Warren Beatty, Diane Keaton and Edward Herrmann in the Warren Beatty movie ‘Reds’

A love triangle mixes with the epic historical drama of the life and career of socialist, journalist and activist John Reed today. Reed reported on the Russian Revolution in his book Ten Days That Shook the World, which held a large sway in the Warren Beatty directed and written movie Reds (1981). Trevor Griffiths also wrote Reds along with Beatty.

(From left, Edward Herrmann as Max Eastman, Warren Beatty as John Reed and Diane Keaton as Louise Bryant in the Warren Beatty movie Reds).

The movie Reds begins when suffragist and journalist Louise Bryant, married to another man at the 1915 encounter, meets radical John Reed for the first time at a lecture in Portland, Oregon. The intellectually engaging meeting convinces Bryant, portrayed by Diane Keaton, to join Reed, as portrayed by Warren Beatty, in Greenwich Village, New York City, New York. The womanizing ways of Reed is at odds with the idealism of his writing for Bryant.

(Maureen Stapleton as Emma Goldman in the Warren Beatty movie Reds).

The opportunity to meet Emma Goldman and Eugene O’Neill in the district folds into conversations on writing and the radical feelings of the group. O’Neill and Bryant develop intimate feelings for each other in this period, as the strikes of the Industrial Workers of the World (IWW) alongside the St. Louis, Missouri Democratic presidential convention stirs Reed‘s passions even further. The subsequent marriage of Reed and Bryant hits the difficulty of Reed‘s infidelity, prompting professional, interpersonal and political turmoil between the pair. Goldman and O’Neill were portrayed by Maureen Stapleton and Jack Nicholson.

(Jack Nicholson as Eugene O’Neill in the Warren Beatty movie Reds).

The story of John Reed‘s health, losing a kidney in the midst of this, leads to another instinct to head to Russia as the possibility of what became the Russian Revolution. Professionally reuniting for that trip, Bryant too experiences the ideals of that revolution. The love the pair once experienced reignites, at least until Reed and other communist sympathizers in America break ideologically. Practitioners of the Bolshevik ideology in the Petrograd (St. Petersburg), Russia put Reed to work as a propagandist. With help from O’Neill, Bryant aims to reconnect with Reed while the two are kept from having any legitimate communication. The parallel storylines of history and love were messy and difficult. The way both stories come to resolution reflect the successes of the story.

(From left, Paul Sorvino as Louis C. Fraina and Jerzy Kosinski as Grigory Zinoviev in the Warren Beatty movie Reds).

There is so much more to the tale of Reds than what this introduction to the story of the movie does in more than three hours of movie. Airport Friend rates the movie in the top ten movies he has ever seen. I grant the movie Reds and directed and partly written by Warren Beatty 4.25-stars on a scale of 1-to-5.

Matt – Wednesday, August 16, 2023

Robert De Niro, Ray Liotta, Joe Pesci and the Martin Scorsese movie ‘Goodfellas’

Mob movies rank highly with Matt Lynn Digital friends Airport Friend and Cobra. In their respective rankings of top movies, the latter lists three mobster movies among the top nine movies he has ever seen. The former, Airport Friend, includes Goodfellas (1990) as the eighth movie overall on his listing of top films. We turn our attention to the film based on the Nicholas Pileggi book Wiseguy.

(From left, Ray Liotta as Henry Hill and Lorraine Bracco as Karen Hill in the movie Goodfellas).

Wise guy Henry Hill, portrayed in Goodfellas as an adult by Ray Liotta, is a central character in a tight knit group of mobsters based in New York City. Karen Hill, as portrayed by Lorraine Bracco, becomes what begins as an understanding wife. The course of the life the Hills leads to something exceedingly different from what Henry or Karen’s parents experienced, which leads to friction in the marriage as the years explored in Goodfellas are explored.

(From left, Ray Liotta as Henry Hill and Paul Sorvino as Paul Cicero in the movie Goodfellas).

Paul Cicero as portrayed by Paul Sorvino becomes an important mob leader for the career that Henry Hill is staking with his little piece of the mob action. From the point where Cicero agrees to bring the young Henry Hill, as portrayed by Christopher Serrone, into the racket to the point where Hill starts a hustle with young Tommy DeVito, as portrayed by Joseph D’Onofrio, the beginning of mob careers for Tommy and Henry are just getting established as teenagers.

(From left, Ray Liotta as Henry Hill, Joe Pesci as Tommy DeVito, Catherine Scorsese as Tommy DeVito’s Mother and Robert De Niro as James Conway in the movie Goodfellas).

Tommy DeVito is portrayed as an adult by Joe Pesci in Goodfellas. Catherine Scorsese plays his mother, Mrs. DeVito. Tommy DeVito never gets married in the film. Henry Hill and DeVito both get into the types of work you’d expect with insight into the personalities and varying degrees of commitment to sticking with the racket.

(From left, Michael Imperioli as Spider and Dennis Farina in the movie Goodfellas).

Of significant influence and authority over the full scheme of Hill, DeVito and Cicero is the role of James Conway. Robert De Niro portrays James Conway. Roles portrayed by Michael Imperioli (as Spider) and by Dennis Farina in part demonstrated how running afoul of Tommy DeVito become things to clean-up either individually or collectively for the crew run by Conway. The outcomes of these two are warnings about loyalty to Hill and DeVito especially. It is in the narrative cycle and personal outcomes for many in this tale that the appeal of mobster movies come for friends like Airport Friend and Cobra, should I understand their feelings properly.

(From left, actor Robert De Niro with film director Martin Scorsese on set of Goodfellas).

Martin Scorsese directed Goodfellas, along with taking screenplay writing credits alongside Nicholas Pileggi. The movie itself offers emotionally compelling cinema with a story of the conflicting needs and turns of an admittedly self-absorbed, sociopathic set of morally-bankrupt characters. The themes of loyalty, respect, getting made or rebuffed, and the finality of the tale is clear, strong, and compellingly told. The story was told with some sense of justice meted out. I’ll leave it to those familiar with the movie, and the state of the larger United States civil and political culture today, to decide if this remains the best Scorsese gangster movie made. I rate Goodfellas at 4.50-stars on a scale of one-to-five.

Matt – Saturday, August 22, 2020