The Year 2023 in Music

Continuing with our year in review, Matt Lynn Digital invites you to look back at the last year in reviews of books, movies, music and television. We look at these with individual categories, one per day through Sunday. Today we share music reviews offered by Matt Lynn Digital in 2023.

(Cover art for the Weathervanes album by Jason Isbell & the 400 Unit).

Beginning with our most recent review with a guest review of the Weathervanes album by Jason Isbell & the 400 Unit, as reviewed by friend of the blog Cobra. The 2023 album presented alternative country-rock that mixed in with roots rock and southern rock to entertain their fans. Our review of the Rick Rubin book The Creative Act: A Way of Being also represented 2023 with a top notch look into how creativity works in music production and other fields as well.

(Cover art for the 2011 Tedeschi Trucks Band album Revelator).

The 2011 release of the album Revelator by the Tedeschi Trucks Band offers the first of two albums from the 2010s in our annual review. Offering a taste of American traditional rock, blues rock and roots rock from a guitar virtuoso opens an album that I can and do listen to over and over again. The 2010 A Christmas Cornucopia album by Annie Lennox also presented a more contemporary music mix.

(The biopic Walk the Line depicted aspects of the lives of Johnny Cash and June Carter).

The movie Walk the Line (2005) provided a mostly autobiographical portrayal of the musical life of country musician Johnny Cash and his second wife, June Carter. Music from both performers were featured throughout the movie, which offered a compelling movie experience of the respective lives of the couple up to the point of their marriage.

(Cover art for the R.L. Burnside album Mr. Wizard).

A modern sound for the delta blues comes to us with the 1997 album Mr. Wizard by R.L. Burnside. The music tends to more of a jam format than some of Burnside‘s earlier work with influences on musicians making music into the current day.

(Cover art for the Van Halen album OU812).

The 1988 album OU812 (Oh, you ate one too!) by Van Halen incorporates the most hard rock or pop metal sound for the three albums we reviewed for the 1980s. Both the 1986 album The Way It Is by Bruce Hornsby and the Range and the 1985 No Jacket Required album by Phil Collins delve more into the so-called adult contemporary genre with a focus on message and sound this still hit for a somewhat different audience.

(Cover art for the Christopher Cross album Christopher Cross).

We’ve taken the 1970s decade seriously with a review of nine separate albums. The self-titled 1979 album Christopher Cross by Christopher Cross continues the adult contemporary appeal before the 1974 soft rock appeal of the Jackson Browne album Late for the Sky. Second Helping by Lynyrd Skynyrd gave 1974 a more southern rock or boogie rock sound with their second album.

(Cover art for the Dr. John album In the Right Place).

The 1973 Dr. John funk and piano blues album In the Right Place gives way to the more progressive rock sounds of Pink Floyd‘s 1973 album The Dark Side of the Moon and Yes‘ 1972 album Fragile.

(Cover art for the Chuck Mangione Quartet album Alive!).

The contemporary jazz and easy listening album Alive! by Chuck Mangione Quartet from 1972 introduces the final three albums with a largely instrumental sound. The soft rock album Teaser and the Firecat by Cat Stevens stands next to the blues rock, hard rock and heavy metal sound of Led Zeppelin IV by Led Zeppelin for the music of 1971.

(Cover art for the Miles Davis album Sketches of Spain).

Jazz and rock and roll provide our 2023 soundtrack for the 1960s. Holiday music for 1968 leads us to Christmas Album by Herb Alpert & Tijuana Brass. The seventh album for The Beatles gave us the rock and roll in the form of 1966’s Revolver. The John Coltrane album Giant Steps and the album Sketches of Spain by Miles Davis round out 1960 with jazz performances that warm our heart.

Matt Lynn Digital appreciates your continued interest in the content we offer. Should you have albums that you’d like us to review, please be sure to let us know.

Matt – Friday, December 29, 2023

Yes and the album ‘Fragile’

In opening a new year with the Matt Lynn Digital blog, we begin musically by reviewing an album released on this date, January 4th, 1972 per All Music. The English progressive rock Yes released the album Fragile with members Jon Anderson of Accrington, Lancashire, Chris Squire of Wembley, Middlesex, Steve Howe of London, Rick Wakeman of London and Bill Bruford of Sevenoaks, Kent, which we look into today.

(Presented here is the album cover for the album Fragile by Yes).

The opening song for Fragile was Roundabout, which as stated here proved to be a “breakthrough hit and one of their most well-known songs, but the band wasn’t looking for a hit at the time.” The keyboard as played by Rick Wakeman and the acoustic guitar play of Steve Howe to begin the song are both really strong and pronounced with this song.

(Presented here is the cover art for of the Dutch release of the single Roundabout).

The song Cans and Brahms proved a bit of the point above that Yes was looking to establish their sound as a band. The instrumental here experiments quite clearly, with Wakeman having done the arrangement. As quoted here, Wakeman said the music as presented “was dreadful, but contractual hangups prevented me from writing an original solo track.”

(Rick Wakeman of Yes).

We Have Heaven presents multiple vocal layers while seemingly expressing a psychedelic trip with their sound. Jon Anderson wrote the piece. As mentioned here, the lyrics in play were “Tell the moon don’t tell the marcher … He is clear … We have heaven”.

South Side of the Sky included liner notes in a remastered version that are quoted here. “The liner notes to the remastered edition of Fragile [described] the song as about a tragic polar expedition that ends in death.”

The instrumental Five Per Cent for Nothing comes in at 35-seconds long. Drummer Bill Bruford was the driving force for this song, which features his play.

(Bill Bruford of Yes).

Long Distance Runaround was written by Jon Anderson. Anderson was quoted here as saying the song was about “how religion had seemed to confuse me totally. It was such a game that seemed to be played, and I was going around in circles looking for the sound of reality, the sound of God.”

(Jon Anderson of Yes).

Chris Squire wrote Fish (Schindleria Praematurus). “The title comes from Chris Squire‘s nickname: he was dubbed “the fish” because of his tendency to take long baths. He also happens to be a Pisces,” as indicated here.

(Chris Squire of Yes).

Mood for a Day was written by Steve Howe. In discussing the writing of the song here, Howe mentioned that he “had settled down and just started new roots in [his] life and ‘Mood For A Day‘ was supposed to represent a happy mood for a day. I was about 28 when I realized there should be something more in my life than just the guitar.”

(Steve Howe of Yes).

Written by Jon Anderson, Bill Bruford and Chris Squire, Heart of the Sunrise fills approximately half of the second side of the Fragile album. In speaking of the philosophy underpinning this song and the album, Anderson was quoted here as saying that one “of the things that was always important for Yes was to create music for the stage to perform, not to make a record.” It was from that perspective that the lead singer for yes mentioned this song made him proud.

Matt – Wednesday, January 4, 2023