Ernest Hemingway and the book ‘A Moveable Feast’

Fashioned as an autobiographical account of living in Paris, France as a young, poor writer in the 1920s and during the European cultural transformation following World War One, A Moveable Feast by Ernest Hemingway is our most recent read.

A Moveable Feast 2 - Ernest Hemingway(Ernest Hemingway wrote A Moveable Feast beginning in the fall of 1957. Published after Hemingway‘s death, the book first appeared in 1964).

A Moveable Feast is the story of Hemingway‘s apprenticeship as a young writer, husband, and father in Paris. Hadley Richardson was the young author’s wife during this period, with the marriage partners having formally parted company by 1927. The book itself is a memoir including personal accounts, observations, and stories of what life was like in the literary circles of Paris and nearby regions in Europe during the period his family lived there. The inclusion of specific addresses of places visited was unique, at theoretically can be used as a means of visiting places that survive 100-years later.

A Moveable Feast 3 - From left, Ernest Hemingway and Hadley Richardson(From left, Ernest Hemingway and wife Hadley Richardson. Though the couple divorced, they were married during the period discussed in A Moveable Feast).

Many contemporaries and predecessors of Ernest Hemingway were expatriates with the writer during the era discussed in A Moveable FeastGertrude Stein hosted Hemingway at her salon for a period, including the young writer in what has become known as The Lost Generation. Impressions of Stein and others are discussed, sometimes at length, through the memoir.

A Moveable Feast 5 - Gertrude Stein(Avant-garde American writer and self-styled genius Gertrude Stein used her Paris home as a salon for leading artists and writers between World War One and World War Two. Ernest Hemingway speaks of visiting Stein in A Moveable Feast).

While Sherwood Anderson, John Dos Passos, Ford Madox Ford, T.S. Eliot, Ezra Pound, and others are mentioned, F. Scott Fitzgerald of renown for having written The Great Gatsby was offered a special place of resonance in A Moveable Feast from my ear in part for being represented as a bit of a hypochondriac and eccentric caught in a difficult transition with his writing and his wife at the time Hemingway gets to know something of Fitzgerald‘s character. The details of this are worth the reading, for fans of Fitzgerald and Hemingway alike.

A Moveable Feast 4 - F. Scott Fitzgerald(F. Scott Fitzgerald was a contemporary featured prominently in Ernest Hemingway‘s A Moveable Feast).

Overall, each chapter reads as a standalone experience that can be read of their own accord in mostly any sequence. Most readers will not lose understanding of the shorter narratives nor of the larger narrative of thematically related yet individually unrelated memoirs of experience from the period. I am glad to have stumbled upon this book accidentally while spending the time engaging in this read. I rate the book A Moveable Feast by Ernest Hemingway at 4-stars on a scale of one-to-five.

Matt – Saturday, May 23, 2020

Rush and the album ‘Moving Pictures’

Rush is a rock band from Canada also inducted into the Rock & Roll Hall of Fame. The trios ninth album Moving Pictures (1981) features seven songs with lyrics written by Neil Peart, in addition to perhaps the best drum and percussion work in the band’s full stable of work in the form of the song YYZ. Come along for a ride with me with a listen to the songs of Moving Pictures by Geddy Lee, Alex Lifeson and Neil Peart, the musicians of Rush.

Moving Pictures 2(The album cover for Moving Pictures by Rush).

Tom Sawyer opens Moving Pictures with a rolling synthesizer riff combined with tight drumming and lyrics with a social edge. A clearly accessible and commercially friendly progressive rock play right from the start, Tom Sawyer is perhaps the most well known song from the band, if clearly from the album.

While never released as a single, Red Barchetta tells a story of daydreams, driving a tiny red car and the rolling back of the specific model of car that is the object of the narrator’s fancy.

Moving Pictures 3 - Left to right, Neil Peart, Geddy Lee and Alex Lifeson(Left to right are Neil Peart, Geddy Lee and Alex Lifeson of Rush).

The instrumental YYZ offers the extended homage of percussion greatness that is the playing of Neil Peart. The letters YYZ themselves refer to the Toronto Pearson Airport in Ontario, where the band formed.

Moving Pictures 4(Neil Peart of Rush).

Back when albums were released as two-sided events, Limelight was the final track on the first side of the Moving Pictures album at the time of release. The commentary within the song has a universal appeal while commenting on the notion that the fame of being a rock star comes with at a cost of losing the privacy of being the person who exists prior to fame. The song Limelight was inducted into the Canadian Songwriters Hall of Fame.

Moving Pictures 5 - Geddy Lee(Geddy Lee of Rush).

A song lyrically inspired by the USA novels by John Dos Passos is The Camera Eye, the opening song to the second side of the Moving Pictures album. The song moves in two movements, with inspiration taken by walks in New York City and London taken by Neil Peart. In this conversation with Cleveland.com from 2011, Geddy Lee suggests that this song “didn’t age very well.”

Moving Pictures 6 - Alex Lifeson(Alex Lifeson of Rush).

Social conscience is the message underpinning Witch Hunt. A bit understated in sound, the song holds up in calling for humility and an awareness of the abuses of assuming your own way is the one and only.

Individuality and the pressures to conform, a message of Witch Hunt, returns with Vital Signs. Played with a sensibility that aims to fuse reggae into a rock sound, the seventh and final song from Moving Pictures caps an album perhaps the most commercially successful in Rush‘s extensive catalog.

Matt – Saturday, January 11, 2020