In paying homage to the time in history ending the Cold War rivalry between the United States and the former Soviet Union, the movie Atomic Blonde (2017) captures a spy game pitted against the falling of the Berlin Wall in November, 1989.
The movie Atomic Blonde gets a fair degree of distance out of its stylized action sequences and its nostalgic homage to the past that, stylistically if not with the thematic ‘excess’ that is a hallmark of Tarantino, it brings to mind the cinematic experience forthcoming in movies by Quentin Tarantino. The movie, directed by David Leitch, reflects a bold sense of visual mood setting, intermixing of soundtrack that befits the time period, and action.
(Charlize Theron as Lorraine Broughton)
Charlize Theron stars as the strong female lead and top level MI6 agent Lorraine Broughton. Broughton is tasked taking down an espionage ring in Berlin, where she is ordered to cooperate with Berlin station chief David Percival. The alliance is fraught with duplicity, mistrust, and intrigue that I personally both expect and enjoy in espionage movies.
(James McAvoy as David Percival)
The story of the movie is framed around the concept of Broughton (Theron) explaining to a joint MI6 and CIA after-action committee of Eric Gray of MI6 and Emmett Kurzfeld of CIA precisely how the Berlin action went awry. The full story is known only to Broughton at the start, with the full plot circle coming to revelation in the final minutes of the movie.
(Toby Jones as Eric Gray).
Other reviews of the movie focus on the story being somewhat light. The summary review from Rotten Tomatoes goes so far as to call the story “less hard hitting than its protagonist”. My feeling is that the movie is worth the watch as a first foray into feature film for a potentially effective new director in the form of David Leitch.
(John Goodman as Emmett Kurzfeld)
The soundtrack of Atomic Blonde includes Major Tom (Völlig Losgelöst) by Peter Schilling, 99 Luftballoons by Nena, Der Kommissar by After the Fire, I Ran (So Far Away) by Flock of Seagulls, Voices Carry by ‘Til Tuesday, London Calling by The Clash, and Father Figure by George Michael. That a soundtrack of the 1980s was so intermixed within the movie proved a positive way to take me to when the movie was set.
(Atomic Blonde director David Leitch)
Consider seeing this movie. In fact, run (like a Flock of Seagulls) to see this movie.
Matt – Saturday, September 15, 2018