for expressly this purpose by the character portrayed by Stephen Root. Wells aids in bolstering the backstory of Anton Chigurh, whose eccentricity defies explanation for some without the explication a scene between Wells and the man who hired him offers.
(From left, Woody Harrelson as Carson Wells and Javier Bardem as Anton Chigurh in the Ethan Coen and Joel Coen movie No Country for Old Men).
The fates of many are messy throughout the course of No Country for Old Men. Few if any come out of the mayhem of this story clean, with Chigurh, Wells and others are sharing in some measure of this fate. Where the characters stake their claim in this regard feels like a clear and present message throughout the film. This thematic exploration offers a measuring stick for the success of the storytelling, if my estimation offers a sufficient guidepost for your thoughts of this film.
(From left, actor Javier Bardem, director Joel Coen and director Ethan Coen on site of the Joel Coen and Ethan Coen movie No Country for Old Men).
The movie No Country for Old Men earned three BAFTAs and four Academy Awards in 2008 for direction, acting and adapted screenplay. Ethan Coen and Joel Coen adapted the screenplay from the Cormac McCarthy book, with Javier Bardem claiming a BAFTA and an Academy Award. I grant the movie No Country for Old Men as directed by Joel Coen and Ethan Coen 4.25-stars on a scale of 1-to-5.
Matt Lynn Digital 