Frances McDormand, Woody Harrelson and Sam Rockwell in the Martin McDonagh movie ‘Three Billboards Outside Ebbing, Missouri’

Filmed in Sylva, North Carolina and set as the fictional town of Ebbing, Missouri, the Martin McDonagh written and directed movie Three Billboards Outside Ebbing, Missouri (2017) presents a darkly comedic drama. The film was released in the United States in November 2017 and the United Kingdom in January 2018.

(From left, Frances McDormand as Mildred Hayes and Peter Dinklage as James in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).

Mildred Hayes, portrayed by Francis McDormand, draws attention to her daughter’s unsolved rape and murder by renting three roadside billboards. Hayes’ teenage daughter Angela, portrayed by Kathryn Newton, had been taken from her grieving and angry mother seven months before the beginning of the movie. Three disused billboards are rented by Hayes with a pointed message for the local chief of police: “Raped While Dying”, “And Still No Arrests?”, “How Come, Chief Willoughby?”

(From left, Lucas Hedges as Robbie Hayes and Kathryn Newton as Angela Hayes in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).

Portrayed by Woody Harrelson, pancreatic cancer-stricken Chief of Police Bill Willoughby fails to apprehend the guilty following another earnest to do so. Alcoholic police officer Jason Dixon, portrayed by Sam Rockwell, finds a similar lack of success when trying to intimidate billboard renter Red Welby, as portrayed by Caleb Landry Jones, into taking the billboards down. Geoffrey, the dentist sympathetic to Willoughby as portrayed by Jerry Winsett, finds out in a dramatic way that pressuring an angry and grieving mother bent on obtaining some measure of justice will end in a comedically dark way.

(From left, Abbie Cornish as Anne Willoughby and Woody Harrelson as Bill Willoughby in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).

Stressors and pressures of a personal and amplified within the community perspective follow from examples like the above. Mildred’s relationship with her son Robbie Hayes, as portrayed by Lucas Hedges, would become strained due to the billboards. Charlie Hayes, Mildred’s abusive ex-cop ex-husband portrayed by John Hawkes, reveals that he had turned down the couple’s now deceased daughter shortly before her death when she, Angela, had wanted to live with him once again.

(From left, Sam Rockwell as Jason Dixon and Sandy Martin as Jason Dixon’s mother in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).

Drama in unexpected measure follows Chief Bill Willoughby’s death at his own hand, with the partial hand of that justice being administered through subsequent police chief Abercrombie. Clarke Peters portrayed Abercrombie. A convoluted circumstance of the drama extends the hands of justice through Willoughby, Abercrombie, Mildred Hayes and James, with James portrayed by Peter Dinklage, into a hospital room reconciliation with Red Welby.

(Caleb Landry Jones as Red Welby in the Martin McDonagh movie Three Billboards Outside Ebbing, Missouri).

Many senses of interpersonal debt, partial truth and emotional need that draws out depth for the multiple characters of this film preceded and follow the dynamics of the characters within Three Billboards Outside Ebbing, Missouri. It takes leaps of character, and an emotional journey within a number of them, to lead the landing point of the movie to a misguided journey seeking satisfaction through emotion destined, through a proxy for feeling, destined for the state of Idaho. That past decisions have been revealed as unsatisfying, misguided and, despite being made with the best of judgments given partial information, does not deter the path left for Mildred Hayes and Jason Dixon at film’s end.

I grant Three Billboards Outside Ebbing, Missouri as directed and written by Martin McDonagh 4.25-stars on a scale of 1-to-5.

Matt – Wednesday, May 15, 2024

Nicolas Cage, Holly Hunter and Trey Wilson in the Coen Brothers movie ‘Raising Arizona’

With a tip of the cap to comedy based in criminality from just before my teenage years, we visit Raising Arizona (1987) as written, directed and produced by Joel Coen and Ethan Coen. The Coen brothers film pokes fun at the notion of competing lifestyles humorously incompatible put into situations where laughter ensues to keep you from crying, should you join in the romp meant to highlight the humor.

(From left, Holly Hunter as Edwina ‘Ed’ McDunnough and Nicolas Cage as Herbert I. (H.I.) ‘Hi’ McDunnough in the Coen brothers movie Raising Arizona).

Raising Arizona opens with repeat offender Herbert I. ‘Hi’ McDunnough getting arrested for robbing convenience stores. At each instance, police officer Edwina (aka ‘Ed’) photographs McDunnough at intake, with an increasing banter between the two leading to an eventual romantic interest following the last arrest. The pair, portrayed by Nicolas Cage and Holly Hunter, respectively, get married. Wanting kids and being unable to become parents in the standard way, the pair resort to something more dramatic when they also cannot adopt due to McDonnough’s criminal past.

(From left, Trey Wilson as Nathan Arizona, Sr. and Lynne Kitei as Florence Arizona in the Coen brothers movie Raising Arizona).

As this develops, it becomes known in their Arizona community that furniture magnate Nathan Arizona, Sr. and his wife Florence, portrayed by Trey Wilson and Lynne Kitei, recently had five babies (quintuplets). Figuring that the Arizonas had more than they needed and could make due with one child fewer, Hi and Ed decide to kidnap one of the five Arizona kids. Humorous interactions surround the abduction, which ultimately succeeds and kicks off the core of the story. T.J. Kuhn portrayed the baby, Nathan Jr.

(Front to back, T.J. Kuhn as Nathan Jr. and Randall ‘Tex’ Cobb as Leonard Smalls in the Coen brothers movie Raising Arizona).

Aiming to make the transition to the straight and narrow in the aftermath of the kidnapping, Hi finds the work that he’s acquired structured enough like prison to make things work. The operation takes its first left turn when brothers Gale and Evelle Snoats, as portrayed by John Goodman and William Forsythe, breakout of prison. The pair looks to the newly minted McDunnough family for a place to hideout. Complications arise when the foreman from Hi’s job, Glen, comes to visit with his wife, Dot, and their unruly kids. Sam McMurray and Frances McDormand portrayed Glen and Dot, respectively.

(From left, William Forsythe as Evelle Snoats and John Goodman as Gale Snoats in the Coen brothers movie Saving Arizona).

A storyline develops next to these wherein Leonard Smalls, as portrayed by Randall ‘Tex’ Cobb, seeks to interject himself into the reward process that has opened for the safe return of Nathan Jr. to Nathan Arizona, Sr. and their family. The paths of misunderstandings, criminal behaviors by Smalls, the Snoats brothers and the McDunnoughs, when placed against tomfoolery of Glen and Dot to boot, gives plenty of comedic fodder to the quick pacing of the movie that is Raising Arizona.

(From left, Sam McMurray as Glen and Frances McDormand as Dot in the Coen brothers movie Raising Arizona).

Mostly positive reviews by critics and audiences alike greeted Raising Arizona, as indicated here on Rotten Tomatoes. As I was amused by the movie, I grant Raising Arizona as written, directed and produced by the Coen brothers 3.75-stars on a scale of 1-to-5.

Matt – Wednesday, January 17, 2024

Gene Hackman, Willem Dafoe and Frances McDormand in the Alan Parker movie ‘Mississippi Burning’

The movie Mississippi Burning (1988) originates its sense of setting with the 1964 murders of James Chaney, Andrew Goodman and Michael ‘Mickey’ Schwerner. For a historical account of their disappearance and murders near the town of Philadelphia, Mississippi, you may review this description. Mississippi Burning was woven into a crime thriller with two Federal Bureau of Investigation (FBI) agents investigating the disappearance of three civil rights workers in fictional Jessup County. The hostility encountered from the town’s residents, local police, and the Ku Klux Klan launches a police procedural that becomes the story.

(From left, Willem Dafoe as FBI agent Alan Ward (based on Joseph Sullivan) and Gene Hackman as FBI agent Rupert Anderson (based on John Proctor) in the Alan Parker movie Mississippi Burning).

The movie begins with an introduction to one black and two Jewish civil rights workers tasked with helping African Americans register for voting. The three disappear, which sufficiently alarms the national organizations supporting the workers to contact the FBI. Agents Alan Ward and Rupert Anderson, as portrayed by Willem Dafoe and Gene Hackman, respectively, are dispatched to work in a reluctant local community to get to the truth and bring a sense of justice to a situation bent in a decidedly different direction. The FBI agents have a decidedly different approach for engaging the people in the local community.

(From left, Brad Dourif as Deputy Sheriff Clinton Pell (based on Cecil Price) and Gailard Sartain as Ray Stuckey, Sheriff of Jessup County (based on Lawrence A. Rainey) in the Alan Parker movie Mississippi Burning).

The difficulty engaging the community begins with the fanatical presence of the Ku Klux Klan, which has penetrated the police where the disappearances occurred. The black community is afraid lives in legitimate fear while the white community sees and / or administers the hate and abuse rampant in the town. Jessup County Sheriff Ray Stuckey and Deputy Sheriff Clinton Pell, as portrayed Gailard Sartain and Brad Dourif, respectively, are prominent leaders in this underlying truth.

(Frances McDormand as Mrs. Pell (as based on Conner Price, standing) and Park Overall as Connie (seated) in the Alan Parker movie Mississippi Burning).

A fair portion of the investigative portion of the movie offers insight into the differing approaches for learning the fate of the civil rights workers. The older FBI agent Rupert Anderson and the more senior FBI agent Alan Ward have distinctly different styles, wherein the more by-the-book approach reigns supreme from the start of the movie. This really ruffles the elder field agent, and the exposition for how this works out really offers credit to the storytelling, if not the historical accuracy, of the movie. While the absence of significant focus on the black population in the storytelling is a problem for some, the incorporation of Mrs. Pell and Connie, as portrayed by Frances McDormand and Park Overall, has it merits.

(From left, Darius McCrary as Aaron Williams and Lou Walker as Vertis Williams in the Alan Parker movie Mississippi Burning).

The break that ends the law enforcement tension above happens with a cost. Aaron and Vertis Williams, as portrayed by Darius McCrary and Lou Walker, respectively, suffer at a key point that brings about a swift transition in approach that may or may not be decisive. That this shift occurs is emotionally satisfying, whether Ward and Anderson actually come to appreciate each other afterward or not.

(From left, R. Lee Ermey as Mayor Tilman, Stephen Tobolowsky as Clayton Townley (based on Samuel Bowers) and Michael Rooker as Frank Bailey (based on Alton Wayne Roberts) in the Alan Parker movie Mississippi Burning).

Zeroing in on the community dedication to participating in or tacitly approving of it, outside the local police, included businessman Clayton Townley, Mayor Tilman and believer Frank Bailey. Stephen Tobolowsky, R. Lee Ermey and Michael Rooker portrayed Townley, Tilman and Bailey, respectively. That an attempt to connect the dots with these three, plus Lester Cowens (based on Jimmy Snowden), was an appreciated touch in the portrayed story. Pruitt Taylor Vince portrayed Lester Cowens.

(Actor Gene Hackman and director Alan Parker on location for the Alan Parker movie Mississippi Burning).

There is so many interesting choices made in the movie that we receive with Mississippi Burning. The choices in what to include and exclude thematically, both from the historical sense and then from the emotional sense of helping folks feel the importance of the story were solid. The decision not to take the perspective of the aggrieved parties themselves further, or the aggrieved class of people further, is interesting as a limitation; my sense is that the movie still works despite not going further. Additionally, the depth of the cast that told the story included additionally needs to be called out as a recommendation for this movie. I grant Mississippi as directed by Alan Parker 3.75-stars on a scale of 1-to-5.

Matt – Saturday, February 26, 2022

The Coen Brothers and the film ‘Fargo’

Joel Coen and Ethan Coen won the Academy Award for screenplay written for the screen with their film Fargo (1996). Frances McDormand won the Academy Award for her role as Marge Gunderson in the same movie. The film was granted five other Oscar nominations in the same year. While playing in the genres of crime, drama, and possibly thriller, the movie most correctly should be characterized as a dark comedy in small town America.

(William H. Macy stars as Jerry Lundegaard in Fargo).

The movie starts with Jerry Lundegaard, as portrayed by William H. Macy, contracting with two criminals to kidnap his wife in order to extort money from his father-in-law.  Lundegaard’s relationship with both his wife and her father was too weak to ask for a loan. The transaction is established in a backwoods bar in or around the winter environs of Fargo, North Dakota.

(Peter Stormare, right, and Steve Buscemi in Fargo).

The heavily dysfunctional criminals contracted for the kidnapping were Carol Showalter, as played by Steve Buscemi, and Gaear Grimsrud as portrayed by Peter Stormare. Harve Presnell plays Wade Gustafson, the domineering father to Jerry Lundegaard. As you may be detecting, the movie characters were given Nordic names. Actors spoke with accents to match. The aim here was comedic effect.

(Harve Presnell, left, and William H. Macy).

The foil in much of the movie’s shenanigans is pregnant policewoman Marge Gunderson, who we learned is portrayed by Academy Award winner Frances McDormand. Gunderson, the character, is married to Norm Gunderson. Norm Gunderson, as portrayed by John Carroll Lynch, is the bumbling yet loving and supportive husband with oddly homey characteristics that fit in remarkably well with all the homespun feel of this entire film.

(Frances McDormand as Marge Gunderson in Fargo).

Marge Gunderson, besides giving us the realism of a woman seven months pregnant, shows marvelously comedic restraint in tolerating truly appalling small town behavior throughout the film. The scenes including and alluding to Mike Yanagita highlight essential qualities of Marge for the audience.

(John Carroll Lynch as Norm Gunderson in Fargo).

Without having given away all of the jokes, plot, and comedy contained within this movie, let me articulate that this movie portrays the odd humor of the Coen Brothers well. The emotional impact for this movie for the pair forecasts some of the strange twists in storytelling and feel that future movies from these two would would foster. As mentioned, these two did win the Academy Award for the impact this film had for the folks voting for the Academy Awards following the 1996 movie year.

(Joel Coen, left, and Ethan Coen).

Fargo aims for an odd mixture of humor, awkwardness, and joke telling that is homie and effective in its own way. The humor is insufficiently main stream while being distinctly on brand for the Coen Brothers to recommend watching. My rating for the movie Fargo is 3.50-stars on a scale of one-to-five stars.

Matt – Saturday, February 23, 2019