Tom Hanks, Audrey Tautou and Jean Reno in the Ron Howard movie ‘The Da Vinci Code’

Released as a movie in May 2006, the adaptation of the 2003 Dan Brown book The Da Vinci Code became the Ron Howard directed movie The Da Vinci Code (2006). With screenplay writing credit for Akiva Goldsman, the movie focuses on “art history, Christianity’s origins, and arcane theories,” as mentioned here.

(Jean-Pierre Marielle as Jacques Saunière in the Ron Howard movie The Da Vinci Code).

The movie begins with the pursuit if Louvre Museum curator Jacques Saunière, as portrayed by Jean-Pierre Marielle, in the world famous Paris, France art museum by Roman Catholic, albino monk named Silas; Silas was portrayed by Paul Bettany. Saunière, while coming out of the exchange dead, leaves clues amongst the artwork of Leonardo da Vinci, the namesake for the movie, the book, and the clues embedded in the art around the museum that lead the police to summon renowned Harvard University symbologist Robert Langdon to the case.

(From left, Paul Bettany as Silas and Alfred Molina as Bishop Aringarosa in the Ron Howard movie The Da Vinci Code).

Robert Langdon, as portrayed by Tom Hanks, initially is suspected of the murder of Jacques Saunière, by police captain Bezu Fache, as portrayed by Jean Reno. Police cryptologist Sophie Neveu, as portrayed by Audrey Tautou, disagrees that that Langdon should be suspected of her grandfather’s, that is Saunière’s, murder; Neveu and Langdon shake Fache’s pursuit and deduce that Saunière was a grand master of the French founded Priory of Sion.

(From left, Audrey Tautou as Sophie Neveu and Tom Hanks as Robert Langdon near the Louvre Museum in the Ron Howard movie The Da Vinci Code).

Silas, meanwhile, works for an anonymous to him person he calls The Teacher, which has links to the Bishop Aringarosa led Opus Dei. Aringarosa, as portrayed by Alfred Molina. Circumstances send Langdon and Neveu to Sir Leigh Teabing, as portrayed by Ian McKellan.

(Jean Reno as Police Captain Bezu Fache in the Ron Howard movie The Da Vinci Code).

It was Teabing, a purported expert on the Holy Grail, who introduces a theory contrary to accepted religious canon about a relationship between Mary Magdalene and Jesus, which motivated much of the subtextual mystery functioning in the movie. Charlotte Graham portrayed Mary Magdalene in The Da Vinci Code.

(Ian McKellen as Sir Leigh Teabing in the Ron Howard movie The Da Vinci Code).

The thriller aspects of the movie, along with the intrigue underpinning the mysteries animating the story for the movie, largely worked. That the resolution went in the direction it did was a bit provocative for my taste, though that does not mean the fiction did not work. I give The Da Vinci Code as directed by Ron Howard 3.75-stars on a scale of one-to-five.

Matt – Saturday, March 23, 2024

Jesse Eisenberg, Andrew Garfield and Justin Timberlake in the David Fincher movie ‘The Social Network’

The 2009 book The Accidental Billionaires: The Founding of Facebook: A Tale of Sex, Money, Genius and Betrayal by Ben Mezrich was a large influence on attracting the screenwriting services of Aaron Sorkin to the table for the movie we’re reviewing. The David Fincher directed movie The Social Network (2010) earns our attention today.

(From left, Andrew Garfield as Eduardo Saverin and Jesse Eisenberg as Mark Zuckerberg in the David Fincher movie The Social Network).

The movie The Social Network begins in the fall of 2003 with the fictionalized Erica Albright, a student at Boston University as portrayed by Rooney Mara, dumping Mark Zuckerberg. Zuckerberg, portrayed by Jesse Eisenberg in the movie and feeling scorned, insults Albright on his LiveJournal blog. Fueled by that scorn and alcohol into doing something noteworthy, Zuckerberg creates a precursor to Facebook called Facemash wherein he hacks individual online databases at Harvard University for pictures of female students, later posting the photos online while asking fellow students to rate the girls on physical attractiveness.

(Armie Hammer and Josh Pence as Cameron Winklevoss and Tyler Winklevoss in the David Fincher movie The Social Network).

Many, many people took notice of the cynical tackiness of the approach in addition to the wild popularity of scheme led to a segment of Harvard‘s computer servers crashing not due to the initial breaches but due to the volume of people engaging in the ranking. Also taking notice were Cameron Winklevoss, Tyler Winklevoss and Divya Narendra, who had a vision for a social media network.

(From left, Max Minghella as Divya Narendra and Rooney Mara as Erica Albright in the David Fincher movie The Social Network).

The trio invited Zuckerberg to develop a social media network for them, with Zuckerberg seemingly agreeing to the proposition while immediately turning to his friend Eduardo Saverin for seed money to develop a social media platform that would grow into the modern day Facebook. Narendra was portrayed by Max Minghella. Saverin was portrayed by Andrew Garfield. A physical and digital combination of Armie Hammer and Josh Pence portrayed Cameron Winklevoss and Tyler Winklevoss.

(From left, Justin Timberlake as Sean Parker and Jesse Eisenberg as Mark Zuckerberg in the David Fincher movie The Social Network).

The introduction of Sean Parker as portrayed by Justin Timberlake was introduced to filmgoers through litigation brought in separate concurrent claims against Mark Zuckerberg and Facebook by Winklevoss, Winklevoss and Narendra on the one hand and Saverin on the other. Sy as portrayed by John Getz and Marilyn Delpy as portrayed by Rashida Jones were serving the Zuckerberg point of view. The drama for how the different interests of what became Facebook, in both scale and profitability, were at stake in the litigation. That very real human drama was dramatized in the movie was the cinematic point.

(From left, Jesse Eisenberg as Mark Zuckerberg, John Getz as Sy and Rashida Jones as Marilyn Delpy in the David Fincher movie The Social Network).

That the movie The Social Network did a solid job of communicating the drama of growth, ambition, substance use, sex and greed were all strongly in evidence in making a moving story for this movie. The acting met the task of conveying the story for me, with kudos from me on that level as well. I give the David Fincher movie The Social Network 4.25-stars on a scale of 1-to-5.

Matt – Saturday, January 6, 2024

Dava Sobel and the book ‘The Glass Universe: How the Ladies of Harvard Observatory Took the Measure of the Stars’

It was March of 2017 when we last looked into the writing of Dava Sobel with our review of the 1999 book Galileo’s Daughter: A Historical Memoir of Science, Faith and Love. We return today with our review of Sobel‘s 2016 book The Glass Universe How the Ladies of Harvard Observatory Took the Measure of the Stars, a book every bit as spirited in sharing the value of women in scientific discovery in the face of odds stacked against the proposition.

(Dava Sobel, shown here in 2015, wrote The Glass Universe: How the Ladies of the Harvard Observatory Took the Measure of the Stars).

The book succeeds in providing portraits of strong, intelligent women working meaningfully in astronomy against a backdrop of history not commonly known. The history offered is a scientific one largely based in the Harvard College Observatory of Harvard University in Cambridge, Massachusetts. The scientific analysis of glass plates, which had been taken of the night sky, were analyzed in ways that revolutionized the field of astronomy. The women were central to the burgeoning field in the late nineteenth and early twentieth centuries in influencing worldwide astronomical research into directions still relevant today. The research shared is impressive in scope and depth, including the work of directors Edward Charles Pickering (1877-1919) and Harlow Shapley (1922-1951), in addition to women that included Annie Jump Cannon and Cecilia Payne-Gaposchkin.

(From left, Annie Jump Cannon and Cecilia Payne-Gaposchkin).

Mary Anna Palmer Draper, the widow of Henry Draper, and Catherine Wolfe Bruce were an early benefactors to the Harvard program. The ladies sponsored awards that are still given to this day. The science achieved, in addition to these driving forces behind them, are the stories told by Dava Sobel. Those seeking a more comprehensive social tale, in my candid observation of the accomplishments recognized and discussed, will be disappointed if a more social biography point-of-view is the interest in this book.

(Dava Sobel shown here in 2007).

Overall, the educational factor coupled with the subject matter worked for me. I give The Glass Universe: How the Ladies of Harvard Observatory Took the Measure of the Stars by Dava Sobel 3.75-stars on a scale of one-to-five.

Matt – Saturday, November 11, 2023