Rob Brown, Dennis Quaid and Clancy Brown in the Gary Fleder movie ‘The Express’

The 1983 Robert C. Gallagher book Ernie Davis, The Elmira Express: The Story of a Heisman Trophy Winner tells the story of multiple firsts in the impressive college career and illness shortened life of national champion, Heisman Trophy winner and Syracuse University football player Ernie Davis. We look at the Charles Leavitt screenplay for the Gary Fleder movie The Express (2008) that came from that book.

(From left, Rob Brown as Ernie Davis and Charles S. Dutton as Willie ‘Pop’ Davis in the Gary Fleder movie The Express).

The story of Ernie Davis begins with Davis growing up first in Pennsylvania and, in later in Elmira, New York. It is in Elmira that a young Ernie Davis first plays runningback in an organized youth football league. A number of years later, Ben Schwartzwalder of Syracuse University recruits Davis with the support of the graduating Jim Brown, who would go on to excel with the Cleveland Browns. Rob Brown, Dennis Quaid and Darrin Dewitt Henson would portray Ernie Davis as an adult, Ben Schwartzwalder and Jim Brown.

(Coaches from left, Dennis Quaid as Ben Schwartzwalder and Clancy Brown as Roy Simmons in the Gary Fleder movie The Express).

The sport of college football, a legacy of racism in Dallas, Texas made tangible through threats, and the effort to play The University of Texas at the Cotton Bowl Classic in Dallas for the 1959 championship on January 1, 1960 unfolds in the telling of The Express. An injured leg and biased officiating interject, as does further insult at the recognition banquet following the game. The outcome of both the game and the follow-up indicates something uplifting in the face of ugliness.

(From left, Rob Brown as Ernie Davis, Omar Benson Miller as Jack Buckley, Nicole Beharie as Sarah Ward and Aunjanue Ellis-Taylor as Marie Davis in the Gary Fleder movie The Express).

The story of Davis getting drafted by the Cleveland Browns, then of the National Football League (NFL), leads to the revelation of a life threatening disease during preseason efforts to get into condition for the coming season. The formal revelation by then owner Art Modell that the disease would keep Davis from formally fulfilling his professional dream happened matter-of-factly in the middle of practice. The formal announcement of the outcome was addressed with more class. Davis‘ recruiting of Floyd Little to Syracuse mirrors his own recruitment there with the aid of Jim Brown. Saul Rubinek and Chadwick Boseman portrayed Modell and Little, respectively.

(From left, Dennis Quaid as Ben Schwartzwalder and Darrin Dewitt Henson as Jim Brown in the Gary Fleder movie The Express).

As presented in passing in the movie, former United States President John F. Kennedy offered praise for Davis after the football player as a player and citizen following Davis‘ death. The tribute gave dignity to the sympathetic portrayal of Ernie Davis. I give The Express as directed by Gary Fleder 3.75-stars on a scale of 1-to-5.

Matt – Saturday, September 2, 2023

Dennis Quaid, Jim Caviezel and Shawn Doyle in the Gregory Hoblit movie ‘Frequency’

With the recent celebration of Father’s Day in the United States last Sunday, the link between father and son brought the Gregory Hoblit produced and directed movie Frequency (2000) to mind. Recommended to me by Engineered Tire Friend, the movie entertains a unique premise linking father and son across time in their Queens, New York home separated by 30 years.

(From left, Dennis Quaid as Frank Sullivan and Daniel Henson as 6-year-old Johnny Sullivan in the Gregory Hoblit movie Frequency).

The bond between firefighter Frank Sullivan and his son John Francis (Johnny) Sullivan, a policeman, was clear and strong from the moment we met the pair. The 6-year-old son and his father bonded over the New York Mets, who faced the Baltimore Orioles in the 1969 World Series. It was a particularly intense appearance of an aurora that connects Frank with his son, 30-years into the future over a single-sideband ham radio. Dennis Quiad, Jim Caviezel and Daniel Henson portrayed Frank Sullivan, John Sullivan as an adult, and 6-year-old Johnny Sullivan, respectively.

(From left, Noah Emmerich as Gordo Hersch, Michael Cera as Gordy Hersch and Jim Caviezel as John Francis Sullivan in the Gregory Hoblit movie Frequency).

John Sullivan and Frank Sullivan happen to have the unusual ability to speak over the ham radio, with the unusual effect of the son getting to save his father’s life. The realization that the pair is speaking of the 1969 World Series in the present tense of 1999, serves up the miracle of John saving his father’s life by relating advice for how to make a different decision in the fire that had killed Frank and truncated John’s emotional growth. A serious side effect is enabled, drawing in Julia Sullivan, Satch DeLeon and Gordo Hersch, John’s mother, John’s boss on the police force, and John’s neighbor and friend. Elizabeth Mitchell, Andre Braugher and Noah Emmerich portrayed Julia, Satch and Gordo, respectively. Michael Cera portrayed Gordy Hersch, Gordo’s son, while Stephen Joffe portrayed 6-year-old Gordo Hersch.

(From left, Elizabeth Mitchell as Julia Sullivan and Andre Braugher as Satch DeLeon in the Gregory Hoblit movie Frequency).

It is the ongoing ham radio link that enables the evolving memory of John, as a policeman in 1999, to realize how life has been changing as he is connected to his father. The connection leads to an evolving case of crime with multiple victims, without a clear understanding for why the simple fact of Frank’s life would have an impact on that crime. The drama commences, bringing into focus the experiences of policeman Jack Shepard, Satch DeLeon, and others closest to John in the two timelines. The underlying drama offers an engaging story of familial love, justice, and the lengths to go in pursuing justice. Jack Shepard was portrayed by Shawn Doyle.

(Shawn Doyle as Jack Shepard in the Gregory Hoblit movie Frequency).

Toby Emmerich had screenwriting and producer credit in bringing Frequency to the big screen. There’s a sweetness underpinning the mystery and dramatic underpinnings connecting the film. While there is an element of the film trying to be more things than it really needed to be, the core storylines pleasantly and surprisingly come together in offering a whole that exceeds the parts. I grant the Gregory Hoblit movie Frequency 3.75-stars on a scale of one-to-five.

Matt – Wednesday, June 21, 2023