Mitch Rapp and the book ‘Total Power’ by Kyle Mills

Kyle Mills continues the Mitch Rapp series of books (book sequence here) created by Vince Flynn with the nineteenth (19th) book in the series, the sixth written by Mills. With Total Power, we see a threat to the United States power grid from ISIS (sometimes called ISIL, Daesh, or more simply, IS). The book unfolds with traditional terrorist suspense and a splash of the typical lack of political will, with a stronger bit of terrorism skill baked in.

(Kyle Mills, shown here, wrote Total Power as his sixth book in the Mitch Rapp series created by Vince Flynn).

The first movements of the story within Total Power introduce the political intrigue associated with the cost of infrastructure updates to the power grid in the United States, along with the vulnerability of the network if a knowledgeable actor with evil intent along with the proper knowledge planned to exploit what weaknesses exist in the system. The underlying issue of coordinated attacks of strategic execution could plunge the United States in darkness for well beyond days, weeks or months before an effective government or free market response could be forthcoming.

(Alternative covers for Total Power as written by Kyle Mills. Total Power is the 19th book in the Mitch Rapp series as created by Vince Flynn).

The second movements of the story bring Mitch Rapp, the force of the Central Intelligence Agency (CIA) and a US president nearing the end of his presidential leadership to bear on an imminent attack staged at the moment the issue is under attack. The attack, though led by ISIS, actually has a bite beyond the jihadist skill to deploy the attack. Despite an explicit effort led by Rapp and a capable team of counter-terrorists, the attempt to thwart the attack is detected ahead of the CIA trap that had been laid. The attack that both infiltrated ISIS and the United States power grid, plunged the mainland into darkness that would last for weeks or months. Effectively, the United States had been crippled with no effective ability to recover.

(Vince Flynn, shown here, created the Mitch Rapp series of books. Flynn wrote the first thirteen books in the series).

With the skills of Mitch Rapp and his team now tactically eliminated, the investigate, infiltrate and get to the knowledgeable few became the third movement of Total Power. The world of malfunctioning infrastructure, computers and communication systems down, and starvation, death and inevitable rioting with little capacity for countering the chaos became the name of the response. The means for getting to a legitimate solution that addressed the infrastructure, and those who damaged it were the odds that needed to be addressed. Would those odds be overcome? You know it would be.

That the narrative telling of Mitch Rapp moved almost strictly into ways to address a power grid attack where powerlessness to respond was at stake was unique and appreciated. This change worked for me more at a high level, though the bigger issue that I found was that there really was only one plausible way that the solution to the problem of that powerlessness was going to be resolved. That I was in tune with how things worked out earlier in the book than I wanted to know proved disappointing. As for Total Power written by Kyle Mills, I give the book 3.75-stars on a scale of 1-to-5.

Matt – Wednesday, March 20, 2023

Raymond Lee, Caitlin Bassett and Mason Alexander Park in Season Two of the continued ‘Quantum Leap’

The National Broadcasting Company (NBC) continuation of Quantum Leap (1989-1993) recently aired the final two episodes of their second season last month. Quantum Leap (2022- ) extended the universe with a thirteen episode season, shortened a bit by the strikes among writers and then actors in 2023.

(From left, Eliza Taylor as Hannah Carson and Raymond Lee as Ben Song in the second season of the rebooted Quantum Leap).

The second season begins with our leaper, Dr. Ben Song as portrayed by Raymond Lee, in what the story tells us is an immediate leap not home but into an Air Force cargo plane for the United States over Russia in the year 1978. Ben works through the leap without support from the Project Quantum Leap (PQL) team, wherein three years had passed, the team had been disbanded, Ben had been taken for dead and, finally, the nature of the relationships and support Ben could expect had changed since the 18th and final episode of the opening season of the rebooted Quantum Leap owing to the passage of three years since the spring 2023 concluding episode wherein hope had been given that Ben would leap home.

(From left, Caitlin Bassett as Addison Augustine, Nanrisa Lee as Jenn Chou and Mason Alexander Park as Ian Wright in the second season of the rebooted Quantum Leap).

Bringing the PQL team back together becomes the task at hand with the second episode, as begun in the first episode of the second season thanks to Ian Wright as portrayed by Mason Alexander Park. A bank robbery gone wrong in Tucson, Arizona forms the leap underpinning the urgency of the second episode. We learn that Ben’s fiancée and primary hologram through the opening season, Addison Augustine as portrayed by Caitlin Bassett, has a new love interest with influence in United States Army intelligence in bringing the PQL team back. Tom Westfall as portrayed by Peter Gadiot serves as Addison’s love interest.

(Ernie Hudson as Herbert ‘Magic’ Williams in the second season of the rebooted Quantum Leap).

With Jenn Chou as portrayed by Nanrisa Lee reinforcing her role as PQL head of security and knowing confidant for Ian, she questions Ian from this episode about Wright’s means for finding the leaping Ben, who’s having been taken for dead led to the PQL team being disbanded. Starlight, New Mexico in 1949 offers an initial leap into the subject of aliens and unidentified flying objects (UFOs) in the third episode of the second season. Ben encounters Hannah Carson on the leap in New Mexico, a waitress with above average intelligence portrayed by Eliza Taylor, for the first time. In the fourth leap of the season in Los Angeles, California (2000 for Ben before a separate leap to the same city in 1992), Herbert ‘Magic’ Williams as portrayed by Ernie Hudson introduces the PQL team to Tom Westfall.

(From left, Peter Gadiot as Tom Westfall and Alice Kremelberg as Rachel in the second season of the rebooted Quantum Leap).

Future leaps take Ben to Princeton, New Jersey in 1955, Middletowne, Massachusetts in 1692, Cairo, Egypt in 1961, Trenton, New Jersey in 1970, Mexico in 1953, Denver, Colorado in 1982, Baltimore, Maryland in 1974 and, finally, Sonoma County, California in 1976. With a love quadrangle of sorts being a recurring storyline through the season, the love shared by Ben and Addison is juxtaposed against Addison and Tom on one hand and Ben encountering Hannah on six different leaps across 27 years on the other. In short bursts, Hannah and Ben develop intense feelings across a lifetime of other experiences for Hannah. This notion of lifetime experiences underlines a significant plot development that includes recurring roles for Gideon Ridge as portrayed by James Frain and Jeffrey Nally as portrayed by Wyatt Parker. The Gideon Ridge storyline is further punctuated with storylines that include Ian Wright, Ian’s girlfriend Rachel, Jenn Chou and Herbert ‘Magic’ Williams. Alice Kremelberg reprised her role as Ian’s girlfriend for a second season.

(From left, Wyatt Parker as Jeffrey Nally and James Frain as Gideon Rydge in the second season of the rebooted Quantum Leap).

The manner of storytelling in the rebooted Quantum Leap sticks to the episodic perspective of the original 97 episodes over five seasons of the source Quantum Leap series. There is a bigger focus on the interpersonal relationships in the world external to the leaps, though the sense of righting wrongs and setting things up for the better remains true to the series. Another season for Quantum Leap hasn’t yet been announced, though my appreciation for the stories leads me to hope for an additional season. I grant 3.75-stars on a scale of one-to-five stars for the second season of the rebooted Quantum Leap.

Matt – Saturday, March 2, 2024

Christopher Cross and the self-titled album ‘Christopher Cross’

The self-titled album Christopher Cross by Christopher Cross of San Antonio, Texas was reportedly released on December 20th, 1979. To recognize the artistry of this pop/rock, adult contemporary and soft rock album, let’s have a look back and listen to the songs of this debut effort.

(Shown here is the album cover for Christopher Cross‘ self-titled album. Christopher Cross was released on December 20th, 1979).

Say You’ll Be Mine opens the album with an uplifting, harmonizing upbeat expression of romantic love interest. A clear attraction exists from the outset of the song, with Cross offering a common sense and heartfelt invitation to engage more fully.

I Really Don’t Know Anymore mediates on the nature of romantic love. The meditation reveals a man who has lost confidence in the possibility and promise of love following an experience that has left him lonely and alone.

(Christopher Cross as seen performing in the early 1980s).

Spinning flips the script on the preceding two songs. Cross finds himself reluctant in love yet suddenly awash in the passionate possibility of a new beginning. The point-of-view advances a narrative that to find himself here must be to doubt himself and the romantic love interest with suspicion in the face of opportunity.

Never Be the Same takes another bite of the apple of love. As singer, Christopher Cross feels the sting of lost love in coming to terms with emotionally moving on. The sweetness of the song rests in that effort while Cross still bringing balance to a viewpoint of seeing the optimism and beauty present from the beginning of the romance.

(Never Be the Same was the third single released in support of Christopher Cross‘ debut album, Christopher Cross).

Poor Shirley takes the notion of moving on from romance to the feminine perspective, with demands to hold back tears being heard sympathetically by Christopher Cross. The nature of the pain is compared, darkly, to the experience of soldiers losing friends to the hostilities of warfare. The depth of the feeling is clear, if the metaphor seemingly harsh.

A condemned man on the run to Mexico from the United States brings us to Ride Like the Wind. Per the link here that seems to reference LSD, “Christopher Cross was on acid when he wrote the lyrics.”

(The debut single Ride Like the Wind by Christopher Cross was released in February 1980 as the debut single from the album named Christopher Cross).

The central metaphor of The Light Is On is the consolation offered a friend and potential romantic love interest who fears the risk of engaging in love. The consoling wisdom of this song is pointing out the safety of home, indoors, where the light is on and separate from the storm of lost love.

As quoted here, the song Sailing “evokes sailing on the open sea, leaving any troubles on the shore.” Cross would go on to explain of the writing for the song that “[i]t took about two years before [he] came up with the bridge that changes all the keys to where [the song] lifts, but it was a pretty special moment.”

(Released in June 1980, Sailing was the second single released in support of Christopher Cross‘ self-titled debut album).

Minstrel Gigolo closes the album with a semi-autobiographical sense for what performing is like for some ladies in the audience and the performer. The sense of traveling from one place to another in performance leads to the temporary intimacy of the stage performance followed by a separate temporary intimacy for women wishing to feel love. The feeling is sad yet introspective at the same time.

Musicians who performed on the Christopher Cross album include Andy Salmon on bass, Chuck Findley on trumpet, flugelhorn and horn, Don Henley on vocals, Don Roberts on saxophone, Eric Johnson on guitar, J.D. Souther on vocals, Jackie Kelso on saxophone, Jay Graydon on guitar, Jim Horn on saxophone, Larry Carlton on guitar, Lenny Castro on percussion, Lew McCreary on trombone, Marti McCall on vocals, Marty McCall on vocals, Michael McDonald on vocals, Michael Omartian on keyboards, piano, synthesizer, and vocals, Myrna Matthews on vocals, Nicolette Larson on vocals, Rob Meurer on celeste, keyboards, organ, piano and synthesizer, Stormie Omartian on vocals, Tommy Taylor on drums, Tomás Ramírez on saxophone, Valerie Carter on vocals and Victor Feldman on percussion and vibraphone.

Matt – Wednesday, December 20, 2023

Herb Alpert & Tijuana Brass and the album ‘Christmas Album’

It was fifty-five years ago that a Tijuana, Mexico touch was presented to what is Christmas music in North America. Christmas Album by Herb Alpert & Tijuana Brass was released in November 1968. What follows is a sampling of the music and my encouragement to purchase the album, especially if you agree with me that this is something worth being heard. The album stylings include easy listening, jazz, pop/rock, holiday, holidays, AM Pop, instrumental pop and jazz-pop.

(Cover art for Christmas Album by Herb Alpert & Tijuana Brass).

Winter Wonderland is presented as the opening song with vocalizations to support the instrumentation, minus specific lyrics for the song. Two primary lyrical bents do exist for the song, which we’ll not address in detail here given the presentation of the song as an instrumental.

(The sheet music cover from 1934 for Winter Wonderland as written by Felix Bernard and lyricist Richard Bernhard Smith).

Vocalization as an interlude to begin Jingle Bells. Presented as an instrumental like Winter Wonderland, the arrangement offers a strong influence for a Herb Alpert & the Tijuana Brass sound that characterizes the album.

(The title page of The One Horse Open Sleigh, the original title for Jingle Bells as written in 1850 by James Pierpont at Simpson Tavern in Medford, Massachusetts).

My Favorite Things continues the vocalization introduction of the preceding songs, taking the Rodgers and Hammerstein creation of Richard Rodgers and Oscar Hammerstein II in a direction that offers both upbeat and slow musicality. The full result provides an interesting take to an unexpected song for this collection.

The Christmas Song, sometimes referred to as Chestnuts Roasting on an Open Fire or simply Merry Christmas to You, was written by Robert Wells and Mel Tormé. With soft singing accompanying softly strummed stringed instruments through much of the song, horns roll in for a brief point about two-thirds of the way through the song.

Written by composer Alfonso Esparza Oteo, Las Mañanitas is a traditional Mexican birthday song. The inclusion on the Herb Alpert & Tijuana Brass Christmas Album, beyond being culturally on-point, feels like it can be a reference to the birth of Jesus Christ.

(Herb Alpert in 1966).

Sleigh Ride was composed by Leroy Anderson for light orchestras. The tempo changes beginning a bit past the 90-second mark and continued through the song present an original and appreciated instrumental take on the song that I find highly appealing.

The Bell That Couldn’t Jingle is an original song written by Burt Bacharach and Larry Kusik. Begun with a chorus singing the song almost as a chant, the almost playful arrangement slightly more than 30-seconds into the song has charm. The singing for The Bell That Couldn’t Jingle returns to a convention present in The Christmas Song.

Written by Sammy Cahn and Jule Styne, Let It Snow, Let It Snow, Let It Snow begins with soft horns from the start. A cautious amount of singing is presented in a lovely song that needed the vocals not at all. Stated another way, the instrumentation carries this song of its own accord.

Jingle Bell Rock was first released by Bobby Helms with writing credits resting with Joe Beal and Jim Boothe. The Christmas Album version by Herb Alpert & Tijuana Brass takes an instrumental approach that inspires clear excitement among the performing musicians; the occasional vocalization that trickles in gives the recording character.

(The cover art for Jingle Bell Rock, which was first released by Bobby Helms in 1957).

Jesu, Joy of Man’s Desiring as composed by Johann Sebastian Bach brings a beautiful rendition to a beautiful song to close the album. The harmonizing vocals accompanying the performance brings a choir feel present with many songs for the album. The horns offer the best part of the song for me.

Contributing artists to this album include Herb Alpert on trumpet, Nick Ceroli on drums and percussion, Bob Edmondson on trombone, Tonni Kalash on trumpet, Lou Pagani on keyboards, John Pisano on guitars and mandolin, Pat Senatore on bass and Julius Wechter on marimba and percussion. Neither adding nor removing my appreciation for the music, Herb Alpert is Jewish rather than Christian.

Matt – Saturday, November 25, 2023

Season Four of television series ‘Tom Clancy’s Jack Ryan’

A fourth and final season of Amazon Prime Original Series Tom Clancy’s Jack Ryan (2018-2023) was presented to fans of the series starring John Krasinski as Dr. Jack Ryan over this past summer. Reprising characters from a series of best-selling “thrillers with detailed themes of espionage, military, science, politics and technology” (Biography.Com) written by Tom Clancy, Jack Ryan was central to many of those books while aim for the same things. Here’s our reviews of season one, season two and season three of the series, with the final 6-episode season review of Tom Clancy’s Jack Ryan presented as follows.

(Betty Gabriel as Elizabeth Wright in season four of Tom Clancy’s Jack Ryan).

The murder of Nigeria‘s President Udo in his home opens the mysterious conditions at the heart of the story this season. Jack Ryan, having ascended to deputy director of the  Central Intelligence Agency (CIA) alongside new acting director Elizabeth Wright, is called upon to defend what looks to the oversight committee to be CIA involvement in the death. Ryan offers this along with the promise for he and Wright, as portrayed by Betty Gabriel, to clean-up the perceived overreach and corruption within the agency. Former CIA director Thomas Miller, as portrayed by John Schwab, is immediately suspected.

(From left, Michael Peña as Domingo Chavez and John Krasinski as Dr. Jack Ryan in season four of Tom Clancy’s Jack Ryan).

The consolidated power of a drug cartel, a terrorist organization and the Central Intelligence Agency had been formed into an organization with seemingly unchecked power to function against the interests of the United States for the aims of profit-making and causing chaos through murderous and symbolic ends. James Greer, Mike November and newcomer Domingo Chavez are enlisted in the direct support of intervening against the people bent on the evil ends. Greer, November and Chavez were portrayed by Wendell Pierce, Michael Kelly and Michael Peña, respectively.

(Wendell Pierce as James Greer in Tom Clancy’s Jack Ryan).

Chavez is added aiding the original consolidated CIA mission in Mexico when a plot connected to Chao Fah, as portrayed by Louis Ozawa, leads to Myanmar. Jack, Chavez, and November investigate a Dubrobvnik, Croatia lead while James Greer is elevated to deputy director in an effort to keep Jack’s value as an agent both in play and from tarnishing Elizabeth Wright’s congressional hearing for removing the acting tag from her role as deputy director. Okieriete Onaodowan portrayed Adebayo ‘Ade’ Osoji, a U.S.-based oil lobbyist with special knowledge of the Nigerian political climate, unfolds as a mystery for Wright to puzzle out through this season.

(From left, Louis Ozawa as Chao Fah and Michael Kelly as Mike November in season four of Tom Clancy’s Jack Ryan).

Abbie Cornish reprises her role as Dr. Cathy Mueller, with her value to Jack through his transition with the Central Intelligence Agency something that seems to have emerged off-screen between season’s three and four. This romantic link pays off with the further relationship developed with Zeyara Lemos as portrayed by Zuleikha Robinson, whose outcome and purpose played into motives that were distinctly unromantic.

I found the fourth season of this series entertaining. The point-of-view mixed the notions of heroism and mystery well without getting overly preachy on the political or social messaging. Overall, I grant season four of Tom Clancy’s Jack Ryan 3.5-stars on a scale of 1-to-5.

Matt – Wednesday, November 22, 2023

Aaron Paul, Jonathan Banks and Matt Jones in the Vince Gilligan movie ‘El Camino: A Breaking Bad Movie’

Some six-years following the end of the Breaking Bad (2008-2013) television series, series creator Vince Gilligan gave fans of the series something that had been missing from the end of the original show. That something was a clear telling of what happened to character Aaron Paul‘s Jesse Pinkman, the student criminal to aid Bryan Cranston‘s Walter White in the building of the Heisenberg drug syndicate. The Vince Gilligan written and directed movie El Camino: A Breaking Bad Movie (2019) puzzles out that story for us.

(From left, Aaron Paul as Jesse Pinkman and Jonathan Banks as Mike Ehrmantraut in the Vince Gilligan movie El Camino: A Breaking Bad Movie).

The ability to leave his past, his captors and law enforcement behind is the goal placed in front of Jesse Pinkman from the outset of El Camino: A Breaking Bad Movie. Beginning with a flashback to the immediate point that Mike Ehrmantraut and Jesse leave the crystal meth business of Walter White, we see the framing of this movie with the question for where Jesse should flea. Mike, portrayed by Jonathan Banks, advises against making amends for the past with the further suggestion to head for Alaska to make a new beginning.

(From left, Charles Baker as Skinny Pete and Matt Jones as Brandon ‘Badger’ Mayhew in the Vince Gilligan movie El Camino: A Breaking Bad Movie).

In the present day, we see Jesse fleeing to the Albuquerque, New Mexico home of Brandon ‘Badger’ Mayhew and Skinny Pete, as respectively portrayed by Matt Jones and Charles Baker. Hiding the Chevrolet El Camino of Todd Alquist that Jesse fled his captors in, Jesse first is given the chance to sleep, shower and recover in the immediate aftermath of his captivity. Devising a plan to make it appear that Jesse would flea in Pete’s Ford Thunderbird while actually making an escape in Badger’s Pontiac Fiero, Badger heads south towards Mexico in the Thunderbird while Skinny Pete stays with the LoJacked El Camino. Meanwhile, Jesse makes his way in the Fiero. Jesse Plemons portrayed Todd Alquist.

(From left, Aaron Paul as Jesse Pinkman and Jesse Plemons as Todd Alquist in the Vince Gilligan movie El Camino: A Breaking Bad Movie).

Told largely through flashback, we are at first presented to Todd Alquist’s apartment in an odd twist. Alquist actually springs Jesse from the duty of captivity and crystal meth production to address a uniquely personal situation that grew out of Alquist’s need to stash the money earned in the drug business. Addressing that distasteful business gives Jesse the knowledge that a large quantity of money will be stored at the apartment; knowledge of Alquist’s busybody neighbor Lou Schanzer becomes the secondary important knowledge piece that comes into play later when Jesse comes into contact with Neil Kandy and Casey. Tom Bower portrayed Lou Schanzer.

(From left, Scott MacArthur as Neil Kandy and Scott Shepherd as Casey in the Vince Gilligan movie El Camino: A Breaking Bad Movie).

As the notion that nothing comes easy or with zero cost proved itself useful to the storytelling of Breaking Bad, the intersections of the Neil Kandy and Casey tales in Jesse’s desire to flea is perhaps the most clever and consistent to that style of any story within El Camino: A Breaking Bad Movie. Neil and Casey, portrayed by Scott MacArthur and Scott Shepherd respectively, dovetail into the Ed Galbraith story quite nicely as necessary plot point in Jesse’s fleeing the greater Albuquerque area and Painted Desert, Arizona area. These storylines offer the creative tension and, ultimately, resolution to Jesse’s story that were arguably owed to the viewers of the original Breaking Bad series. Robert Forster portrayed Ed Galbraith.

(Robert Forster as Ed Galbraith in the Vince Gilligan movie El Camino: A Breaking Bad Movie).

Shoutouts to individual characters from the original series, including asides, callouts, imaginings or subtle references to Walter White, Diane Pinkman as portrayed by Tess Harper, Adam Pinkman as portrayed by Michael Bofshever, Jane Margolis as portrayed by Krysten Ritter and Brock Cantillo as portrayed by Ian Posada, were all nice touches. I give Breaking Bad as written and directed by Vince Gilligan 3.75-stars on a scale of 1-to-5.

Matt – Saturday, November 18, 2023

Joaquin Phoenix, Reese Witherspoon and Ginnifer Goodwin in the James Mangold movie ‘Walk the Line’

Biopic movies have had a place in cinema since I began taking movies serious enough to rank movies. Country musician Johnny Cash received such treatment based in part on his autobiographies Man in Black: His Own Story in His Own Words of 1975 and Cash: The Autobiography, with Patrick Carr, of 1997 plus. Walk the Line (2005) received that plus deeper treatment with additional screenwriting from Gill Dennis and director James Mangold. Friend of the Matt Lynn Digital blog Cobra listed Walk the Line at #16 on his listing of top 20 movies as recently as 2018.

(From left, Reese Witherspoon as June Carter and Joaquin Phoenix as Johnny Cash in the James Mangold movie Walk the Line).

The movie itself begins with scenes of family life for the Johnny Cash from 1944 in Dyess, Arkansas. We meet Johnny Cash‘s mother Carrie, his abusive father Ray, and his brother Jack. Robert Patrick, Shelby Lynne, Lucas Till and Ridge Canipe portrayed Ray, Carrie, Jack and Johnny at this point of the movie, with tragedy befalling Jack and Ray severely resenting Johnny for it. Joaquin Phoenix would go on to portray Johnny Cash as an adult.

(Ginnifer Goodwin as Vivian Cash in the James Mangold movie Walk the Line).

It’s 1950 when Johnny Cash joins the U.S. Air Force. Cash takes a liking to writing songs while stationed in West Germany, developing Folsom Prison Blues before returning to the United States when discharged in 1954. Cash would marry his first wife, Vivian Cash as portrayed by Ginnifer Goodwin, before the couple moved to Memphis, Tennessee. Vivian inspired Cash‘s first hit song I Walk the Line.

(From left, Larry Bagby as Marshall Grant, Joaquin Phoenix as Johnny Cash and Dan John Miller as Luther Perkins in the Larry Mangold movie Walk the Line).

The absence of success as a door-to-door salesman as a means of supporting his family, in part, led Cash to seek an audition with a small band for Sam Phillips, the owner of Sun Records. While Cash, Luther Perkins and Marshall Grant first aimed to play gospel music, it was Folsom Prison Blues that won the trio a contract and financial success. Among others, the three would begin touring with Jerry Lee Lewis, Elvis Presley and Carl Perkins, as portrayed respectively by Waylon Payne, Tyler Hilton and John Holiday. Dallas Roberts portrayed Sam Phillips.

(From left, Robert Patrick as Ray Cash and Shelby Lynne as Carrie Cash in the Larry Mangold movie Walk the Line).

The touring introduces Johnny Cash to June Carter, as portrayed by Reese Witherspoon. The influence Carter has on Johnny Cash is a source of friction for Vivian Cash. Feelings of love develop between the pair, though attempts from Johnny to initiate a romantic relationship with June are initially rebuffed. A large portion of the film is dedicated to this dynamic, the children between the separate marriages for the pair, and the familial drama that remains between Ray and Johnny Cash. The eventual intimacy, drug and alcohol overuse by Johnny, an eventful Thanksgiving on that path, and a dynamic journey to ultimately get there provides depth to the personal story that is told by Walk the Line.

(From left, director James Mangold, actor Joaquin Phoenix and actress Reese Witherspoon in the James Mangold movie Walk the Line).

Walk the Line is well crafted entertainment with a strong underlying narrative. The drama is true to the music style of June Carter and Johnny Cash, with feelings of love and social norms of the larger society factoring into the tale. Learning more about the music and the biography of the early part of Cash’s family and career was worthy of my time, too. I rate Walk the Line as directed by James Mangold at 4.0-stars on a scale of one-to-five.

Matt – Wednesday, September 20, 2023

Mitch Rapp and the book ‘Lethal Agent’ by Kyle Mills

Kyle Mills continues the Mitch Rapp series of books (book sequence here) created by Vince Flynn with the eighteenth (18th) book in the series, the fifth written by Mills. With Lethal Agent, we see a familiar Mitch Rapp book focusing on the man, the myth and the legend of combatting terrorism while facing corrupt politicians bent on fighting the apparatus intent on fighting it.

(Kyle Mills succeeded Vince Flynn in writing books with Mitch Rapp as a central character. Mills wrote Lethal Agent, his fifth foray into the Mitch Rapp series).

Lethal Agent cleverly plays upon two concepts in speaking to the subject matter addressed with plot points based in Iraq and Yemen. The threat placed in front on the good people of the world and the folks fighting terrorism at the Central Intelligence Agency (CIA) was of a biological nature; using the fear of unleashing chemical warfare was a first concept of a lethal agent used in this story.

(Alternative book covers for Lethal Agent as written by Kyle Mills).

The second involved Mitch Rapp, continuing his role as a contractor for the CIA while at odds with himself and his current love interest over what his future is as a fighter of terrorism. When the odds get heavy during a United States presidential election season, the nature of the threat includes a drug trafficking pipeline from Mexico to the United States that overlaps with the biological terror storyline. The means for fighting the biological threat offers a latitude to Rapp not seen at the level presented in the Lethal Agent novel.

(Vince Flynn created the Mitch Rapp series of books, writing the first 13 books in the series).

Mitch acts with explicit and lethal authority in fighting a bioterrorism theater in Mexico that is brand new; the beauty of the approach is that old style Rapp appears again. That we’ve been here and done this, for the individual reader, is either great in getting to see this again or awful for seeing this again. Invoking foreign scientists was a positive turn for Lethal Agent written by Kyle Mills, thus helping me to rate the book 3.75-stars on a scale of 1-to-5.

Matt – Saturday, July 22, 2023

Van Halen and the album ‘OU812’

With the band firmly established with Sammy HagarMichael AnthonyEddie Van Halen and Alex Van Halen, let’s look at the eighth studio album for the band Van Halen. Depending on the source, the album OU812 (Oh, you ate one too!) was released either May 20th or May 24th, 1988. The album itself has landed in the album rock, hard rock, heavy metal and pop metal genres, as suggested by All Music (American online music database).

(The album cover for OU812, the Van Halen album released in May 1988).

Mine All Mine opens OU812 with an aggressive sounding riff offering an inescapable declaration about the trappings of success. While some get lost in believing success rests in the attainment of those trappings, Sammy and the band give us the view that something a little more tangible, long lasting and theirs is what they want. I’ll leave it to you to decide how this commentary lands among the different lead singer of the band over time.

When It’s Love topped out at 28th on the United Kingdom charts and 5th in the United States. An anthem of recognizing the feelings of love, this song landed really close to the heart for my 13-year-old self. The song was “a group collaboration on writing, with brothers Eddie and Alex Van Halen having composed the music first and Sammy Hagar writing the lyrics afterwards,” as noted on SongFacts here. The power ballad phenomenon of the late 1980s is well represented with this tune.

(When It’s Love was released in 1988 as the second single from Van Halen‘s eighth studio album, OU812).

A.F.U. (Naturally Wired) reminds us that Van Halen indeed is a band including a drummer, a bass guitarist, a lead guitarist and a singer. The song touches on the adrenaline rush of the road as a metaphor for Hagar‘s passion for romantic love with a woman flows through him like the electricity for the bands guitars, amplifiers and show microphones.

Cabo Wabo is a homage to the easy vacation life in Cabo San Lucas, Mexico. The themes of love, sand, booze and romance among vacationers definitely has its appeal.

Source of Infection sticks with the aggressive tempo that initially feels out of place when comparing the intense feeling of love to infection. With the music sonically expressing the early lyrical confusion of recognizing precisely what one is feeling, the song offers getting swept away with a fever of infatuation.

Feels So Good answers the confusion of Source of Infection with an infectious certainty both musically and lyrically. The joy of new found optimism of landing love feels so good that the band reintroduces a good measure of harmonizing to boot. The outcome here is among the better ones on the album.

Finish What Ya Started offers the most sonically unique song on the album, with a sound that really hits the mark. The song focuses on unrequited physical passion, which in being suggested yet not satisfied leaves the receivers of the bad news in an unsatisfying way. The underlying riff is said to have come to Eddie Van Halen in the middle of the night, with Hagar adding lyrics to the music in a session that led to what we hear on OU812.

(Finish What Ya Started by Van Halen features Sammy Hagar playing a rhythm guitar part. Eddie Van Halen plays lead).

Black and Blue takes a cynical view of physical passion. The message is that when the interest in mutual physical passion has arrived, act on that passion to the extreme of pain. The message is cynical in vacating hope for a longer lasting relationship, the mood for continued passion in the moment, or a number of other factors that give me pause while looking back with the distance and experience of 35-years since this album was released.

(Black and Blue was the first single released from the Van Halen album OU812).

Sucker In a 3 Piece offers an almost angry sounding opening riff, which emphasizes the message about to land. As noted here, this “song is about a guy who gets dumped by his very attractive girlfriend because she is looking for a rich man to take care of her (the “sucker in the three-piece suit”). This sugar daddy is fat and bald, but he’s got the cash she’s after.” The lyric “nine on a ten scale” within this song is a subtle reference to Sammy Hagar‘s 1976 album Nine on a Ten Scale.

A Apolitical Blues was not included with cassette or vinyl pressings of OU812. With composition credit belonging to Lowell George rather than the Van Halen bandmates, this song remakes the blues ditty released by Little Feat in 1972.

Matt – Saturday, May 20, 2023

Matthew Rhys, Juliet Rylance and Chris Chalk in season two of ‘Perry Mason’

The second season of the HBO Original Series Perry Mason (2020- ) premiered to eight weekly installments on March 6, 2023 through April 24, 2023. The season continues in the early 1930s, Great Depression era of Los Angeles, California. The aftermath of season one‘s Emily Dodson case influences the early story of season two. Jack Amiel, Michael Begler, Niko Gutierrez-Kovner, Elizabeth Baxa, Mauricio Katz and Pedro Peirano were writers for this season.

(From left, Shea Whigham as Pete Strickland and Matthew Rhys as Perry Mason in the second season of the HBO series Perry Mason).

As with season one, viewership gained as the season progressed. While reported viewership was sluggish in season two compared to the original season from nearly three years ago, the season opens with the Mason and Street practice unfocused. Mason, as portrayed by Matthew Rhys, seems particularly stuck about where he wants to take the practice. Rather than focusing on a murder case, as with season one, the beginning of the season sees the practice focusing on civil and estate planning law.

(From left, Justin Kirk as Hamilton Burger and Juliet Rylance as Della Street in the second season of the HBO series Perry Mason).

It is through correspondence that we learn the nature of what had been bothering Mason. The planting of where the new season is headed begins with delving further into the personal lives of characters including Della Street, Hamilton Burger, Paul and Clara Drake and Pete Strickland. The story developing outside this line has to do with murder that just may have to do with more than the immediate facts at hand. Juliet Rylance, Justin Kirk, Shea Whigham, Chris Chalk and Diarra Kilpatrick portray Street, Burger, Strickland, Paul Drake and Clara Drake, respectively.

(From left, Fabrizio Guido as Rafael Gallardo and Peter Mendoza as Mateo Gallardo in the second season of the HBO series Perry Mason).

Brooks McCutcheon, as portrayed by Tommy Dewey, had the ambition of bringing a baseball team to Los Angeles. The wealthy oil man winds up dead, with brothers Mateo and Rafael Gallardo, of Mexican heritage and young, accused for the murder. The contemporary stories of ruthless businessman Lydell McCutcheon and Camilla Nygaard, a McCutcheon family in the oil business, sharpen into focus along the way. Paul Raci, Hope Davis, Peter Mendoza and Fabrizio Guido portrayed Lydell, Camilla, Mateo and Rafael, respectively.

(From left and center of image, Diarra Kilpatrick as Clara Drake and Chris Chalk as Paul Drake in the second season of the HBO series Perry Mason).

The notions of family, professional ambition and leveraging private information for personal gain are three large themes explored through the course of the season. Who is guilty of what, and when, become crucial to how the season plays out. The lengths that individuals will go in defining and expressing just ends loom large among the stronger supporting elements that lend an uplift to the strength of the season as delivered. The means and the ends are points that I would focus on, should you reflect on the season or look to experience it afresh.

(From left, Katherine Waterston as Ginny Aimes and Matthew Rhys as Perry Mason in the second season of the HBO series Perry Mason).

What particularly struck me as appealing with this season were the intersections of personal stories through the season on multiple levels. Moving through questions that have stick with United States cultural and political trends through time strikes my fancy as well. For these reasons, coupled with the storytelling, I grant the second season of the HBO series Perry Mason 4.25-stars on a scale of one-to-five.

Matt – Wednesday, May 17, 2023