Humphrey Bogart, Ingrid Bergman, Paul Henreid and the Michael Curtiz movie ‘Casablanca’

Drama, romance and war are themes of today’s movie review as we review a second straight film with actor Peter Lorre in a starring role. A decidedly international cast with World War Two tension underpinning the story and the lived experiences for much of the cast, we look to the Michael Curtiz directed film Casablanca (1942).

(From left, Sydney Greenstreet as Signor Ferrari and Humphrey Bogart as Rick Blaine in the Michael Curtiz film Casablanca).

The film opens in December, 1941 with American expatriate Rick Blaine, as portrayed by Humphrey Bogart, operating a bar and gambling parlor in Casablanca, Morocco. While ostensibly playing a neutral part in world affairs, Blaine’s bar counts German and Vichy French military officers among its patrons. An important fiction offered to Blaine in this setting is access to this notion of “letters of transit,” which are more valuable than gold to refugees stranded in Casablanca with a desire to leave the political threats to their lives dictated by being present in Europe and North Africa. Peter Lorre, as Signor Ugarte, had a hand in assisting the movement of black market materials like the all-important “letters of transit.”

(From left, Paul Henreid as Victor Laszlo and Ingrid Bergman as Ilsa Lund in the Michael Curtiz film Casablanca).

There are affairs of the heart at play for Rick Blaine, which in part is animated by the romantic feelings he shares with Ilsa Lund, as portrayed by Ingrid Bergman. Lund is accompanied by her renowned Czech resistance leader and fugitive Victor Laszlo, as portrayed by Paul Henreid. Blaine spots the couple, and learns of the couples need for letters of transit, after Ilsa asks piano player Sam to play the song As Time Goes By in Blaine’s bar. Sam, friend and piano player for same, was portrayed by Dooley Wilson.

(From left, Conrad Veidt as Major Heinrich Strasser and Claude Rains as Captain Louis Renault in the Michael Curtiz movie Casablanca).

German Major Heinrich Strasser, as portrayed by Conrad Veidt, knows full well that Laszlo and Lund are seeking “letters of transit” for passage of to America, which Strasser intends to thwart. It is here that we learn that Rick’s friendly business rival, Signor Ferrari as portrayed by Sydney Greenstreet, suspects that Blaine is in possession of the “letters of transit.” The depth of Strasser’s moves to thwart what amounts to Blaine’s means to helping Laszlo and Lund reveal dramatic, romantic and war-provoked tension between all these parties. French Vichy Captain Louis Renault, as portrayed by Claude Rains, has no sympathy for the safety of Laszlo or Lund.

(From left, Dooley Wilson as Sam, Madeleine Lebeau as Yvonne and Leonid Kinskey as Sascha, the Russian bartender infatuated with Yvonne in the Michael Curtiz film Casablanca).

In the midst of this, Russian bartender Sascha, as portrayed by Leonid Kinskey, develops feelings for French refugee Yvonne, as portrayed by Madeleine Lebeau. Yvonne was seeking “letters of transit” in the middle of the events above for her husband and her, briefly having feelings with and for Rick Blaine in this window. When thinking who should receive the two letters of transit in his hands, Blaine clearly had options. The depth and fullness for how the emotional depth of the many threads of feeling resolve themselves is where the true feet of this movie are felt.

(From left, Humphrey Bogart as Rick Blaine and Peter Lorre as Signor Ugarte in the Michael Curtiz film Casablanca).

It was at the intersection of the competing idealism and cynicism of the respective romance, drama, and warring elements of the tensions in Casablanca that the Rick Blaine character lived. That there is a feeling that redeems a sense of the human spirit in many of the threads for the film that the film won three Academy Awards, for Outstanding Motion Picture, Best Director and Best Screenplay. It is for much of these reasons that we grant Casablanca as directed by Michael Curtiz 4.5-stars on a scale of 1-to-5.

Matt – Wednesday, September 8, 2021

James Stewart, Lee Remick and Ben Gazzara and the Otto Preminger film ‘Anatomy of a Murder’

We’ve recently looked at the notion of wholesome, family friendly entertainment with different movies on Matt Lynn Digital with Jumanji (1995). We also have looked into the clean-cut reputation of the actor James Stewart. In reviewing the Otto Preminger directed movie Anatomy of a Murder (1959) as based on the 1958 Robert Traver (aka Michigan Supreme Court Justice John D. Voelker) named Anatomy of a Murder, we see a popular entertainment that turned the concepts of wholesome, family friendly and clean cut actor on their head.

(From left, James Stewart as Paul Biegler, Ben Gazzara as Lt. Frederick Manion, and Arthur O’Connell as Parnell McCarthy in the Otto Preminger movie Anatomy of a Murder).

Anatomy of a Murder stars James Stewart as struggling former district attorney Paul Biegler, whose amiable personality and focus on fishing belie the fact that Biegler’s law office is an underwater, poorly managed mess. In aiming to support bumbling friend Parnell McCarthy straighten a misguided, alcoholic life of his own, the case of an accused murder with Lt. Frederick Manion is presented. Arthur O’Connell portrays McCarthy as Ben Gazzara portrays Manion.

(Lee Remick as Laura Manion in the Otto Preminger movie Anatomy of a Murder).

Laura Manion, as portrayed by Lee Remick, seeks the support of Biegler when her husband, Lt. Frederick Manion, is arrested for the murder of innkeeper Bernard “Barney” Quill. Frederick Manion does not deny the murder, yet seeks a defense based on the proposed mitigation that his wife, Laura, had been raped by Quill. Establishing those facts, and arguing them in a court case that promises to get salacious, makes for a clear turn from family friendly and clean cut.

(From left, Eve Arden as Maida Rutledge and Kathryn Grant as Mary Pilant in the Otto Preminger movie Anatomy of a Murder).

Eve Arden portrays Biegler’s sardonic secretary Maida Rutledge, who aims to assist her boss loyally while pointing out points of weakness in Biegler’s approach along the way. The clear defense strategy becomes one of keeping things focused on a court case while aiming to tie a theory of temporary insanity to the underlying argument of rape.

(From left, George C. Scott as Claude Dancer, Joseph N. Welch as Judge Weaver and Alexander Campbell as Dr. Gregory Harcourt in the Otto Preminger movie Anatomy of a Murder).

When things get to court, prosecutor Claude Dancer, as portrayed by George C. Scott, aims to prevent this theory of the crime from ever being admitted. The skill of the prosecutorial experience and maneuvering proves formidable, as does the underlying investigation by Biegler and others to establish the facts. The question of the validity of the defense theory coupled with the sketchy quality of the witnesses of the crime make for compelling drama in what again was a salacious set of details that put Biegler, and James Stewart in his portrayal of Biegler, in a more mature perspective he hadn’t been in previously.

(From left, James Stewart as Paul Biegler and Duke Ellington as ‘Pie-Eye’ in the Otto Preminger movie Anatomy of a Murder).

The music of Duke Ellington, with an uncredited part in the film itself, serves the movie Anatomy of a Murder well. The story includes intriguing twists and turns with compelling conflict that proves interesting. The exploration of where lines of legitimacy are drawn in and out of the courtroom are viewed on both sides of moral questions in Otto Preminger‘s movie. The Wendell Mayes screenplay aids in my granting 4-stars on a scale of 1-to-5.

Matt – Wednesday, June 2, 2021

John Wayne and James Stewart in the movie ‘The Man Who Shot Liberty Valance’

Movies set in the old west haven’t been the cinematic fashion lately. There was a time when they were moneymakers. Mixing the genre with an Academy Award winning director John Ford and stars John Wayne and James Stewart brings us the film The Man Who Shot Liberty Valance (1962).

(From left, Lee Marvin as Liberty Valance, James Stewart as Ransom Stoddard and John Wayne as Tom Doniphon in the movie The Man Who Shot Liberty Valance).

The film opens with Senator Ransom Stoddard, as portrayed by James Stewart, coming back small town Shinbone in an unnamed western state with his wife Hallie Stoddard, as portrayed by Vera Miles. We know the couple has come back to Shinbone to attend a funeral for a man we learn is Tom Doniphon, who is portrayed by John Wayne.

(From left, Andy Devine as Link Appleyard and Vera Miles as Hallie Stoddard in the movie The Man Who Shot Liberty Valance).

The story introduces the couple coming back to Shinbone, flashing back 25 years to the origin story of Shinbone and, ultimately, what proves to be a fuller and deeper truth about who the Stoddards are in the present day of the film. The flashback opens with Ransom Stoddard being beaten and robbed by Liberty Valance and his gang upon entering the unnamed territory. The nearby town of Shinbone takes ownership for tending to Ransom’s injuries, which sets in motion a series events where the fates of Tom Doniphon, Hallie Stoddard, Ransom Stoddard and the future of the Shinbone and the larger territory are all mixed together and up for grabs. The one thing we know is that Liberty Valance, as portrayed by Lee Marvin, will be shot.

(From left, Edmond O’Brien as Dutton Peabody, Andy Devine as Link Appleyard and Ken Murray as Doc Willoughby in the movie The Man Who Shot Liberty Valance).

Besides the main storyline of telling the backstory of the intrigue amongst Liberty, Ransom and Tom along with the romantic triangle of Hallie, Tom and Ransom, there was the story of newspaperman Dutton Peabody, as portrayed by Edmond O’Brien. It was Peabody and Ransom who are put forward as delegates for the territory seeking statehood. The lawlessness of the west in part were tied to the question of cattlemen controlling territorial rights or the people controlling their own collective destinies in acquiring statehood. When and how that was to occur became a significant story of the movie, accompanied as it were by Andy Devine as Marshall Link Appleyard and Ken Murray as Doc Willoughby.

(The winner of four Academy Awards for best director, John Ford directed the 1962 film The Man Who Shot Liberty Valance).

The film The Man Who Shot Liberty Valance told an interesting story filled with some movie tropes about the wild west and sidekicks that are less pronounced in today’s popular culture. Clearly articulated characters of morally ambiguous decision making having the moral compass to act decisively for a sense of right and wrong, on the other hand, was present in this film yet remains strong. The way that The Man Who Shot Liberty Valance went about addressing the latter question, and how the central and compelling questions of the story turned out, still offers something for a modern audience. I rate The Man Who Shot Liberty Valance at 3.75-stars on a scale of one-to-five.

Matt – Wednesday, September 23, 2020