The Year 2023 in Music

Continuing with our year in review, Matt Lynn Digital invites you to look back at the last year in reviews of books, movies, music and television. We look at these with individual categories, one per day through Sunday. Today we share music reviews offered by Matt Lynn Digital in 2023.

(Cover art for the Weathervanes album by Jason Isbell & the 400 Unit).

Beginning with our most recent review with a guest review of the Weathervanes album by Jason Isbell & the 400 Unit, as reviewed by friend of the blog Cobra. The 2023 album presented alternative country-rock that mixed in with roots rock and southern rock to entertain their fans. Our review of the Rick Rubin book The Creative Act: A Way of Being also represented 2023 with a top notch look into how creativity works in music production and other fields as well.

(Cover art for the 2011 Tedeschi Trucks Band album Revelator).

The 2011 release of the album Revelator by the Tedeschi Trucks Band offers the first of two albums from the 2010s in our annual review. Offering a taste of American traditional rock, blues rock and roots rock from a guitar virtuoso opens an album that I can and do listen to over and over again. The 2010 A Christmas Cornucopia album by Annie Lennox also presented a more contemporary music mix.

(The biopic Walk the Line depicted aspects of the lives of Johnny Cash and June Carter).

The movie Walk the Line (2005) provided a mostly autobiographical portrayal of the musical life of country musician Johnny Cash and his second wife, June Carter. Music from both performers were featured throughout the movie, which offered a compelling movie experience of the respective lives of the couple up to the point of their marriage.

(Cover art for the R.L. Burnside album Mr. Wizard).

A modern sound for the delta blues comes to us with the 1997 album Mr. Wizard by R.L. Burnside. The music tends to more of a jam format than some of Burnside‘s earlier work with influences on musicians making music into the current day.

(Cover art for the Van Halen album OU812).

The 1988 album OU812 (Oh, you ate one too!) by Van Halen incorporates the most hard rock or pop metal sound for the three albums we reviewed for the 1980s. Both the 1986 album The Way It Is by Bruce Hornsby and the Range and the 1985 No Jacket Required album by Phil Collins delve more into the so-called adult contemporary genre with a focus on message and sound this still hit for a somewhat different audience.

(Cover art for the Christopher Cross album Christopher Cross).

We’ve taken the 1970s decade seriously with a review of nine separate albums. The self-titled 1979 album Christopher Cross by Christopher Cross continues the adult contemporary appeal before the 1974 soft rock appeal of the Jackson Browne album Late for the Sky. Second Helping by Lynyrd Skynyrd gave 1974 a more southern rock or boogie rock sound with their second album.

(Cover art for the Dr. John album In the Right Place).

The 1973 Dr. John funk and piano blues album In the Right Place gives way to the more progressive rock sounds of Pink Floyd‘s 1973 album The Dark Side of the Moon and Yes‘ 1972 album Fragile.

(Cover art for the Chuck Mangione Quartet album Alive!).

The contemporary jazz and easy listening album Alive! by Chuck Mangione Quartet from 1972 introduces the final three albums with a largely instrumental sound. The soft rock album Teaser and the Firecat by Cat Stevens stands next to the blues rock, hard rock and heavy metal sound of Led Zeppelin IV by Led Zeppelin for the music of 1971.

(Cover art for the Miles Davis album Sketches of Spain).

Jazz and rock and roll provide our 2023 soundtrack for the 1960s. Holiday music for 1968 leads us to Christmas Album by Herb Alpert & Tijuana Brass. The seventh album for The Beatles gave us the rock and roll in the form of 1966’s Revolver. The John Coltrane album Giant Steps and the album Sketches of Spain by Miles Davis round out 1960 with jazz performances that warm our heart.

Matt Lynn Digital appreciates your continued interest in the content we offer. Should you have albums that you’d like us to review, please be sure to let us know.

Matt – Friday, December 29, 2023

Tedeschi Trucks Band and the album ‘Revelator’

Think of an incredibly energetic live band that brings emotion to their performance that resonates with themselves and their audience. Add songwriting that matches both of those with a lead singing wife and guitar playing husband. Add that they are an 11-piece band making their debut with the album Revelator on June 7th, 2011, and you meet the Tedeschi Trucks Band.

(The cover art for the Revelator album by the 11-piece Tedeschi Trucks Band. Revelator was released on June 7th, 2011).

Derek Trucks on slide guitar, Susan Tedeschi on lead vocals and rhythm guitar, Oteil Burbridge on bass guitar, Kofi Burbridge on keyboards and flute, Tyler Greenwell on drums and percussion, J.J. Johnson on drums and percussion, Mike Mattison on harmony vocals, Mark Rivers on harmony vocals, Kebbi Williams on saxophone, Maurice Brown on trumpet and Saunders Sermons on trombone were Tedeschi Trucks Band for Revelator.

Come See About Me opens the album with a dynamic and upbeat percussion and slide guitar playfulness that warms the soul. Lyrically, the song acknowledges a relationship that has the makings of something special, if only the courage to allow for the change for love lets one come see about the other.

Another ditty of affirmation, trust and faith in love, Don’t Let Me Slide brings force to stating that knowing yourself and your need for the love of another needs just a little push. The beauty musically and lyrically simply works.

Midnight in Harlem is hands down the most beautiful song on Revelator. The intense love, harmony, hurt all leading back to the eternal that is love, with such exceeding composition, steadiness, harmony and instrumentation, I cannot get enough.

(Susan Tedeschi).

Bound for Glory continues a firm and mature romance filled with personality and playfulness. The opening riff grabs you by the wrist and never lets you go in landing the glory we’re bound to find.

A laidback rolling into Simple Things brings a matter-of-fact question to endurance. Love gets messy, unbalanced, and needs adjustment upon occasion. Speaking the truth and hearing the truth, giving and taking, is the path to sustaining love.

The horns that begin Until You Remember subtly gives way to an acoustic guitar with the singing of Susan Tedeschi. The effect is confessional, vulnerable, seeking. Love nor people aren’t perfect. It’s precisely after several moments on top of several more that the question underneath it all appears: “Do you remember that you’re mine?” Powerful.

Ball and Chain is a playful prayer of thanks for seeing that the one you love is the one you have. The effect fits the album perfectly, keeping the spirit and raising the tenor.

The range of instrumentation takes another dynamic step forward with These Walls, with the song title a metaphor and literal analogy to my hearing. The physical need of home, safety and security on a strictly survival front are strong. The metaphorical comes in with a spiritual sustenance in striving for the courage for strength in bringing these needs to bear emotionally.

Learn How to Love returns us to the strength and force of the opening three songs of the Revelator album. Extending the spirit of survival and safety of These Walls into the realm of love and belonging, we hear about the determination to make it real through direct, intentional acts.

Shrimp and Grits (Interlude) provides the first strictly instrumental song of the album, landing at less than two-minutes in length. The joyousness and strength offer me a sweet sense of love.

(Derek Trucks).

Love Has Something Else to Say is an expression of the giddy happiness that comes with love. No struggle or thinking or effort are needed; the joy simply is told.

Shelter / Ghost Light speaks acts of emotional sensitivity and love. The safety and aspiration with Susan Tedeschi and Derek Trucks singing bring the pair together so sweetly, and perfectly. It is at the roughly 4:26 mark of the track that the hidden instrumental track called Ghost Light rolls for the concluding music of the album.

Other contributing musicians for Revelator included Oliver Wood on guitar and vocals, David Ryan Harris on guitar and vocals, Ryan Shaw on harmony vocals, Eric Krasno on acoustic guitar, Alam Khan on sarod and Salar Nader on tabla.

Matt – Wednesday, June 7, 2023