John David Washington, Adam Driver and Laura Harrier in the Spike Lee movie ‘BlacKkKlansman’

Integrating law enforcement in Colorado Springs, Colorado is the first serving of the biographical, crime based, dark humor tale shared in the Spike Lee directed movie BlacKkKlansman (2018). The second serving delves into a law enforcement effort to become a member of the Ku Klux Klan. At the center of these 1972 events was Ron Stallworth, the first black officer of the Colorado Springs Police Department (CSPD). The film is inspired by Ron Stallworth‘s book Black Klansman: A Memoir.

(From left, John David Washington as Detective Ron Stallworth and Laura Harrier as Patrice Dumas in the Spike Lee movie BlacKkKlansman).

John David Washington portrayed Ron Stallworth in BlacKkKlansman, with Stallworth applying for undercover work after tiring of harassment in the records room of the CSPD. Stallworth is assigned to infiltrate the organization of national civil rights leader Stokely Carmichael (born Kwame Ture), wherein Stallworth meets Patrice Dumas, president of the Black Student Union at Colorado College. Dumas is a fictionalized character for this movie. Laura Harrier portrayed Patrice Dumas.

(From left, John David Washington as Detective Ron Stallworth, Adam Driver as Detective Philip ‘Flip’ Zimmerman, Michael Buscemi as Jimmy Creek and Ken Garito as Sergeant Trapp in the Spike Lee movie BlacKkKlansman).

Getting reassigned to the intelligence division shortly after the rally, Stallworth responds to an advertisement for a local division of the Ku Klux Klan. Having called the group and made successful contact with Walter Breachway, as portrayed by Ryan Eggold, Stallworth finds that he needs to meet with the chapter in person. Breachway too is fictitious, though the contact is legitimate. Having used his real name over the phone, Stallworth recruited Jewish colleague Philip ‘Flip’ Zimmerman, as portrayed by Adam Driver, to make the physical contact that interacts with the local chapter. Zimmerman is reportedly a real person, though presented fictionally in the movie as well as the book.

(From left, Ryan Eggold as Walter Breachway and Jasper Pääkkönen as Felix Kendrickson in the Spike Lee movie BlacKkKlansman).

Felix Kendrickson has some initial suspicions of Zimmerman as Stallworth, promoting some sense of stress in the manifestation of the two police officers. Meanwhile, Zimmerman learns of the vague outlines of an attack from Klan member Ivanhoe while Stallworth seeks expedited membership with members of Louisiana. Contact with Louisiana leads to direct contact for Stallworth with head of the large Klan organization David Duke. Jasper Pääkkönen portrayed Kendrickson as Paul Walter Hauser portrayed Ivanhoe and Topher Grace portrayed Duke.

(Topher Grace as David Duke in the Spike Lee movie BlacKkKlansman).

The contact with Duke leads him to come to Colorado Springs to induct Zimmerman as Stallworth into the local Klan chapter, coupled with a civil rights attack involving Connie Kendrickson, as portrayed by Ashlie Atkinson. The induction coupled with the planned attack against a civil rights rally leads to legitimate storytelling stress when Ku Klux Klan member Walker, as portrayed by Nicholas Turturro, remembers Zimmerman from an arrest in his past. The film’s messaging offers clear parallels between goals of justice and injustice between those seeking civil rights gains posed in contrast to goals of hate and harm to those unlike members of the Klan.

(From left, actor Adam Driver, actor Jasper Pääkkönen and director Spike Lee onsite of the Spike Lee movie BlacKkKlansman).

The political messaging of BlacKkKlansman clearly articulates injustice as it has existed overtime in the United States. The adding of context from the contemporary year of the movie’s release, with statements of racially based hate from David Duke and then president Donald Trump felt neither gratuitous nor sensational to me; the context felt necessary. The symbolism of the United States in black and white while simultaneously top-side-down evokes provocatively emotional content clearly stated and understood. The request to see this with the same emotion symbolized by the Klan seems inescapable. Accepting the statements and the tale as told by the movie, I grant BlacKkKlansman as directed by Spike Lee 3.75-stars on a scale of 1-to-5.

Matt – Wednesday, January 19, 2022

Top 20 Movie “Interstellar.”

Top 20 Movie Interstellar (2014) ranks 12th in Matt Lynn Digital’s Top 20 Movies in ranked order listing. This gem as directed and co-written by Christopher Nolan also holds the distinction with Calvary (2014) as the second published in the 21st century to be distinguished by a Matt Lynn Digital listing.

Beyond being a fantastic movie with complicated science and science-fiction theming aligned with overcoming environmental threats to planet Earth, we at Matt Lynn Digital are impressed with the notion that brought Christopher Nolan with “his cerebral, often nonlinear storytelling” to this project. As indicated by Michelle Lanz with Cameron Kell in The Frame:

Christopher Nolan “said it was actually the family themes in “Interstellar” that attracted him to the project, one that he hopes will bring back the glory days of the classic family blockbuster and inspire its audience to dream big.”

It’s interesting to hear Nolan frame the movie in those terms, for the movie delves into some emotionally intense themes. For one example, the movie depicts a future Earth full of dust storms and a worsening food shortage; the storytelling implies a frightening scale of human death.

Interstellar 2

Ostensibly in response to that, you see Cooper (as portrayed by Matthew McConaughey) leave his father (portrayed by John Lithgow) and kids (15-year-old Tom and 10-year-old Murph) behind to pursue a long shot attempt to save humanity by flying into a black hole. Later, the fight between Cooper and Mann (as portrayed by Matt Damon) results in one astronaut breaking the helmet visor of the other. Further, one of these two pushes the other off a cliff on a foreign planet, betraying the mental harshness of deep space.

Family is certainly at the center of the Cooper and Murph storyline. The dynamic between Brand (played by Anne Hathaway) and Professor Brand (portrayed by Michael Caine) further cement the notion that Christopher Nolan isn’t wrong in saying that family feelings are relevant to Interstellar. In fact, I think that these story lines are central to providing some emotional pull to the quality of the story here.

Interstellar 3

The truth is that in the Christopher Nolan universe of movies, Interstellar is perhaps the most family-heavy movie he has offered us. The remaining quality is the science fiction themes of invoking a very cerebral notion of applying Albert Einstein’s theory of relativity in invoking multiple notions for experiencing the passage of time. The further notion of extending the use of worm holes is intriguing. The essential resolution of the film partakes in a notion that Nolan articulated for the movie 2001: A Space Odyssey (1968), namely that (in Nolan‘s view) as shared in The Frame:

both movies have “a lot of complicated science…that you don’t need to understand when you first watch…You really need to go along with the emotions of the characters and follow the emotional story…”

Interstellar is not a family movie in the sense that Matt Lynn Digital reviewed Snow White and the Seven Dwarfs or Toy Story would be, for sure. The Sci-Fi theming is particularly pleasing for me, as is the overall cinematic quality. Consider seeing, or rewatching this movie.

Matt – Thursday, March 16, 2017